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Showing posts sorted by date for query EG WaveSHAPER. Sort by relevance Show all posts

Friday, June 26, 2015

New ELKA SYNTHEX 2 Website Launched


In case you missed it, see this post back on May 3, announcing the new ELKA SYNTHEX 2 from original SYNTHEX creator, Mario Maggi. Not to be confused with the recently cancelled SYNTHEX re-issue, the SYNTHEX 2 is all digital and has Mario Maggi backing the project. Below are the "preliminary and partial specifications". You'll find the new website here: http://www.synthex.it. Be sure to check out the ELKA SYNTHEX page for some great history.

"Preliminary and partial specifications

Polyphony
16 Voices
Versions
61-note-keyboard
Keyboard-less tabletop
1 Rack Unit expander
Portable expander
Keyboard

Thursday, November 20, 2014

New Doepfer A-147-2 Voltage Controlled Delayed LFO


via Doepfer, via PatchPierre.Net

"Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

VCLFO: voltage controlled low frequency oscillator

VCA: voltage controlled amplifier, switchable to voltage controlled polarizer

VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-color LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V.
The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the center position. In the center position CV has no effect and right from the center the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per periode) to 200 Hz. In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a unicolor LED (probably orange) and available at the "Delay Out" socket.

The manual Delay control ranges - without external "Delay CV" - from about 5ms (fully CW) up to 2 minutes (fully CCW). By means of an external voltage applied to the "Delay CV" socket this range can be extended. A rising CV shortens the delay time (behaviour like a VCO) !

The Delay output voltage ranges from about 0V to +5V. The rising edge of the gate, clock or trigger signal applied to the "Delay Reset" sockets resets the Delay output voltage to 0 V.

"Delay Out" is normalled to the VCA CV input by means of the switching contact of the "VCA CV" socket and consequently controls the Triangle level provided that no other patch is made. A typical example is the usage of a Gate signal (e.g. from a USB/Midi-to-CV/Gate interface) as Delay Reset. That way a delayed vibrato or tremolo can be realized if the VCA output is patched to the frequency CV input of a VCO (or VCF), or the CV input of a VCA.

But the Delay sub-unit can be used also independently from the LFO and VCA, e.g. as a voltage controlled waveshaper or for other applications where a linear increasing signal with voltage controlled steepness is required."

Monday, February 20, 2012

Doepfer Modular A-106-1 Xtreme Korg MS-20 Filter

via this auction

"below is the manufacturers info:
[possibly the longest ever]

Module A-106-1 has it's origin in our experiments to built a MS20 filter clone. The famous original MS20 included two filters: a 12 dB lowpass and a 6dB high pass filter connected in series both with a very special design (the MS20 highpass if very often described as 12dB high pass, but this is not true). During our researches we found a way to use the same circuit simultaneously as lowpass and highpass for 2 different audio signals (a bit similar to the A-101-1 Steiner Vactrol filter that has even different audio inputs available, but with the special MS20 circuit). For this two separate audio inputs for lowpass (LP) and highpass (HP) with separate level controls are available. The sockets are normalled, i.e. the signal applied to the LP input is available for the HP input too provided that no plug is inserted into the HP input socket. The level control of the HP input is realized as a polarized input. This means that the signal can be added with the same polarity (+ range) or opposite polarity (- range) compared to the LP input. This feature enables notch (+) and bandpass (-) filter functions too. From our point of view this is the most flexible solution that enables e.g. these functions: Lowpass: the audio signal is fed to the LP input, HP level control is set to zero, LP level control is set to the desired levelHighpass: the audio signal is fed to the LP or HP input, LP level control is set to zero, HP level control is set to the desired level (in this special case it does not matter if positive or negative amplification is chosen with the polarizer control)Lowpass/highpass mix with one audio signal: the audio signal is fed to the LP input, LP and HP level controls are set to the desired levels. special setting 1: if the level controls for LP and HP are set in a way that both levels are identical with the same polarity (i.e. + range of the HP level control) and no or little distortion only one obtains ~ a notch filter (the "~" indicates that the notch is far from beeing perfect, the attenuation in the passband is not as good as for other filters of the A-100 system, look at the frequency response curves at the bottom of this decoment for details)special setting 2: if the level controls for LP and HP are set in a way that both levels are identical with the opposite polarity (i.e. - range of the HP level control) and no or little distortion only one obtains ~ a bandpass filter (the "~"

Tuesday, December 14, 2010

Introducing the Intellijel uMod, uAtt and uScale

"uAtt: 4hp quad passive attenuator. Has jumpers to select log or lin response.

