Korg Kaossilator Dynamic Phrase Synthesizer w/ Original Box

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via this eBay listing

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Alternating Measures #squarp #hermod #oberheim #novation #moog #korg #soma

video upload by MKustomAudio

"Some material sequenced on the Squarp Hermod+ using different measure lengths for the parts alternating how it sounds as the patterns loop. Sound sources include the Oberheim OB-6, Moog Mother 32, Novation Peak, and Korg Minilogue XD and Arp 2600m. All summed audio is then routed through the Soma Cosmos for some additional ambience."

Kurt Ader / K Pro - Korg Kronos 3 | SynthFest 2025

video upload by SynthFest France

"Renowned sound wizard Kurt Ader gives a brilliant demonstration of his K Pro sound banks on the new Korg Kronos 3, on the main stage at SyntHFest 2025.

https://kurtader.com

Copyright Association SynthFest France - Tout droits réservés."

Melancholy Jam 8/3/2025 Oberheim TEO-5 Stylophone CPM DS -2 Walrus Audio Slöer

video upload by I Love Cats and Synths

"A slow melancholy jam on a couple of my favorite analog synths and effects units. Oberheim TEO-5 with Walrus Audio Slöer Ambient Reverb, and Stylophone CPM DS-2 drone synth with Korg NTS-1 pulling effects duty.

Recorded live on a Zoom H6."

DeaR Sun 🖤 (Moog Minitaur / Waldorf Streichfett / Roland S1 / Korg Volca Beats / Novation Mininova)

video upload by 2-Minute Warning

"This is one of my most personal jams, hope you'll enjoy it 🖤

The NDLR is sequencing with:
Track 1: the Moog Minitaur (BASS)
Track 2: the Waldorf Streichfett (STRINGS)
Track 3: the Waldorf Streichfett (PLUCKS)
Track 4: the Roland S1 (ARP)

The DRUMS are coming from the Korg Volca Beats and the LEAD is being played in real-time on the Novation Mininova.

A couple of tricks I used here:
The Waldorf Streichfett has 2 engines (STRINGS + SOLO), which can be played independently if needed. This is what I did here, where Track 3 of the NDLR is sequencing the SOLO engine, and Track 2 the STRINGS engine.

I'm using one of the NDLR's LFO (Random wave) to modulate (by sending CC) the TONE parameter of the Waldorf Streichfett SOLO engine.

I've used a second LFO on the NDLR to modulate of the parameter the octave parameter of Track 1 (called the DRONE track on the NDLR) which is sequencing the Minitaur, hence playing from time to time a note with an octave higher 😉"

Thriller - Synth Cover

video upload by BaBu

"Synth cover of Thriller intro and verse =)"

Korg minilogue xd, Sequential Prophet 6, Moog Subsequent 37, Yamaha ModX, Ableton Push

Korg Opsix Altered FM Digital Keyboard Synthesizer

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via this listing

Additional Perfect Circuit listings

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First of August (OXI ONE MkII, opsix, multi/poly, wavestate)

video upload by Alec Sea

"First of August was performed live using the Oxi One MkII sequencer, Korg opsix, multi/poly and wavestate synthesizers and Roland TR-6S drum machine. The FM e-piano from opsix is running into the Line 6 HX ONE and Meris Mercury X in series for a lovely wash of reverb. The TR-6S is running into the UAFX Golden in Percussion Plate mode. Multi/poly is using the built in effects. Wavestate is a dry bass sound. There is no post-processing."

Official Demo - Microkorg 2 Soundset by Jexus

video upload by Jexus (sounds-for-synths.com)

"Thoughts & info: https://sounds-for-synths.com/korg-mi...

I did not use any external FX in the demo, no layers, no loopers, etc. All the delays and reverbs are part of the Microkorg-2 engine. My presets are single-timbre so you don’t lose your 8-voice polyphony. The presets come as computer files in “mk2prog” format. Just load them into the Microkorg-2 by using its flash drive feature (boot your Microkorg-2 in “disk mode”, and when it appears as a new disk drive you can just open / explore it and copy + paste the files). You will have the freedom to import my presets into Bank CLASSIC or MODERN or FUTURE or USER on your Microkorg 2."

