The best DB-01 feature you're probably not using

video upload by Richard DeHove

"It's the one trick grammy award winning dentists don't want you to know - yet nine out of 10 cats agree! Seriously though there are functions on some machines that you just never get to unless you go digging. I'm a big fan of the DB-01 arp, especially jamming over the top of existing sequences. And recently I made a huge discovery. Well, actually, a tiny and insignificant realization, but it was that in the DB-01 arp section "PIA" stands for "piano" and "STP" stands for "step". For two years I was guessing at that acronym. A cosmic ray must have nudged a defective neuron aside. Yeah, obvious to you but not me. It turns out that "step" is a fantastic auto-slicing jamming function.

In the comments a while back someone said they enjoyed my "crusty" take on things. That means "a little bit grumpy". I like that. I am a little bit grumpy - about a lot of things. One thing I don't like is demos with too many machines. What tends to happen is that one (or more) machines get latched onto some never-ending-16-step-loopy-thing. Or maybe more than one. I don't like that (but of course I've done it lots of times). I get irritated these days when just one machine is endlessly repeating a 16-step pattern. Did any of the great composers just mindlessly copy bar after bar after bar of the same sludge just to fill out supporting instruments? Of course not. (Although I do like Phillip Glass)

OTOH modern machines usually present you with a 16-step grid. So what can you do?
Which brings us back to STP "step" mode on the DB-01 arp. A single, boring, 16-step pattern can be sliced up on the fly and made into endless variations. Possibly the best use of this is recording it as audio and slicing it up in the DAW. Or perhaps live performance. Whatever you do it's a good way to make 16-steps a lot more interesting. The quick version of this is to take an empty pattern, go into the randomizer and "randomize all" (the button on the far right). Now you have an unplayable mess. But with the "step" arp (latched) you can probably pick out selected parts and make something coherent. In any case it's entertaining. What do you think?

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/
My other channel "IntraCosmos" of long-play dark ambient textures:

/ @intracosmos"

Hardcore Krell with the DB-01

video upload by Richard DeHove

"When I explained to a friend that I was doing a Krell patch on the DB-01 they summed it up as: "Blips and bloops with added bass and distortion". That sort of hurt but actually seems quite accurate. The nature of a Krell patch is absolutely blips and bloops. At least using a DB-01 you avoid the next level of modular insult which is 'a $10,000 fart machine'.

On a more positive note, this little project does highlight that the Erica Synths DB-01 is a very fast and capable generative machine and an able sequencer.
(No other effects or processing of the sound other than what you see.)

0:00 Krell blather
0:37 Patch setup
2:30 Bass starter
2:48 Lead starter
4:14 Random but not krell
5:45 Random playback
6:32 Envelopes via LFOs
8:13 Krell time
10:41 No effects
10:55 Pause to sparsify
13:00 Lead VCA tweaks
14:00 More pitch control
17:37 Krellish
18:00 External CV crazytime

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

A DB-01 noodle: Gates as ghost notes

video upload by Richard DeHove

"Ghost notes (or grace notes) are little extra hits or embellishments that add a subtle extra feel or layer. With the DB-01 the CV gate input and CV VCF inputs are perfect for this. Here I use the Fractio Solum by Noise Engineering to provide the gate signals. The LFO into the VCF CV is from the Erica Synths Drum Modulator dual LFO. Both are synced to the same clock as the DB-01. To give the programmed notes on the DB-01 a bit of extra initial envelope the internal LFO is set to reset with each note.
There are three audio examples. The effect is reasonably subtle so if you watch the actual notes on the timeline versus the audio "hits" then the ghost note effect is more obvious. You can also see the trigger light on the Fractio (the white cable) to see when the gate is firing. Pattern three has an odd 4/3 gate timing which produces somewhat off-beat hits.
I think the main value in the ghost notes is to create variations of standard patterns that can help maintain interest and movement. And they're fun to play with :D

