Hard Mod Analog Ribbon Synth with New 24dB VCF

Ribbon synth from Hard-Mod on Vimeo.


"The Analog Ribbon Synth is new breed of Handmade synthesizers as it´s, using a intuitive ribbon control for create nice pitch shifting sounds and you easily play because the Ribbon is 50cm. You Can external control with your CV-Gate input (1V/Oct). Solid construction and antique look with wooden case and aluminum faceplate. Fully analog, killer sound!

features_

+ Handmade Pure Analog Ribbon Synthesizer
+ 1 VCO ( Super stable oscillator / Saw wave )
+ VCF ( 24dB / oct LPF )
+ Envelope Generator ( Controlled VCF )
+ 3 LFO (Square & Sine wave)
+ CV Input ( Controlled VCO 1V / Oct )
+ Gate Input ( Triggered Envelope Generator )
+ PWM
+ Ribbon measures 50cm or 19.7 inches
+ 3 Octave 1/2
+ AC 120 V Input

Price $375 or $3990 pesos mexicanos plus shipping.
(International customers only paypal for the payment)
(Compradores nacionales el pago es vía deposito bancario)

Just Shipping to USA, Canada & México. If you´re from another country please contact me:

yadirzarate@gmail.com

Soundcloud: [below]

Flickr::"

Innerclock Systems Sync-Shift MKIII

via Innerclock Systems

"Real-Time Tempo-Sync Start Offset Correction and Slave Syncopation

Dedicated and purpose-built Midi Clock to Din Sync Conversion IC with ultra-low, constant conversion lag time so your sync offset remains fixed and tight.

Proprietry Innerclock Sync-Shift Din Sync Offset and Real-Time Lag Correction Engine lets you compensate for common hardware and software Midi Clock and Din Sync start lag time issues plus it has two full bars of Shift available so you can easily syncopate sync slave devices or software against the master. The rotary push-pull Shift ‘Fine Tune’ lets you rush or drag the slave against the groove in real-time with no loss of sync. Go from hard 16th swing to phase-locked grid quantised and back again all in one bar and in real-time.

Dedicated and purpose-built Din Sync to Midi Clock Conversion IC - the same ultra-low, constant conversion lag time but reverse engineered to provide ultra-stable Din Sync to Midi Clock conversion.

Modular/Discreet design with no CPU multiple personality disorders. We could have done all three jobs on one chip with a shared instruction set but we didn’t. From experience, especially where synchronisation is concerned, sharing hardware resources is a bad idea. Each of the three core components that makes up the Sync-Shift Mk III has its own dedicated IC and ultra-lean code. This means they work great in isolation and there is no loss in performance when you connect them together.

The Sync-Shift MKIII is really three separate, high quality devices in one compact package where the whole truly is greater than the sum of the parts..."

Yamaha CS-10 SN 8619 with Filter Mod

Note: Auction links are affiliate links for which the site may be compensated.
YouTube ublished on Apr 17, 2012 by alexandros380

"A short demo about the Yamaha CS-10 I am selling on ebay. The synth has been modified with a filter socket so the filter can be controlled from midi. You can also control portamento and a second LFO that is available from the midi to cv converter. Audio recorded without any effects. Used with a Kenton Pro Solo MK2 and midi keyboard in Logic"


via this auction

See the seller's other items for more.

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Roland Jupiter 8 SN 413249

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via this auction

Custom Roland badge / nameplate on this one.

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Roland System 100m

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via this auction

"The classic 5 module J Unit system is made up of the following units:

112 Dual VCO: Two VCOs with sawtooth, triangle and variable pulsewidth, soft and hard sync. 3 CV ins, 2 outs

121 Dual VCF: Two 24dB low pass filters with resonance and fixed (3 levels) high pass

130 Dual VCA: Two VCAs with linear or exponential switching

140 Dual EG & LFO: Two ADSR envelope generators with inverted output, one LFO with delay, trigger and 5 waveforms

150 LFO/S&H/Noise/Ringmod: A module with LFO (5 waveforms with switchable range: x1, x1/10), white and pink noise generator, sample & hold (with lag), and ring modulation

191J Base rack for the 5 above modules, with patch bay and jacks for external keyboard/controllers."

150 - SN 122282
140 - SN 142055
130 - SN 105926
121 - SN 112035
112 - SN 132418

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Roland SDD 320 Dimension D stereo chorus

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via this auction

"Using the Roland SDD-320 Dimension D couldn't be simpler. It simply has a series of five buttons that can be engaged individually or in combination to give you a range of different levels of stereo chorus. It sounds really lush and full, and it sounds so good that it really doesn't matter that there aren't parameters to tweak the sound. It's also great for spatial effects and for stereo spreading. The rear panel features both XLR and stereo 1/4" connections for both inputs and outputs of the two channels"

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Roland GR500 guitar controlled synthesiser

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via this auction

"The GR-500 is a vintage guitar controlled synthesizer. It was the first synth of this kind that Roland had ever produced, back in 1977. The GR500 is controlled by the GS500 – a highly modified Guitar made for Roland by Ibanez..."

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Roland SPV-355 pitch voltage synthesiser

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via this auction

"The SPV355 Pitch-to-Voltage Synthesizer was launched in 1979 as part of the Roland Rack series of units including the Roland SVC350 Vocoder and the Dimension D spatial chorus.

It’s a 2 oscillator voltage controller synthesiser with a sub-oscillator, VCF, VCA, envelope generator, two audio mixers (1 for the internal synth oscs, 1 for combining the internal synth with audio input from an external source), and a multitude of interface sockets..."

The remainder of the description appears to come from this Sound on Sound article by Chris Carter. Click through for the full review.

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Roland MSQ-700 Vintage MIDI Keyboard Recorder Sequencer

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via this auction
thestudiobaron07 (RSS)

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Just an illusion bass research 2

YouTube Published on Apr 17, 2012 by SynthManiaDotCom

"What do you think of the Micromoog? Seems to get very close to it. Again, disclaimer, I do not know what was used by the band - hence I'm trying various combinations of monosynths and FX."