I just had my Roland JUNO-60 fixed, so grateful to have this great instrument back in my studio #howardjones #Roland #juno60 #keyboard #humanslib
2. Experimenting with my first Prophet 5 #prophet5 #howardjones #keyboard #synth
3. HoJo x Roland TR-808 drum machine
Revisiting the Roland TR-808 drum machine which used to be a very important part of my one man set up. Can’t believe it still works! #808 #howardjones #80smusic #Hideandseek #equality #boucerightback #alwaysaskingquestions
4. Revisiting the Moog Prodigy
5. Revisiting the Yamaha VL1 Version 2
Revisiting the Yamaha VL1 Version 2 with the breath piece. A very special and unique synth I used on the Perform album #keyboard #yamaha #Vlone #HowardJones
"Some happy summer chords on the Modor NF-1 😎
With parameter build up starting from in Init sawtooth patch, in case you need some happy summer vibe in your studio too!"
"Welcome to Workflows – the series where we show you quick and powerful ways to create music fast.
In this episode, we’re diving into the Multitrack sequencer to create expressive drum patterns.
Whether you’re sketching ideas or building a full track, this approach is all about speed, inspiration, and control.
Let’s get into it."
00:00 Introduction
01:00 Multitrack setup
01:49 Track priority setting
02:18 Creating a pattern with 8 fully independent tracks
02:54 Adding velocity, gate length and repetitions
03:30 Drum Pattern generator
04:10 Using the performance pace with Multitrack
1. Part 1: 1010Music Bento Tutorials: One-Shot Samples and General Overview
Part 1 of the 1010Music Bento Tutorial Series where we look at the general layout and settings then dive right into the One-Shot track where we look at what we can do with the 16 sample slots.
2. Part 2: 1010Music Bento Tutorials: Multi-Sampled Instruments
Part 2 of the 1010Music Bento Tutorial Series where we take a quick look at multi-sampled instruments and what we can do with them.
3. Part 3: 1010Music Bento Tutorials: External Instruments
Part 3 of the 1010Music Bento Tutorial Series where we mess around with some external synths and drums and start to see the power of the bento in a live setting and as a writing tool.
4. Part 4: 1010Music Bento Tutorials: Looper Tracks
Part 4 of the 1010Music Bento Tutorial Series where loop and loop and show you just how practical and fun this can be.
5. Part 5: 1010Music Bento Tutorials: Sample Slicing
Part 5 of the 1010Music Bento Tutorial Series where we take what we looped in the last video and figure out how to find those sample and put them in a Slicer track.
6. Part 6: 1010Music Bento Tutorials: Granular Synthesis
Part 6 of the 1010Music Bento Tutorial Series where we load some of our previously recorded loops and grain them out while we take a look at the rest of what the engine can do.
7. Part 7: 1010Music Bento Tutorials: The Mixer
Part 7 of the 1010Music Bento Tutorial Series were just going though the functionality of the mixer and taking a look at the effects section and we do a rundown of the reverb algorithms.
8. Part 8: 1010Music Bento Tutorials: Sequencer, Scenes, Launch and Song Mode
Part 8 of the 1010Music Bento Tutorial Series/Saga were finishing it up by looking at how we can record sequences, build songs with scenes, and launch clips. Thanks for sticking with me!
"Ilian picks up where he left off, turning the WoFi into a live looping station once again.
Direct guitar input, sliced and rendered through the WoFi’s internal tools. He plays with sequences, sound layering, and FX tweaking in real time.
This one’s all about feel, gesture, and reactivity — showing how the WoFi can reshape even the most familiar sounds into something new."
"UNBOXING // IK Multimedia UNO SYNTH PRO X // Part 2 // TWEAKING Presests // No Talking Just arrived here. I could not dive deep into the synth. So I am scatchning only the surfice in this video and my short FIRST IMPRESSIONS of the new kid. Very versatile little machine with paraphonic mode to play triads and program triads in the step sequencer. 2 independet filter. 1 OTA HP/LP, 1 SSM style, parallel or in series. Now a few shortcomings: DISTORSION is welcome but has to be that harsh? Also: A programmable DISTORSION is a good feature but without a programmable overall level BEHIND the DISTORSION it makes the synth almost unsuitable for a live performance as for huge unsustainable loudness gaps between different patches. DELAY and REVERB are only average and far away industry standard. Flexible MODULATION ROUTING but it is quite a mess to readjust levels as there are for instance no dedicated attenuaters for LFO mod levels for the VCF. I understand that there is not much space on the panel 1. But LFO WAVE knob could get a 2nd shift function. Main job: LFO amount, shift-job: wave.... AND it does not feature a power switch. That's really bad when you hooked directly on your computer via USB-C. Every time when you'redone you must tear the plug or the UNO sucks your computer batterie empty. This could be solved. By a hint of a user. Pressing the hold button for a second or two switches the unit off. So at least an OFF SWITCH! The tune knob for the oscillators is multirange: The first 10 minutes plus and minus it increses and decreases in CT steps and in half tones. So you cannot detune the oscillators when shifted in the halftone range. The pots controlling plus and minus CVs could better feature a DENTED CENTER POSITION. For the TUNE knob it is not a big problem as it first advances in cents but adjustment FILTER ENV amount is sometimes very delicate and a quick cancelling of the ENV is not possible without a dented center position. Units with built in sequencer are often hooked up to computers and other machines as via MIDI or USB as slaves. And here this unit badly need a well functioning AUTO MODE so that it switches to slave automatically when an EXTERNAL CLOCK is detected at the input. Most other gear features this. So these were my fist impressions."