0:00 Intro blather
0:25 Pattern one
1:00 Add an LFO
2:23 Pattern two
4:02 Pattern three

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

The Dream of Allan Gray

video upload by Richard DeHove

"This is a single DB-01 drone track recorded exactly as you see it with no editing. Nor have any effects, compression, EQ or limiting etc been added in the DAW (other than the sci-fi movie talk samples). The DB-01 is running into the Light pedal on feedback mode. (Thanks to @aopaul for suggesting turning down the dry level which has entirely solved the noise issue into the Rat). From there it goes into the Rat, and then into the Shift Line Astronaut for some modulated stereo reverb.

A very slow LFO on the DB-01 opens the filter enough to better activate the feedback on the Light pedal which gives the periods of relative peace and intensity. The DB-01 is also on random playback with a handful of notes on bar 1 and the other three bars empty. The Astronaut pedal has a very slow modulating octave shift in the reverb and the Light pedal has a very slow shift in which optical sensor pair is active. All these slow modulations deliver the needed variation.

The old video is all from 'Vampyr', a 1932 Danish-German horror movie. That's combined, somewhat oddly perhaps, with audio samples from the 1953 sci-fi classic "It Came From Outer Space". It wasn't hard to find the good bits in that since I first sampled it way back in the day on my old EPS. We even had a song in our live set which used one of the quotes from the movie as it's main hook "Our mission was to another world". Good days. Of course I couldn't re-use that same sample here :D

The title of this video comes from the original full title of the Vampyr movie: 'Vampyr – Der Traum des Allan Gray' or in English, 'The Dream of Allan Gray'.

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Essential guide to the DB-01 Bassline (2024 edition)

video upload by Richard DeHove

"This guide is meant for new users and is ordered to present the information you need as you start to explore the machine. So if you've just got your machine, plug it in and follow along, and by the end of the video you'll know 95% of the functions and be happily creating, saving and tweaking patterns. The DB-01 really is an amazingly well-balanced machine that can do much more than mere basslines.

My original guide to the DB-01 was published back in 2020 and although it's one of my most popular videos it was done on a crusty camera and onboard mic. So after dozens of videos about this sturdy little machine, I thought it deserved a redo.

If, at the end, there are areas where you want more detail, there's sure to be a video about it in my DB-01 playlist. Please have a look. If not, ask in the comments, I try to answer every question.

CLICK FOR MORE »

Erica Synths DB-01 Quick Tip: Drone mode

video by Richard DeHove

"Drone mode on the DB-01 is simple and obvious yet can add a lot of power and variation to even the most simple patterns. Here drone mode is combined with a saved scale and a synced LFO. You could easily adlib an entire song!

Effects used here are only what you see: a Carbon Copy Deluxe and an MXR Phase 45. The DB-01 is otherwise alone and unprocessed: no EQ, compression, limiting, volume change etc. And of course, just a single track.

For more on the DB-01 see my playlist of tutorial videos and tips: [previuos posts here]

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

Two Erica Synths DB-01s attempt Subharmonicon ambience

video by Richard DeHove

"Can two Erica Synths DB-01 Bassline machines achieve Subharmonicon-style ambience? They are wildly different in design and capabilities but the DB-01s can do a surprisingly good impression of "meandering ambience". Here I run through the entire setup and tweaks with less talking as the video goes on. What I did find is that the wonderful Polivoks filter won't be denied and the machines seemed to naturally gravitate to grit and filth and finally ended up in dark ambient territory. For contrast listen at 4:35 and then jump to 20:20. Both machines are running through the same Fabfilter Pro-R reverb setting at a 25% mix.

PS: The focus becomes steadily softer through the video. Why? Who knows, but it's the last time that camera will fail me. Next time, a new camera.

