MATRIXSYNTH


Sunday, January 30, 2011

Roland Rhythm 330 Drum Machine

via this auction

"Serial 070248. Circa 1973. For 115-v 50/60 Hertz. Pure analog. Size: 9-1/2" wide, 7" high, 12" deep. Weight 10-1/2 lb. Internal speakers. Rear panel jack for external amplifier also a jack for foot-pedal control. Front panel controls: Volume, Balance (a tone control that allows keeping or eliminating high-pitched sounds such as brushes), On-Off (for the rhythm), Start (Main power switch), Speed (Continuous from 0 to 208 beats/minute). Also push-button switches for Waltz, Slow Rock, Rock Beat, Bossa Nova, Mambo, Cha-Cha, Beguine, Rumba, March, Swing."


Roland System 100M - Module 140 New / Boxed!!

via this auction

"This module and the Model 110 module provide the minimum basic elements necessary to produce a single synthesizer voice. Or, used with Models 112, 121, and 130, provides enough elements for two voices.

ADSR’S: Can be triggered from internal gate or gate + trigger, from an external gate, or manually with the front panel pushbutton. Both envelope generators provide inverted and normal outputs.

LFO: Voltage controlled low frequency oscillator with built-in delay for delayed vibrato effects. KYBD TRIG switch allows phase locking of LFO output to keyboard trigger pulse."

Roland Studio System 100M - Module 191-J Rack

via this auction

"Up for sale a very rare Five-Module Rack with 33 multiple jacks of the Roland Studio System 100M."

Vintage Analog CRUMAR T-1 Hammond vk Clone Organ synth

via this auction
"The sound of the organ is of course, pure 100% analog drawbar perfection. It is super fat, super squishy, swishy and dense, with tons control over the tone (crazy wide and slow LFO for subtle leslie to siren-like detuned chorus effects and enough percussion options to keep you busy for a long time. Indisputably, the T1 was the king of analog hammond-style combo synthesizers, and the flagship of the Crumar line, hence its devoted and increasing following among analog enthusiasts and players, and its subsequent extreme rarity."

Modded Roland GR-33B Analog Bass Synth

via this auction

"The modification on this unit replaces the 24-pin connector with a break-out box that has a single 1/4" input. This allows any line-level signal to run through and be tracked by the GR-33B.
There are also extra knobs on the box that add more flexibility to filter cutoff and resonance and LFO. Because of the modification, the unit no longer works with a 24-pin connector, and only plays monophonic, although all 4 oscillators can fire at once.
Since the unit has been modified and works differently than it's original design I am selling the unit AS-IS FOR PARTS. This listing includes the modified Roland GR-33B unit only."



Vintage Condor RSM Innovex Hammond Woodwind Synthesizer

via this auction

Hohner Bass 3


via this auction

Katy Rokit - PLUR - OctaChopped Remix by HighSage


YouTube via shagghie | January 30, 2011 |

"This is an on-the-fly live remix using Acapella Stems from Katy Rokit's PLUR release due out on Incense Records next month with the Global Trax Productions crew.
TB-303 sampled into the OctaTrack prior to video being shot.
Machinedrum sent to OctaTrack's input A&B."

Buchla Integration


YouTube via thedeepelement | January 30, 2011 |

http://trashaudio.com/2011/01/buchla-...
"Euro
Oscillators: Cwejman VM-1, Harvestman Piston Honda, Tip Top Audio Z3000, Wiard Anti-Oscillator.
Sequencers: Tip Top Audio Z8000 Matrix Sequencer, STG Graphic Sequencer, Doepfer A-155/A-154 Combo
Filter: Tip Top Audio Z2040
Delay: Tip Top Audio Z5000, Doepfer A-188-2 BBD
Clock: Make Noise Wogglebug, 4MS Rotating Clock Divider and Rotating Clock Divider Breakout

Buchla
Oscillators: Complex Waveform Generator 261e, Twisted Waveform Generator 259e
Sequencer: Dual Arbitrary Function Generator 250
Filter: Triple Morphing FIlter 291e, Quad Dynamics Manager 292e"

Spinning Whhhheeeeeeeeeeelllllllllllllllllllllllllllllllllllllll


YouTube via Allerian1 | January 30, 2011 |

"Here I use the Elektron Octatrack to explore an old favorite. You'll notice I use two scenes. One for basic time stretching and the other for entering and sculpting the timescape. That last sentence really should have ended, "sculpting the timescape, man"."
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