Corsynth C106 - 303

"Only three modules were used
Corsynth C106 ( prototype version )
Corsynth C101 OTA Low Pass Filter
VCA"

Corsynth C106 - Delayed VCO Demo

"VCO1 to VCA1 - Envelope A controls VCA1
VC02 to VCA2 - Envelope B controls VCA2
VCA1 + VCA2 connected to the filter C101

The Envelope A triggers the Envelope B after reach the end of its Attack and Envelope B trigger Envelope A after reach the end of the Decay.

The Envelope A has a long decay so two VCOs can be heard during the decay of Envelope A.

And LFO is modulating the Envelope A (Attack and Decay)

The filter cut-off frequency is controlled using the A+B output."

Mos-Lab Kobol Oscillator: Wave sequence demo

Published on Feb 25, 2015 Magnus Gladén

"I bought a new VCO, the Mos-Lab Kobol Oscillator. What a great VCO, awesome hardware quality and sound. Here is a demo where I use the Synthesizers.com Q960 sequencer to control pitch and waveform modulation of the VCO.
The VCO is patched into the Corsynth C101 OTA VCF which is patched into the synthesizers.com Q107 State Variable Filter.

I’m using the high pass output of the Q107 and it is controlled by a third envelope which is triggered by the first step of the Q960."

Synthesizers.com Composition Contest Videos

Use the player controls on bottom to skip around.
You can find descriptions for each video below. You can find additional Synthesizers.com contest posts here.

Playlist:

1. O Z Hall: Zebra Synth

Dive into the enthralling world of synthesizers and witness O Z Hall's outstanding entry, "Zebra Synth", in the Synthesizers.com Composition Contest. Crafted with unparalleled precision and technique, this remarkable composition combines an array of captivating sounds that will take you on a breathtaking sonic journey.

Hall masterfully utilizes three distinctive patches in "Zebra Synth" to create an immersive soundscape. The first patch features a drone made using a Q106A oscillator, which is meticulously processed by a wave folder. Another oscillator, intertwined with linear FM from the wavefolder output, results in a fascinating "clang tone" that is beautifully amplified by a digital reverb.

In the second patch, a sequenced voice is artfully produced by employing two re-paneled Q106 oscillators. One output is channeled into the input of the linear FM, which subsequently provides intriguing timbral variations. The Q119A sequencer's 3rd row masterfully controls a Ratchet effect, adding even further depth to the composition. An expertly-applied digital delay effect enriches the output of this patch.

Lastly, the lead voice is ingeniously designed using the Q169 Dual Oscillator with Pulse Width modulation. O Z Hall skillfully manipulates the 24db/oct low pass filter in real-time to deliver an electrifying performance. The extended digital delay effect ties the entire sonic experience together.
O Z Hall's "Zebra Synth" draws its arsenal of modular synthesis tools from the Synthesizers.com catalog, including Q106, Q106A, Q119A, Q171, Q148, Q127, Q169, Q168, Q167, Q114, Q174, and Q175A modules. The creative process has been meticulously executed, showcasing how these modules can be combined to engineer a rich and dynamic sound adventure.

CLICK FOR MORE »