0:00 Intro blather
0:24 Adding steps and setting the scale
0:39 Step cycling
1:00 Setting the LFO
1:36 Polymeters
2:03 Percentage probabilities
2:39 Second LFO adjusted
3:08 Polymeter and LFO settings overview
3:23 Music finally starts!
3:37 Drone mode added
3:53 Setting the random pitch range
4:35 Subharmoniconicky yet?
6:45 Restricting pitch to one octave
8:15 One high; one low
8:55 LFOs to sample and hold
9:28 A few extra steps
11:06 Slowest possible synced LFO
12:40 Both set to two octave range
13:26 Thinning out the patterns
14:00 Grit appears
14:56 Both to triangle waveform
15:08 Getting dark and dirty
17:40 The Polivoks Revenge
20:20 Outro jam: the DB-01s back in character

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

Richard DeHove Erica Synths DB-01 posts

MidiCake Arp embiggens the smallest mono synths

video upload by Richard DeHove

"It's a rare day that I'll abandon the superb sequencers of the DB-01 for an external source. Much is lost when you go external - accents, filter modulation and pitch envelopes just for starters. Yet the MidiCake Arp gives in return: Powerful one-finger pattern-play, gate length modulation, 32nd notes and even patterns with portamento.

So here are five example Arp patterns ranging from somewhat cheesy to somewhat dark. Ideally I would have used lots of other effects, but I wanted to keep everything compact so one DB-01 gets the DM-2w delay, the other gets either the Astronaut reverb or Nemesis delay.

For some reason the Arp locks the DB-01s LFO sync to one rate, so the LFOs are always free-running. Other than that it was very smooth. The DB-01s are of course in "key" mode because that's what's needed to trigger them. A useful byproduct of this is that the DB-01 portamento can now be used in sequences!

The MidiCake Arp is an amazing little machine. Complex, but amazing. After many hours I know I'm just scratching around doing pretty obvious things yet that's still very satisfying. I rather like that its possibilities are so vast you can choose your own way into its abilities. In the five examples I mostly have 'play' mode enabled which means the patterns run as a continuously synced whole. In others 'play' mode is off and I manually trigger things (tracks 4 & 5), which is much more unforgiving, but gives a little more flexability. In any case you can see how simple the basic notes are against the complexity of the result.

As usual I've kept everything simple (ie without drums etc) so you can get a good idea what's going on. And no DAW post-processing of any sort.

0:00 Flutterings
0:56 Memories
2:16 Pokery
3:25 Sliders
4:42 Regrets

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Vermona PerFourMer MkII: Dark ambient (no talking)

video upload by Richard DeHove

"Two DB-01s are used to sequence the Vermona PerFourMer MkII. The bottom DB-01 is just a single note sequence sent to channels 3 (bass) and 4 (scream thing) which alternate. The top DB-01 is on random payback and triggers voice 2 which is low rumbly noise. This voice also has the SpaceTime pedal as an insert effect. Voice 1 is played by me on the little Korg keyboard. It uses the B3K pedal as an insert effect. The master stereo outs go direct into the Zen delay which has a good dose of overdrive. With an overdribe through an overdrive it has a bit of a noisefloor which headphones will reveal as soft soothing noise. No other effects or processing.

I was tempted to include the sounds of the DB-01 units, which fit rather well, but thought it was more useful to just have the P4 as the only sound source. Sometimes in demos I find it fristrating if there's too many machines playing since you never know what each machine is doing.

Instead of talking I used captions. Better or worse? Would love some feedback. Some people hate voiceover stuff even if it is a far faster than text and want the audio kept pure. Ob the other hand maybe captions are distracting?

No timestamps since it's all just a big noodle.

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

Finding Throbbing Gristle on a DB-01

video upload by Richard DeHove

"What happens when you push audio-rate CV modulation into the DB-01 ? All sorts of interesting squawks and overtones. Here I experiment with feeding the audio output of a Schlappi Engineering Interstellar Radio into the filter and pitch CV inputs of the Erica Synths DB-01. After a short blab session explaining the basic parameters I switch to a slow FM drone and the Throbbing Gristle fun begins. For fans of the 20 Jazz Funk Greats album, the end of this video attempts to channel the memory of the wonderous Hamburger Lady.
The effects used are what you see: a Boss GEB-7 bass EQ, then into a Donner White Tape delay, and finally a Boss RV-6 reverb on the 'delay and reverb' mode. No DAW effects used except for some very gentle limiting on the master output.

