Published on Aug 8, 2019 Dziam Bass
"Today I have the first sound from the Quadtec 101 digital dual oscillator.
This is a module offering a quadraphone, but initially I did not use the full show when I wave through the pan placing it on the speakers. this patch was more about the sound itself and also quite interesting sequences when one sequencer controls this patch and the sound from one oscillator I raise and lower almost like transpositions ...
This is a great module because it extends the possibilities of creating new sequences or spaces and moving between two oscillators"
more info here: https://www.cctv.fm
"THE GARDEN CITY ELECTRONIC MUSIC COMMUNITY CREATED A TIMEMACHINE USING RARE TESLA BLUEPRINTS AND WENT INTO THE FUTURE TO GATHER DATA OF THE DAY; SEEKING OUT INSTRUMENTS FROM THE CREATIVE YOUTH OF THE FUTURE. UPON RETURNING TO 2019 THEY BROUGHT THOSE IDEAS TO FILIP PIETRUSZEWSKI TO RE-ENGINEER, DESIGN, AND REALIZE THIS FUTURISTIC INSTRUMENT USING MODERN AND ANTIIQUE TOOLS AT HIS MAD SCIENCE LAB AT CAPITAL CITY TRANSISTOR AND VALVE.

ON THE SUBJECT OF OSCILLATORS

Triangle
Evenangle
Eventooth
Cello
Saw
Square
"Videogame" Pulse
Pluck
FM
Each oscillator has controls dedicated for each on the left and right half of the module. Each of the two oscillators has pitch control with the knob in the top left/right and CV inputs that tracks 1 V/OCT, as well as the waveshape blend knob.
The top middle knob is a blend control that blends Oscillators 1 and 2 together. At fully counter-clockwise, you will only hear Oscillator 1, and at fully clockwise you will only hear Oscillator 2. At noon o'clock you will output an equal proportion of Oscillators 1 and 2.
ON THE SUBJECT OF QUAD SOUND
The goal of this module is to provide an easy way to distribute an oscillator around a quad sound environment. The four outputs (1,2,3,4) accomplish this task by routing the input ( the blend of oscillators 1 and 2 along with their waveshapes and pitch) through to the four outputs in a smooth rotation. You can think of these as four VCAs with 90° quadtrature shift of their control inputs. The Quad panning (as we call this movement) is controlled by a triangle wave modulating each outputs amplitude, providing a smooth transition from one output to the other. In a quad setup, this has the impression of the sound swirling around you, with no sudden jumps between each speaker.
The Quad Pan knob adjusts the rate and direction that this panning occurs. At fully clockwise, the pan will occur from left to right at approximately 1Hz. At fully counter-clockwise, the pan will occur from right to left at the same 1Hz frequency.
With the knob at 12 o'clock, the signal not only stands still, but is also output on all four outputs simultaneously. When the pan knob is at 12 o'clock, we have also entered 'VCA Mode' where the pan input will be considered as a control input to a digital VCA. This allows the operator to utilize this module as a mono synth voice, requiring only an external envelope or gate.
ON THE SUBJECT OF RANDOMNESS
The center output at the bottom of the module provides a pseudo-random noise source, hereby referred to as NEUZ. This NEUZ output is a source of digital noise, swinging from 0V to 5V. The small knob to the top right of the NEUZ output controls the speed at which a pseudorandom sample is taken and the output consequently updated."
No comments:
Post a Comment
Note: comments that insult people will be removed. Critique on gear is allowed. Do not ask if listings are still available. Click through auction links to check yourself. Posts and pics remain for historical purposes. To reduce spam, comments for posts older than one week are not displayed until approved (usually same day).