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SN 331877

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via this Reverb listing

"The Korg Trident is a polyphonic multi-section synthesizer released by Korg in 1980, combining three distinct synthesizers within a single instrument: a polyphonic section with two VCOs, alongside dedicated String and Brass sections.[1] The polyphonic synthesizer section allows for eight-note polyphony with dual oscillators. The String section offers an ensemble effect and simple attack/release envelope controls, whereas the Brass section features an independent filter and a dedicated ADSR envelope. These sections can be assigned to two different regions of the keyboard independently, and the Trident also offers a flanger effect along with a joystick for pitch bending and modulation."

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New Synth Day livestream! Korg opsix module

video upload by Alec Sea

"Let's take a look at my new synth and see if my new setup works."

The Silent Alchemist sound recording test comparison - noise free.

video upload by myVolts

"Need some silence? 😃
.
At myVolts, we're not just trying to power your gear, we want to give you the best possible audio output too.
.
You may not realise it, but isolation of your power sources keeps your output clean and as you intended.
.
Have a listen (headphones recomended) to our two setups here, the first 30 seconds is USB powered from a standard AC power hub. It's not imposing itself on the sound, but if you listen to that silence at the start, you've got unwanted noise. 😢
.
In the second setup, the noise just isn't there. The Silent Alchemist helped you avoid something you now won't need to clean up afterwards.
.
We're all about simplifying your process, with solutions that just work.
.
Setup info 1:
3 X USB Power ports used
1- Digitakt with 12V Step Up.
2-Korg Volca Drum 9V+ Step Up
Our Crazychain CC47N1 converts polarity and tip size to power the Chase Bliss Onward pedal.
3-Standard USB-C cable takes 5V and Powers the Zoom L6.

Audio setup:
Digitakt connected to Zoom L6
Volca Drum output sent through CB onward into Zoom L6.

Note: we would normally give a mixer/recorded it's own independent power source, this is probably the origin of the noise in the mix. However, with the Silent Alchemist, it's not a concern, isolation means no noise, even when sharing a power source.


Setup info 2:
As above, regarding Audio.
The power setup is slightly different, each device gets it's own USB-C power source, so four in total.
.
If you would like to examine these setups, the screenshots in the video are taken from PowerMyGear, our free web tool for planning your power setup.
www.myvolts.com/powermygear

The silent Alchemist is on pre-sale now through our website

www.myvolts.com/"

Minimal Ambient Music with TENORI-ON | Fragmented Star 2025-07-30 by atnr

video upload by atnr

"A piece for YAMAHA TENORI-ON, wavestick, and ‪@NordKeyboards‬ Nord Lead. Minimal phrases scattered by delay blend with synth textures into a minimal ambient soundscape.

On the TENORI-ON, I switch blocks to morph the phrase. It’s routed through ‪@ChaseBlissAudio‬ MOOD MK II for delay, pitch-shifting, and occasional micro-loops.

The wavestick is pitch-controlled by using the ‪@KORG_INC‬ SQ-1 in STEP JUMP mode as a CV keyboard. Its output runs into ‪@strymon‬ NIGHTSKY for reverb and delay.

The Nord Lead plays the harmony, with delay from ‪@gfisys‬ Specular Tempus."

Korg M1R Music Workstation Sound Module SN 013572

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via this listing

via this Reverb listing

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Korg X5DR Rackmount Sound Module

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via this listing

via this Reverb listing

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Wolvap Metal Distortion processing synthezisers/drum machine

video upload by AVP Synth

"Wolvap Metal Distortion effects pedal is designed using analog circuitry and precision high-quality components. It can produce a wide range of powerful sounds rich in harmonics to achieve distortion with high gain. Features three EQ bands – LOW, MID, HI. The METAL DISTORTION allows you to adjust the sound of your instruments over a wide range of spectrum.

Metal Distortion processing various synthesizers. [Korg Mono/Poly, Yocto Roland TR-808 clone]

Product page: www.avpsynth.com"



Wolvap Metal Distortion
This effects pedal is designed using analog circuitry and precision high-quality components. The METAL DISTORTION can produce a wide range of powerful sounds rich in harmonics to achieve distortion with high gain. It features three powerful EQ bands – LOW, MID, HI. The METAL DISTORTION allows you to adjust the sound of your instruments over an extremely broad spectrum.