0:00 Intro blabbing
2:20 Pattern noodling
4:50 Setting up the Gristle
6:00 Daisy the Cow
6:40 Throbbing begins
9:00 Maximum Gristle

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

Tortured DB-01 filter harmonics soothed with a Big Sky (no talk, possibly no music)

video upload by Richard DeHove

"I like melody. Looking back at when I played synth-punk live back in the day, the music then probably had too much melody. Well, I'm making up for it here. It's just playing with sweet-spot harmonics made bearable by the newly-bought Big Sky. Too nuanced? Too nerdy? Not even music? Maybe, but look at them harmonic peaks :D

In my recent post asking whether I should send back this glowing blue reverb cliche a sizable group voted for "Make some videos and we'll let you know". It's got to be some praise for the Big Sky that these droning harmonics suddenly became sweet to my ears. In fact I didn't intend to make a video about this at all. I was just booting up the new Big Sky to make sure it worked (after my sad experience of a DOA Line6 DL4), got to preset number 2, tweaked it, twiddled the DB-01's filter knob, and here we are.

So there's some hesitation in posting this since it seems incredibly obscure. Five minutes of resonant squeals? Yet I found it strangely hypnotic and satisfying. The only other filter I've come across which was even close to the Polivoks in twiddle-fun was the classic Moog ladder on my now long-departed Sub-37. It is also fun to discover separate tones with tiny filter movements. OTOH maybe it's just the Big Sky doing all the work?

Perhaps it's best to look on this as you would a dreamy session on a Lyra-8: It's not so much music as a brainwave meditation session. And that's not bad at all for a little mono bassline synth.

As usual there is absolutely no processing other than what you see: A DB-01 and the Big Sky (plus the old sci-fi samples).

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Norand Mono and a DB-01 - noodlings (no talking)

video upload by Richard DeHove

"Both the Norand Mono and the Erica Synths DB-01 are best known for furiously zipping along through 16-step patterns, although both can easily move into very different realms. While fiddling with the filter and resonance on the Norand (and applying envelopes separately to both) I came across an interesting effect where they sometimes seem to split off into two voices. I couldn't quite decide whether it was spooky, or had a sort of Arabian flavor. The DB-01 seemed a natural fit so I added a very simple drone-mode pattern. Both machines have an added touch of Valhalla delay in Reaper but are otherwise as you see them here.

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

Using the DB-01 for live dronescapes - Part 2: Deeper and Dirtier

video upload by Richard DeHove

"A much longer exploration of dronescapes on the DB-01. I find these long distorted dronescapes strangely therapeutic and relaxing. As I mention in the video it reminds me of the Lyra-8. That device I found more to be personal therapy than musical instrument, but is a fantastic way to relax and drift away.

Part 2 takes a different starting point: Multiple steps in a key to create smooshed chords. I could have explored this a bit more, but the idea is to restrict the playback key range, then to randomize the pitch, and get different chords. For more variety you could then transpose the entire thing.

The Death By Audio Rooms reverb is providing the required ambient blur and I keep it on the basic 'Room' reverb type. This video is hopefully both a useful collection of ideas for DB-01 dronescapes as well as being somewhat calming in its dirty dark ambient gloom.

