MATRIXSYNTH


Thursday, September 10, 2009

YAMAHA SS30

via this auction
"A chunky (its heavy, 20kg!!) wood veneered string synth from the 70's. Its a dedicated string synth with all the control needed to make those 70's string sounds. It really has a rich and lush sound , wonderfully simple and effective controls.

Control section running from left to right

pitch/ detune - The outer pot adjusts the overall tuning and the inner pot detunes the voices against the pitch which can produce a wonderful thickening effect ( some sources describe this synth as a duphonic/ multiphonic ,others describe it as a 4 voice polyphonic. It uses divide down chips enabling all keys to be played at once)

Orchestra -Depth ( Speed 1/2 ,cello ,violin ) A great ensemble effect with 2 different effect types (speed) and the ability to separate the effect between cello and violin ( so you can have ,for example cello effect and violins dry )

Vibrato ,Delay/Depth- Very nice vibrato effect.

Sustain, Cello /Violin - sustain 1 control each for cello and violin giving again the ability to have separate amount of sustain for cello and violin sections . Very short to very long .

Keyboard split 0/1/2/3 .0 setting is no split and just the violin sound over the whole range. 1 gives a split with the lowest octave for cellos the rest strings. 2 setting gives 1 and a half octaves to the cello . 3 gives 2 octaves to the cello. The splits are indicated by a white dot above the note on the control panel

Cello ,Volume, attack/slow ,cello1/cello2 - control section for cellos giving control over attack fast/slow. Choice of 2 cello sounds.

Violin Attack/Slow, Viola/violin1/Violin2 /Volume - Same as cello control section though the volume is at the far right.

Brilliance Cello/Violin Very usable low pass filter for cello and violin."
Yamaha SS 30

Suzuki OMNICHORD System Two OM-84 with Case

via this auction

"Original 1984 Suzuki OmniChord Synthesizer. Complete with Carry Case, Footswith Pedal, A/C Power Adapter, and Instruction Booklet. Superb Condition with Original Plastic Overlay.

*OmniChord Synthesizer System Two, Model # OM-84...Guitar, Organ, Piano, and Bass Drums, All-in-One.

*A/C Adapter Model: OCA...Use to Prolong Battery Life or use for Extended Periods of Play.

*Footswitch Model: OFS-2...Chords in Memory can be played back with your Foot, leaving your Hand Free to Play Melody and Strum the SonicStrings.

*Modular Carry Case Model: OMC-2...This Durable case in Constructed of Unbreakable Plastic with Enough Storage for System and Accessories. Padded Storage case is Perfect for Transport."







MOOG Sonic Six 6 Analog Synthesizer


via this auction

"This is a vintage Moog Sonic Six, a little-known and even less understood two-note synth from the mid '70s. Every once in a while, one of these pops up on Ebay with very little description of what it really does. I think it’s time to change that. The first thing most people want to know is how it stacks up against the iconic Minimoog. Here is my own (maybe somewhat biased) comparison.

What you get: Think “Minimoog”, then add another LFO, add a ring modulator, add a 4-octave keyboard, add two-note capability, add more modulation routing capabilities, add a built-in carrying case, and add a practice amp and speaker.

What you don’t get: You don’t get a separate envelope for the filter, since there is only one used for both VCA and Filter. You don’t get a mod wheel, so you have to use the knobs on the panel. You don't get any wood.

VCOs
Sonic Six - 2
Minimoog – 2 (sometimes 3, see LFOs next)

LFOs
Sonic Six – 2 (called Gen X and Gen Y)
Minimoog – 1, or 0 if you use this third oscillator as an additional audio oscillator

Filter
Sonic Six – 1: Resonant Lowpass
Minimoog – 1: Resonant Lowpass

Envelope Generators
Sonic Six – 1, Attack and Decay, with a Mode switch to sustain notes as long as the key is held.down.
Minimoog – 2 , Attack, Decay and Sustain. Separate envelopes for Amp and Filter.

Noise Source
Sonic Six – Yes, Pink or White noise
Minimoog – Yes, Pink or White noise

Ring Modulator
Sonic Six – Yes, use Osc A or GenX/GenY to modulate Osc B or External Input.
Minimoog – No

Pitch Bend Wheel
Sonic Six – Yes
Minimoog – Yes

Modulation wheel
Sonic Six – No, you must use the front panel dials
Minimoog – Yes

Portamento (Glissando or Glide)
Sonic Six – Yes, high note priority
Minimoog – Yes, low note priority

Keyboard
Sonic Six – 49 Keys, Duo, Low note priority for Osc A, High for Osc B, or high note for both Osc in Mono mode. Continuously variable microtonal scaling.
Minimoog – 44 Keys, Mono, Low note priority.

A440 Tone
Sonic Six – Sort of. Turn Osc B tuning knob all the way to the left until it clicks. This puts it in “Concert” tuning, which is supposed to be correct so you can tune Osc A to it.
Minimoog – Yes, dedicated switch

External Audio Input
Sonic Six – Yes, to Ring Modulator, Amp and Filter
Minimoog – Yes, to Amp and Filter

CV/Gate Inputs
Sonic Six – 4: Pitch CV, Volume CV, Filter Resonance CV, 6-pin Moog accessory jack.
Minimoog – 1: 6-pin Moog accessory jack.

