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The Gnat has a digital oscillator that is fed through an analog filter, a trick the designer, Chris Huggett (RIP) used to great effect on later classic synths he designed like the OSCar and Bass Station. The oscillator has several selectable waveforms including Ramp, Square, Noise, and the one we always left it on, Enhance, which moves the waveform around in a manner similar to pulse width modulation and makes the single oscillator sound like two beating against each other.
Next to the waveform selection is an octave switch where you can choose footage of 32, 16, 8, 4, and 2.
The front panel also includes an LFO featuring sine, ramp, saw, square, and random waveforms as well as speed control and an offset amount for setting modulation of the oscillator.
The remaining controls are a filter with resonance, seriously, the resonance is wild, and a pot to set the balance of what is affecting the filter's cutoff, VCO, or envelope. Speaking of the envelope there is a dedicated section of the panel for it with attack, decay/release, and a contour knob. Finishing out the panel is a glide amount knob.
The side of the Gnat has a 1/4" output jack, a connector for the EDP Spider sequencer to attach to, and a 9V power inlet.
This Gnat is fully functional, with all "keys" sounding. It can be run with a 9V power adapter, or alternately with 6 "C" batteries, so you can take the Gnat back into the wilderness with you.
The synth is basically in excellent shape but we marked down the condition due to the faint remnants of someone copying note letters to the first four keys, which we have pictured.
A very rare synth, speculation is that there were only 600 or less made. EDP used a serial numbering system that started with the model number, in this case 40, then starting the count from 1000, which leaves this Gnat as the 463rd unit. We were unable to find another for sale anywhere online."
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