0:00 Setup blather
0:42 Choose a scale
0:50 Pattern setup
1:27 Random pitch
2:20 Playback mode
2:52 Gate length
3:45 Effects on
4:28 Attack amount
5:20 Filter wash
6:18 LFO settings
8:00 Playback range
8:35 Amp emvelope
8:53 Drones begin
12:18 FM pitch
14:50 Adding an arp
17:06 Lyra-8 style ?
18:28 Dry sound lol
19:00 Scream
19:57 Where beauty lives

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Behold the power of the DB-01 triangle

video upload by Richard DeHove

"Saw is everyone's friend, square is famous, so where does that leave triangle? The quiet one of three three, but beautifully formed and hides many talents. This is sort of a jam video, a tribute to the triangle but also a way to demonstrate a few different techniques to use when playing live.

First, the triangle is the only primary waveform used here to generate all the sounds. That varies from the cute little plinky sounds of a pure high triangle to the almost brassy sound when the sub-oscillator is layered in. The pattern consists of just three notes spanning three octaves so it's incredibly basic. But the contrast between the low hits and high plinky-plonks going through the Nemesis delay rhythmic setting creates the illusion of a much richer - even layered - pattern with drums. But of course it's all just one layer on the monophonic DB-01.

I'm playing the DB-01 arpeggiator over the top of the pattern and this causes the pattern notes to sometimes be "overwritten" and drop out which appears like a pattern variation. Then by varying the length of the arpeggiator gate you can get apparent note length differences between the pattern and the arp. The LFO synced to a 6-beat loop on a saw shape adds to the variations.

As usual there are no other effects used or DAW processing. But I did do some chopping up of the piece to trim it back from its magnificent 18-minute original :)

Images are all original creations on the theme of triangles using the Stable Diffusion AI platform.

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Afterneath V3 on synth with CV control (no talking)

video upload by Richard DeHove

"There's plenty of videos which show Earthquaker Devices' Afterneath V3 doing all the usual reverb things, so here I thought I'd just show what happens when you apply CV. The expression jack accept 1v/Oct CV, although it doesn't track pitch. Because of that I mostly ignore the Major, Minor, Pentatonic scale modes because they don't really work anyway in terms of tracking pitch. Despite that there's lots of interesting weirdness to explore.

Here I'm running a DB-01 through the pedal. the DB-01 CV out is being mixed with the CV from a synced LFO. I experiment with different LFO shapes, rates, and blends of the LFO and DB-01 pitch CV.

In my first edit of this video I chopped everything up into highlights, but I abandoned all that and went with the unedited noodling instead. I think it's more interesting to see the process of getting from one effect to the next even if that means a few interludes of mush. Hope you find it useful.

ps: This is not a sponsored video, I bought it at full price with my own money.

0:00 Dry sound
0:20 Mode 2 (unquantized with slew)
1:05 Squeaky gate!
1:20 Very slow LFO CV
2:40 Reacting to dynamics
3:30 Faster LFO
4:08 Ramp up LFO
5:30 Slow sine LFO
6:00 Whooshy zing
7:30 Chopping LFO
8:45 Slow ramp
9:18 Dry sound
9:42 New pattern (at last!)
10:14 Ramp up LFO CV
11:40 Octaves mode
12:10 Octaves and fifths
12:30 Chopping LFO CV
13:05 Dry sound
13:12 Fast choppy LFO CV
13:50 Slow sine again
14:40 Extreme LFO CV
15:00 Extreme LFO CV with slew
16:20 Square wave LFO CV

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

DB-01 with Light pedal feedback - and JPTR FX Add Violence

video upload by Richard DeHove

"There's something very satisfying about the DB-01 and dark, deep drones. Maybe it's the Polivoks filter and that big knob.

In this setup the DB-01 is going into the Gamechanger Audio Light pedal in Feedback mode with everything cranked. From there into the JPTR FX Add Violence pedal and then into the Nemesis delay. This order seemed to work better than the Light pedal after the distortion. There's no audio processing in the DAW. Quotes come from a 1940s movie through the Valhalla delay.