uScale: 4hp quantizer and intelligent interval module
-buttons to select scale notes
-duo leds show scale pattern (red) and realtime quantized note (green)
-Special multifunction "shift" input operates in range +/-12 semitones. Jumper on pcb to select 0-10V or +/-5V interface.
-With shift you can alter the output in multiple ways including: transposing before force to scale, transposing in scale (e.g. a value of "4" results in the note transposed 4 scale degrees instead of 4 semitones) and post scaling which allows very interesting key changes. The shift destination can be routed to the main noteA, interval note B, both or the scale root (again creates really interesting scale changes). Output B (interval note) is derived from the root note. It can be selected as +/-12 semitone value.
-interval note can also remain chromatic (not forced to scale) so that you can have fixed intervals. Nice for FM perhaps.
-8 banks x 8 scales of store/recall
-manual scale root note shifting (essentially shift scale left/right)
-** in process of adding a scale select mode via shift input
-This thing makes anything sound musical!!!


uMod
-this is the first of a series of collaborations with analog guru David G. Dixon and based primarily on the SSM2164 quad VCA chip
In his words:
Quote:
It’s a ring modulator with a twist. It’s got a “Q Balance” knob which puts it into four-quadrant multiplication in the middle, and – or + two-quadrant multiplication at the left and right. The X and Y inputs also have rectifiers which pass the –, –/+, or + portions of each signal with the flip of a switch. This, along with the adjustable multiplication, gives a whole range of sonic possibilities not generally available from ring modulators. It also makes a wicked waveshaper as well as a very interesting CV mangler. See the attached document for some random scopeshots (will post soon). AC/DC coupling switches on each input add to the possibilities. Plus, since it’s based on opposing linearized 2164 VCA pairs on the same chip, it is very accurate and has almost no CV bleedthrough (unlike most ringmods).

Special thanks to Haven, James Cigler, and Shawn for great input on these modules.

These three are in production and price/ship date will be announced soon. uScale takes more work since it requires programming and calibration but I am working 24/7 to get some units shipped before x-mas (even if it is a small batch)."
www.intellijel.com
via Muff's

Tuesday, September 15, 2009

Yamaha CS80 Voice Card

via this auction

"Will also work in the CS50 and CS60 synths. These voice cards are like gold dust, contains many ultra rare custom Yamaha IC's:
1x IG00151 VCA
1x IG00159 AMP EG
1x IG00153 VCO
1x IG00158 WAVESHAPER
1x IG00150 SUB OSC
2x IG00156 VCF
1x IG00152 VCF EG"

Friday, January 30, 2009

A brisk theme close-up


YouTube via attorks
"Again this video has close-ups so you can follow most of what is happening. At the end of the video I am slightly losing track of the beat but I don't think it is to obvious. The first sequence you hear is performed by the MFM Modular using the CGS Steiner Low Pass filter. The second sequence you hear is performed by the Synthesizers.com Modular using the Ian Fritz 5Pulser Waveshaper and All-In EG. The chords (sort of) are played on the Clavia Nord Lead 1. The solo's are performed on the Creamware MiniMax ASB using the AKAI AX80 keyboard."

Wednesday, December 20, 2006

Doepfer Universal AD/DA module

"The picture shows the first prototype of the universal AD/DA module. In principle this module is nothing a clocked AD/processor/memory/DA chain. AD means Analog-to-Digital converter, i.e. the analog voltage (audio or control voltage) is converted into a digital format with 12 bit resolution. The digital signal is processed or delayed by a microcontroller with a large memory and then converted back into the analog voltage by an Digital-to-Analog converter. The prototype has two AD inputs (with attenuator), two clock inputs, 2 pairs of LEDs, and two DA outputs as for certain functions (e.g. voltage controlled bit crusher or waveshaper) two voltages are necessary. The mode is selected by means of 8 buttons and a LC display.

Examples for processing (without using the delay memory): bit crusher, bit exchanger, audio and CV waveshaper, Hz/V-to-V/Oct converter and vice versa, and many more. In principle everything that can be realized by calculating the AD output using certain rules and then converting the result into a voltage by the DA converter.

Examples for processing (with delay memory): clocked audio/CV delay with adjustable memory length between 128 (e.g. for flanger or Karplus/Strong) up to one million (for long audio delays many seconds or even minutes), digital sequencer (i.e. recording/storing/plaing back a CV).

The clock input is used to trigger AD/DA conversion. For audio signal processing the clock has to be in the audio range or beyond (e.g. from a VCO or high speed VCO). For CV processing the clock can be slower.

The final module(s) will probably look different. The prototype is used as a kind of defelopment tool to find out which function are useful. As soon as we made our first experiences and have found out what is possible we will probably start a poll in the A-100 Yahoo group how many different modules with which kind of controls should be released after all. The prototype will be probably shown at the NAMM booth of Analogue Haven in January."

via sequencer.de
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