Main features:

LOW control - provides up to 15dB of cut and boost in the bass frequency range

MID control - provides up to 15dB of cut and boost in the middle frequency range

HI control - provides up to 10dB of cut and boost in the treble frequency range

Input Impedance - 1 MΩ

Output impedance - 500 Ω

Recommended Load Impedance - 10 kΩ or greater

Power Supply – DC adapter 9V (center negative)

Current draw – 50 mA

Dimensions – 160(W) x110(D) x60(H) mm

Weight – 600 g

DC adapter 9V (not included)

Echo Fix EF-X3 - Five Synth Sketches with Tape

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Five song sketches featuring the EF-X3 tape delay, chorus, and reverb.

00:00 - Ambient, with Take 5
02:57 - Drums, with LXR-02
05:47 - Brooding, with SH-101
07:20 - Acid, with TT-303
09:41 - Ambient, with MS-20

Fair warning: MAS Distribution sent over the EF-X3 for me, not quite for free (I had to pay some significant customs/duty/taxes from the border) but for far less than the full retail price.

Here, I explore the Echo Fix EF-X3, a real tape delay with analog chorus and spring reverb. My favourite feature of the EF-X3 is that it has discrete outputs for each of the four tape heads plus another output for chorus/reverb, which means you can get some incredibly stereo tape delay mixes with it. Here, I usually panned two heads full left/right, and two heads 50% left/right, with the dry out and chorus output slightly panned and near centre. Ages ago, I had an Akai Headrush and I always loved having such a ludicrous amount of outputs; it's exactly the same delight here.

But I have to say, using a real tape delay is unlike any digital emulation I've tried. It's less behaved and has more texture than I had expected. And while it shouldn't matter, seeing the tape running is a thrill. It's an incredible physical presence on the table, super solid and with beautiful wood on the sides.

No one needs a real tape delay, of course, just like no one needs an analog synth and no one needs hardware. But for someone who has loved those records with long, cascading tape delays, for someone who loves the physicality of hardware, I've felt incredibly lucky to have the EF-X3 up on the table.

Thanks for listening.

Recorded to a DAW as a multi-track (dry channel, chorus/reverb channel, and channels for each of the heads) and mixed afterward. No external effects on the sound. EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

Korg Wavestate - “Weather Station” Soundset 40 Performances

video upload by LFOstore

"Korg Wavestate 'Weather Station' sound pack

BUY: https://kav-sound-explorer.sellfy.sto...

New sound pack for Korg Wavestate / mkII / Se / Native

"Weather Station" sound pack contents: 40 performances, 68 programs, multisamples

This collection offers a wide range of sounds, from evolving pads and atmospheric effects to lush synth textures, various weather and astronomical environments perfect for creating ambient, cinematic and electronic music.

The Performance and Program collection contains a selection of both analog and digital synth waves that will complement your library, the oscillators will find wide application and will not take up much memory on your synth.

Contents: 40 Performances, 68 Programs, Multisamples (74.2 MB)

Whether you want to create ambient soundscapes, dynamic padselectronic,cinematic music or futuristic sound design, this set provides high-quality sound that inspires creativity.

Made by A.Kav"

How to Make the Korg Volca FM Sound More Analog!

video upload by Dylan Ferno

"How to Make the Korg Volca FM Sound More Analog:
Quick tips on how to make a digital FM synth, such as the Korg Volca FM, have a more analog sound. Learn about the differences between digital Vs. analog synths and how to steer your synth in that direction to improve your sound design. This video explores some simple tweaks to get a richer, warmer sound with:

1. Pitch Instability - Add detuning with LFO, add chorus

2. Harmonics - First increase decay on mod envelope knob to remove envelope snappiness. Put in mono or unison mode. Next Lower ratios of operators (FrEC). Ratio of 0 is bassier, a 1:1 ratio is more saw-wave like, and 1:2 is more square-wave like. Adjust velocity and algorithm to taste.

3. Warmth with feedback - Add noise/distortion by increasing feedback between levels of 5 to 7. Adjust algorithm and velocity accordingly.

Final step (Optional): Add more pitch instability by slightly increasing operator fine control (FrEF)

0:00 Intro
0:18 Digital Vs. Analog
0:58 3 Main Concepts
1:13 Pitch Instability
1:26 Harmonics
2:07 Warmth
2:45 Jam/Experiment
3:13 More Instability (Optional)"

ARP2600 Sequenced part 2 #arp2600 #noodling #berlinschool #analogsynthesizer #spaceecho

video upload by RandomVoltage

"Arp2600 sequenced by Erica synths black sequencer"

Part 1