The original noodle - which I was trying hard to keep short and sweet - was eight minutes, but how much grinding feedback drone is too much? So here we are at about four. In hindsight it would have been good to have something after the Light pedal that could more severely mess with the feedback tone. Next time :D

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Two White Tape delays in series with a DB-01

video upload by Richard DeHove

"The White Tape delay by Donner is a cheap, simple, dual delay. The left and right channels are totally independent with their own rate, level and feedback. The units handle line level well and were very happy with chewing on the Erica Synths DB-01 Bassline.
The delays themselves are not overly exciting in any way, the mix doesn't go very high (certainly not 100%) and in keeping with the "tape" idea tend to be a bit low-fi. But as a pair of cheap and cheerful stereo-ish delays in series they do an excellent job and delivering somewhat dubby-sounding thickness.
In the second half of the demo I switch the DB-01 into drone mode and let the FM control the pitch, modulated by the S&H LFO. This is where the two delays seemed most happy giving real thickness but without the drenched fuzziness of a reverb.
0:00 Overview babble
1:24 Weedy pattern
1:48 Full feedback
2:09 Full mix
2:40 In series
3:44 Delay times?
5:23 Seasick droning

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

The easiest way to jam on a DB-01

video upload by Richard DeHove

"A good friend of mine bought a DB-01 a while back and when he visited recently was disappointed he forget to bring it along. 'You could have punched in some good patterns for me' he said. Which made me think that for some people programming the DB-01 is a not how they have fun. Which is a shame. And yes, if you're going step-by-step trying to make a riff by note numbers or building it up cycle by cycle that might not be premium entertainment.
So here's what I think is the easiest way to use its powers to jam along and end up with various chunks of recordable audio which can be later chopped up to make a full track.
The effects here are a Zen Delay and Strymon Mobius, but any old stuff will do. Just bring it in and out, twiddle the filter and find some notes on the arpeggiator that sound good.

0:00 A two note pattern
0:50 Mobius Formant
1:05 Zen delay
1:35 Some drive
2:10 Pitch Envelope
2:27 Arp fun
3:46 Mobius Quadrature
5:12 Calm again
5:26 Mobius Destroyer
6:00 Mobius Formant
6:50 Open the filter

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove Many thanks to my kind patrons who keep this channel ad-free"

NUX Duotime dual delay with the DB-01 synth (no talking)

video by Richard DeHove

"Some initial noodling with my newly purchased NUX Duotime. Nice solid metal case with stereo in and out. The feedback knobs are limited so they can't get into speaker-busting oscillation - so you get all the anxiety of runaway repeats with none of the damage.

Here I just faff about on the DB-01 while going through each mode. Note at the end the Verb setting has a shimmer you can dial in. No other effects, EQ or limiting used.
0:00​ Analog
2:42​ Tape
3:47​ Digi
6:31​ Mod
7:16​ Verb

For more on the DB-01 see my playlist of tutorial videos and tips: [previuos posts here]

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

Squeezing variations from 16 steps with the DB-01

video upload by Richard DeHove

"Even the best 16-step pattern gets stale after too many spins. Here I look at a few simple ways to create variations without actually writing any new steps or copying patterns. The LXR-02 helps out in the background. The routing is just the DB-01 into the Boss GEB-7 EQ and then into The Glove pedal. The LXR-02 stereo out is being used as two channels - one into the Boss delay, the other into the Mosky Audio muff clone. The snare sounds are panned mostly to the delay and the bass drum mostly into the Mosky.

The DB-01 is the clock master and one voice of the LXR-02 is simply following the melody from the bassline. The 2-bar LFO on the LXR-02 melodic voice gives it a slow wave effect.

As usual there are no other effects, tweaks or modifications to the sound - only what you see.
ps: Still having some camera wobble issues. I'll solve it next time for sure :/

0:00 No talk variations demo
3:27 Routing setup & FX
6:40 Variation by LFO
8:06 Adding sustain
8:53 LXR doubling
9:32 Key mode mute
10:15 LFO sustain
10:45 LXR tinkles
11:35 Add a pedal

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"