MATRIXSYNTH

Roland AIRA Compact T-8 Beat Machine Demo & Review

video upload by Woody Piano Shack

MORE WOODY PIANO SHACK
https://woodypianoshack.com

Apæron AFOUR - FIRST INTERACTION#superbooth2026 #superbooth

video upload by motobor

"Apæron AFOUR - FIRST INTERACTION#superbooth2026 #superbooth Super cool and powerful synth and groovebox. 4channels of polyphonic madness. Deffinetly will keep an eye on this."

UDO DMNO exploring audio input

video upload by Infested Alien

"Audio processing through filters starts at 07:18"

Puremagnetik Etches | Getting Started

video uploads by Puremagnetik

"Etches Tutorial Series — Playlist Summary

A six-part walkthrough of Etches, covering every control on the instrument and how the sections work together. Watch in order if you're starting out, or jump to a specific video to reference a particular feature.

Etches is a touch-controlled synthesizer with FM oscillator, tape-style delay, stereo reverb, and an 160-second recorder. The series moves from setup through performance: power and calibration first, then articulation, sound design, effects, tuning, and finally the recorder.

**What's covered across the series:**

1. **Getting Started** — Power, stereo output, how the touch-resistive pads respond, SWELL as volume control, and calibrating SENS to your environment.

2. **The Articulation Pads** — STAC for plucked envelopes, DRIVE as combined overdrive and FM intensifier, INVERSE for parameter drift across seven destinations.

3. **The Oscillator** — FM synthesis basics, EDGE waveshape morphing, CYCLE for pluck character, and the FLUX/ORBIT pair that controls FM depth and rate.

4. **Effects** — Tape-style delay with self-oscillation, stereo reverb (SUSTAIN, FORM, WALLS), and the default signal flow through the instrument.

5. **Tuning** — ROOT for tonic, SCALE for quantization across twelve built-in scales, INDEX/SHIFT for ±4 octaves of transposition.

6. **The Recorder** — Splices vs. loops, REC and OVERDUB, the START/END loop window, TRAVEL as LFO modulation of loop points, SCROLL between splices, BLEND and SPEED, and the two routing modes.

By the end of the series, you'll have a working understanding of every knob and pad on Etches and how to combine them into musical gestures and full pieces.

#etches #synthesizer #ambientmusic #fmsynthesis #tutorial"

From Harsh To Mellow: Oberheim TEO-5 Synthesizer

video upload by Insect O.

"I played the Oberheim TEO-5 polysynth at Superbooth in Berlin. This synth goes from harsh, aggressive textures to warm, mellow tones with ease — especially suited for techno and electronic music production. The onboard effects sound great, the crunchy saturation adds serious character, and the classic SEM filter delivers that unmistakable Oberheim flavor. Through-zero FM opens up even more experimental and metallic sound design possibilities."

Sequential Prophet-600: Unison Arp #Syntg #Prophet #Arpeggiator #Patch

video upload by App Sound (by Matt Sour)

"A punchy and powerful arpeggiator patch which I've created with the Prophet-600."

Yamaha FVX-1 Demo 2 #dx7 #fmsynth #fmsynthesis #yamahasynths

video upload by Metunar

Demo 1 here.

Moog MuRF feedback

video upload by Todd Barton

"Today I got a question on this old video of my about my Res EQ feedback patch here • Serge ResEQ Feedback [posted here]
They were wondering if there was a non-modular guitar pedal that would do the same. The only pedal like that that I have is my vintage MoogerFooger MuRF pedal...so here goes it. MuRF Left output to its Audio input, Right output to Amp.

p.s. these pedals are expensive and discontinued . . . while not a fan of Behringer I do see they, of course, have made a less expensive knockoff."

Turning the Perkons HD-01 Into a Drone Synth

video upload by Mark Cee

"Drone sounds never really appealed to me until I started studying textures. Over time I became drawn to the idea — and to the tools used to compose this way. What I didn't realize is that I've had a very capable drone synth right under my nose for the last 3 years.
The Perkons HD-01 is usually known as a drum machine, but each voice is so much more which makes it great for sustained, evolving textures. I tuned each voice and sent it all through my Meris Mercury X for reverb. I couldn't help adding a few notes from the OP-1 Field on top. After that I just jammed and was reminded how the simplicity of an instrument like this never grows old. It's been my buddy since the day it was released and still brings me a lot of joy to this day."