Footswitch Inputs
Sonic Six – None
Minimoog – 2: Portamento on/off, Decay on/off.

Carrying Case
Sonic Six – Yes, built in. It’s gray plastic and looks like something a kid would carry a trombone to school in, but it also makes it “Fold and Go”.
Minimoog – No. A case will cost you about $100. Of course, the wood sides are classic and classy.

Speaker
Sonic Six – Yes. It sounds horrible, but at least you don’t need a practice amp. 5cm x 10cm.
Minimoog – No

Belongs in a Museum
Sonic Six – No way. Take it on the road, baby it in the studio, whatever. Just play it.
Minimoog – Ditto

Favorite Sonic Six Tricks
1. Set Gen X to slow ramp up, Gen Y to faster ramp down. Mix the two to get a stair-case wave and generate arpeggiator-like note runs.
2. Set X/Y balance all the way to the left until it clicks. Set Gen X to a very slow triangle wave. Set Osc A to a triangle wave one octave below Osc B. Modulate Osc A with Gen X (just a touch), and modulate Osc B with Osc A (just a touch). Now you have a simple two-operator FM synth.
3. Turn off A/B and turn up the Noise. Set Gen X and Y to square waves and experiment with envelope and filter settings to get rhythmic percussion patterns. Add resonance to taste.

This unit has several different serial numbers on various parts. The exterior case is #1863, I think I saw a #357 on the lower tray, and the upper unit (control panel and two main circuit boards) is #1395. The VCF/VCA board is Rev E, which definitely has the Moog patented transistor-ladder filter, not the older Musonics diode-ladder type."

MaxMSP Glitch


YouTube via Quadrange
"Unintentional Glitch Program i made when trying to make a graintable synth. i then elaborated on it and added a couple things to it to make some glitch action."

Genn 2.0 Max/MSP Generative Sequencer

"Generative Max/MSP patch ive been making for a couple days now. It's based on the concept of Autechre's aeTM3.3 patch.

it still needs a lot of elaboration/organization of effects and such. i just added the effects today which i will have ease more and more into it as the song progresses.

hook me some feedback on this because its my third attempt at making a generative sequencer and the first one i put some effort/time into, so i need some constructive criticism. i'm thinking of making counters keep track of what notes, and how many times they play, in the "HighS" synth and making it play different notes based on that to make it sound a little less obviously 95% random. good idea?

oh, by the way. 2:20.... gantz graf anyone?"

Ameqc - Euseurism

"IDM, ambient, something or other.

I made it with a program i made in Max/MSP and i included a screenshot of one of the numerous windows. I'll make it longer than 2 minutes sometime. i was really just fucking around with it live for 2 minutes, then i sent it to my buddy to see what he thought of it."

Zoot plays David Bowie's "Space Oddity" - live from the cookie factory


YouTube via elisazoot

"Me playing David Bowie's "Space Oddity" with my Clavia Nord Electro and Zoom reverb.
Live from the cookie factory."

Roland VG-99 "Emperor of The Lost City of Dust" by Aliensporebomb


YouTube via aliensporebomb
"Live to two-track Guitar Improvisation utilizing the Roland VG-99 V-Guitar System. Todd Madson: Guitar, Roland VG-99 V-guitar System, MIDI guitar, bass synthesizer and photo collage. From the forthcoming CD "This is Aliensporebomb" to be released late 2009."

PCB adaptations of bits of the Buchla Music Easel

via abovenyquist in this electro-music.com thread in August:

"I've been working on PCBs of adaptations of bits of circuitry from the Music Easel:

users.ece.gatech.edu/~lanterma/buchla/boards

I am attempting to gauge interest for doing a run. I have boards for the balanced modulator, timbre circuit, pulser, envelope generator, preamp & envelope detector, and lowpassgate. I need to revise the first three before doing another run, so I'm not sure when I'll get around to that.

These should be considered advanced projects - the documentation is sparse and the boards are dense.

E-mail me at lanterma at ece dot gatech dot edu if you are interested in trying to build some of these - I just want to get a head count for planning purposes."

Music Easel Adaptation - Lowpass Gate Demo


Note this is a follow-up to these videos and these videos previously posted.

Signal Arts Tetra MAPS Sequencer in Eurorack

via the Big City Music blog

"...a sequencer that is more robust, versatile, flexible, intuitive and user-friendly than any other comparable sequencer. Which other sequencer allows you infinite virtual tracks, modulations or multiple, REAL-TIME versions of one sequence? Which other step sequencer allows polyphony with only one sequence?"

bigcitymusic.com

AKAI EWV-2000 EWI dual voice analog synth module

via this auction




Roland SH-101 Analog Synthesizer (old vid)


YouTube via retrosound72

"first impressions from my red Roland SH-101 by RetroSound

This video demo is not a musical statement, only demonstration of the sound possibilities of the instrument."
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