MATRIXSYNTH

Living on UDO: Super 6 80ies demo - Living on Video Trans-X cover

video upload by Wine&Synths

"A demo track I made with the UDO Super 6 Synthesizer during my first review back in January. I thought it would be worth to use it as a teaser for my upcoming UDO Super 6 DESKTOP review!
Obviously, this day I was inspired by Trans-X and their legendary hit 'Living on video'."

℗ & © Wine&Synths 2022 a project by monsieurpiper.de

Shine On You Crazy Diamond - A Pink Floyd classic Minimoog lead sound recreated on a MiniMod system

video upload by AJH Synth Official

"How to guide with Patch Sheets: An interpretation of the classic lead sound from the intro to Pink Floyd's 'Shine On You Crazy Diamond Part 1', which is believed to have been recorded using the Minimoog synthesizer. The AJH Synth Mini Mod system is a Eurorack modular recreation of this classic analogue synth, and in this video just the modules from the standard Mini Mod system are used to create the lead sound. An additional, simple background drone is created using another system, comprising 3 VCOs, Wave Swarm, Ring SM and Sonic XV Diode Ladder Wave filter.

Check out the AJH Synth playlists for more 'Patch of The Week' videos, which will be either performances or 'how to' guides detailing a range of sounds, some familiar, some less so, and each containing a patch sheet at the end to show you how to construct it for yourself.

Video by DreamsOfWires

Index:
00:00 Intro
00:32 Shine On... Part 1 Intro
02:43 Patch sheet - Lead
02:54 Patch Sheet - Drone

PATCH NOTES:
(Download - https://kvisit.com/8AE/z_oG)
------------------------
LEAD SOUND
Green dots show approximate pot and switch positions. Pots and switches that do not have green dots are not used in this patch, and should be left at their zero or off positions.
This patch uses only the modules contained within a standard MiniMod voice, which is the equivalent of a Minimoog, simply for a little more authenticity, as this is the synth that was believed to be used on the original Pink Floyd recording. The version here is our interpretation of it, and not intended to be an exact match, so opinions will differ as to the setting used, but we feel it's pretty close. For example, it's possible the Minimoog's MOD MIX control was used on the original to mix VCO 3 and Noise modulation to affect the pitch and filter, but here it would require an additional module to mix both signals, and simply adding Noise as audio sounds very similar, whilst allowing greater control of both.

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Perfect Circuit Sessions : Jaws of Love (Kelcey Ayer of Local Natives, FT. Omatola, & Mark Nieto )

video upload by Perfect Circuit

"Join us for a performance from the Burbank Showroom from JAWS OF LOVE's latest EP; Patricia

Jaws of Love is the Solo Project of Kelcey Ayer of Local Natives,

Joining Jaws of Love is vocalist & performer Omatola, (@omatola) as well as Mark Neito (@combatmusic)

Check out the album and catch Kelcey on tour this June : https://www.jawsoflove.com/

'Patricia' Lyric Video : https://www.youtube.com/watch?v=mk6f0....

Gear List :

UDO Audio Super-6 : https://bit.ly/3NHkb2d
Arturia Drumbrute Impact : https://bit.ly/39dCRIb
Shure SM-7B : https://bit.ly/3HgPGxH
Death By Audio Rooms : https://bit.ly/3aUJ7Fi
Red Panda Raster & Particle 2 : https://bit.ly/3xGekoi"

DB-01 Bassline: One pattern, 20 sounds (no talking)

video upload by Richard DeHove

"On a recent video one comment said 'Cool machine, but it only has one sound'. The truth or otherwise of that here is in the ear of the beholder. With the very distinctive Polivoks filter and a single oscillator maybe every sound does sound a bit the same? And this is a bass synth after all. But to my ears there is a lot of difference. At the very least the different settings emphasize different parts of the pattern, in this case the pitchmod drum-like thumps and the noisy highs.

If you want to replicate any of these sounds make sure to connect the CV out to the filter CV in for the classic filter tracking effect. Without it the settings here will sound very different.

And yes, the Space Echo does add a whole extra layer on top, but it's reasonably subtle and the settings remains unchanged the whole way through. Am also thinking I should give the Space Echo a try on the LXR-02 - any votes for that?

0:00 One - Square
0:47 Two - Shakey
1:02 Three - Ramp
1:52 Four - Skinny
2:03 Five - Drive
2:23 Six - Harsh
2:43 Seven - Squelch
2:56 Eight - Poke
3:26 Nine - Noise
3:38 Ten - Dirt
3:56 Eleven - Discord
4:10 Twelve - Noise
5:00 Thirteen - Filth
5:38 Fourteen - S&H
6:13 Fifteen - Bandpass
7:10 Sixteen - Vocal
8:13 Seventeen - Zap
8:26 Eighteen - Unison
8:40 Ninteen - Smooth
8:50 Twenty - Grit
9:07 Twenty-one - Hollow

My site: https://richarddehove.com/
Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove"

ASTROGENIC HALLUCINAUTNG LIVE @ EMMIT'S PLACE 061022

video upload by thenoiztemple

"ASTROGENIC HALLUCINAUTING Live Performance
061022
venue: Emmit's Place
--
Noiz circuit:
DirtyWave M8
Polyend TRACKER
Hologram Electronics microCOSM
1010Music BlueBox - Master MIDI clock for the entire circuit
FaderFox PC12 - controlling all the levels and FX of the BlueBox, M8 and Polyend TRACKER
--
for more noiz: https://itunes.apple.com/us/artist/as...
website: http://manipulate.net"