MATRIXSYNTH


Tuesday, May 19, 2009

Timelapse Malmo - Jean-Michel Jarre


YouTube via jeanmicheljarre. "A whole concert, summarized..."

"I Don't Want To Lose My Man"

flickr by msxgalaga

full size

"yamaha dx100 synthesizer ad"

Anyone know what "I Don't Want to Lose My Man" is in reference to?

synth-spares - Spare Synth Parts on Ebay

click here for the list of parts from synth-spares on Ebay. I also added a link to synth-spares under the More Stuff section on the right for future reference.

pictured:
Original ROLAND TB-303 / TR-606 MODE / SELECT DIAL

Original ROLAND TB-303 / TR-606 TEMPO / VOLUME DIAL



Update via Thomas in the comments: "Check their/this website for stuff and a nice synthbabe"

MC202 does Squarepusher


YouTube via HeresJamesPrice
"Here is the Roland MC-202 playing Theme from Ernest Borgnine by Squarepusher. It is going through my first-gen Alesis Midiverb that I recently cleaned (hence the open face). Not completely accurate, but not bad for having not heard the track for a year or two."

Roland MC-202 does Aphex Twin

"A simple demonstration. The Midiverb is important."

Conn Electric Band Analog Synth Video

see the update in this post.

Bob Moog Birthday Celebration - Enter the Mind of Moog

This is a reminder that the event (previously posted) celebrating Bob Moog's 75th birthday (May 23rd), is coming up on this Thursday, May 21.

There will be some items auctioned off including a rarely seen photograph of Bob Moog, a Little Phatty synth, and a full day of recording at Echo Mountain Studios.

You can find more info on The Bob Moog Foundation Blog

Also see http://www.moogfoundation.org

The History of Ableton Live

Just saw this one on bleepology.
You can find the full history here.

"how it all began...

I make music with computers. But I am also deeply into creating tools for making music. And this is why I became one of the creators of a quite amazing piece of commercial music software, Ableton Live. This text here shall provide a bit of insight into Ableton and my role there. Ableton was founded by my former Monolake partner Gerhard Behles, together with two other brave young man, a developer, Bernd Roggendorf and a finance person, Jan Bohl.
Image: screenshot of a pre-release version from November 2000"

AudioTrok

http://www.audiotrok.com

Synth repair and synths for sale in France and neighboring Europe.

::vtol:: mad robosynth jam

::vtol:: mad robosynth jam from ::vtol:: on Vimeo.


"rear company))))) 4 together

read about Robo - samoletuvvp.narod.ru/vto/diy/sun2.html"

the squarewave parade TeaspoonCAS KINK Edition

"KINK edition extras
internal paint
black pcb
CAS shirt - image and colors below
unicorn blood - i owe everything i have to it - do not consume
handmade bag - thanks mom and little sis
printed manual - clear blue plastic cover sheet - six pink pages - fits inside back panel
3 year warranty - 1 year standard

the teaspoonCAS [ creamandsugar ] can be called a window sampler, a granular sampling gate, a granular trigger or something along those lines. its main intention is as a handheld voltage controlled instant looping playback sampler. there have been a number of features added in an attempt to make it universally applicable. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is a larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversions and feedback loops. the input / pre will accept anything from direct guitar input to lower synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping if the source is clean and loud enough. the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a common sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach roughly one second though at the expense of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that those of you that do not yet understand CV don't really need to, you can use anything from standard modular control sources to DAW based audio editors to draw out shapes and just plug the audio out into the CV input and it will work, easy as can be, volume in your editor then become size. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand" more info and samples
PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH