MATRIXSYNTH: Introducing the $40,000 Holland SM2000 Eurorack Modular Synthesizer


Thursday, February 04, 2016

Introducing the $40,000 Holland SM2000 Eurorack Modular Synthesizer


You might remember the Holland Synthesizer SM2014 Triple VCO Intro video previously posted here. At the time of the post the Holland Synthesizer website was not yet live and little was known about the full system. The site is now live and we have details.

Note Holland also offers DI Boxes, Rack Mount Mixers, Audio Consoles, and 500 Series modules.

The following is for the SM2000 modular system including a note on that price. Also note the jacks are 1/4" and not 1/8" or .35mm.

"The Holland Synthesizer Model SM2000 is a 3U Euro format* monophonic modular synthesizer. This is truly an aerospace quality musical instrument, designed for the most discriminating musicians, studios, and producers. The system uses a backplane that carries control voltages, triggers and audio signals to and from the various modules, however all patching can be overridden from the front panel. All jacks are Switchcraft 1/4" for ruggedness. The SM2000 is designed to be a standalone system, but being modular in nature allows for a high degree of customization.

The standard system contains the follow modules:

SM2014 Triple Voltage Controlled Oscillator/ Mixer Module. Each oscillator has six waveform outputs that can be mixed together. A fourth mixer combines the outputs of the three oscillators and an external signal source. Adjustable PWM and linear modulation. Coarse and fine tuning on each oscillator and a master tune for all 3 tracking together.

SM2051 Noise generator featuring white, pink, red and infrared sources.

SM2032 Multimode Voltage Controlled Filter. Has 8 outputs. Low Pass, High Pass, Band Pass and Band Reject (Notch). Each configuration has a 12dB and 24dB per octave mode. Four overlapping ranges with adjustable damping and manual frequency control.

SM2048A Dual Envelope Generator. Two independant envelope generators tied to the same trigger. Time at each stage adjustable from 1 millisecond to 18 seconds. Level attenuators for each output. 5 overlapping time ranges, and manual trigger. LEDs track stages through envelope. Generates true linear envelopes.

SM2022 Dual Log Voltage Controlled Amplifiers. Produces log output with linear input. Unheard of 118 dB dynamic range. Input and output level controls and CV attenuators. Manual offset controls for ease of setup and maximizing dynamic range.

SM2041 MIDI to CV and Trigger Interface.

SM2046 Control Voltage Processor. Takes in a control voltage and produces a copy and an inverted copy. Allows user to control offset, gain and slew rate. Also has two outputs for adjustable, attenuated versions of the outputs.

SM2063 Multiples, Voltage sources and Attenuators. Has 3 four point multiples, 4 adjustable DC voltage sources and 2 adjustable attenuators.

SM2012 Low Frequency Oscillator. Oscillator has two selectable ranges, high for modulation, and low for filters and amplitude modulation. Output waveforms are sine, triangle, square, pulse, positive ramp and negative ramp. Also has controls for tuning and fine tuning, pulse width, PWM attenuator, and two output level controls.

SM2035 Fixed Filter Bank. This module has 12 resonant filters spaced musically at about half octaves. Each filter has 10dB of boost and cut. The highest and lowest filters are shelving type.

SM2061 Buss Access, Power Monitor and Headphone Amplifier. Includes 4 volume controls for the audio output busses, and output jacks. Also includes jacks for the 4 trigger outputs and 4 control voltage outputs. Headpone output with level control. Power keyswitch and LED power indicators for each voltage.

*Our modules are actually much more compliant to Euro format than most other manufacturers. The Euro format (which is technically called DIN 41612) specifies that modules will be a minimum of 160 mm deep and use a 96 pin connector to get power and signals to and from a backplane. This is far too expensive for most manufacturers. We adhere to the majority of this mechanical specification, except for our backplane which is optimized for audio signals. Therefore, our modules are too deep to fit in our competitors racks. We also use higher supply voltages and different power connectors than most other companies. However, our audio inputs and outputs, control voltages and triggers are compatible with most other Euro format synthesizers.

Complete systems starting around $40,000.00 USD"

On that price from their FAQ page:

"Why are Holland Synthesizer products so expensive?

Unfortunately, there are many factors that contribute to this. Up until recently, all of our projects were 'One of a Kind', which means all of the development costs are rolled into the first unit. Secondly, all of our products are hand made, and built to rigorous aerospace quality guidelines, which is reflected in our product reliability. When you are not using mass production, costs go up dramatically. And lastly, we use very expensive components. We select each component to be the absolute best performing component, based on sound quality and reliability, without regard to price. This is one of the reasons we have audibly superior products. Let me use our SM2000 synthesizer modules as a concrete example. All of our modules have front panels that are machined, powder coated, engraved and filled with colored ink. Other manufacturers might pay $3.00 for a front panel where one of ours costs us $300.00. After 10 years of wear, ours still look the same. We also use brass collet knobs, Bourns pots, and Switchcraft jacks. Our competitors might pay 49 cents for a pot and knob, where our cost is $11.00. Multiply that by a hundred, and you see what happens."

8 comments:

  1. This comment has been removed by the author.

    ReplyDelete
  2. A completely vanilla system, that doesn't play nicely with Eurorack modules. What's not to like? Utter nonsense, as reflected in the price. If anyone buys this, they do not have the first idea about Eurorack modular synthesizers, or the ethos that goes with.

    ReplyDelete
  3. This comment has been removed by the author.

    ReplyDelete
  4. This comment has been removed by the author.

    ReplyDelete
  5. This comment has been removed by the author.

    ReplyDelete
  6. Used the SM 2000 on a few projects. Here are the things that make it stand above everything else.

    1) the build quality

    2) the sound

    3) the flexibility

    4) the feel

    5) the logic

    I currently own, have owned or have used every MAJOR synthesizer during my 30+ years as a composer and synthesis professor. It is such a pleasure to operate an electronic musical instrument with this extreme degree of precision and durability. The best example I can give is it is like driving a Ferrari.

    I have several very expensive acoustic instruments that this synth rivals. Feel, Depth of Sound and Soul.

    After operating the SM2000, I hated to go back to the flimsiness, instability, sterility, lack of depth and general cheapness of many other synths. At my peak I owned a wall of synths, 40 to be exact. I have had several customized. Nothing compares to this quality machine. This is not a toy it is a professional, precision-built machine.

    I am not getting paid to write this...
    Google me to ask me any further questions if you'd like.

    ReplyDelete
    Replies
    1. "I am not getting paid to write this..."

      Maybe not, but Walter Holland is apparently your old buddy from UC Irvine, so one has to wonder if you're in on the whole thing.

      Delete

To reduce spam, comments for posts older than one week are not displayed until approved, usually same day. Do not insult people. For items for sale, do not ask if it is still available. Check the auction link and search for the item. Auctions are from various sellers and expire over time. Posts remain for the pics and historical purposes. This site is meant to be a daily snapshot of some of what was out there in the world of synths.

PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH