Eowave Titan Discrete oscillator with LPF from Mrg Synthesizers and Pico DSP ( no talking )

video upload by Dziam Bass

"you like solid sound ??... so Titan Discrete oscillator from @eowave_modular is for you, simple demo with LPF from @mrgsynth ... and add some reverb from Pico DSP from Erica Synths .

TITAN modules are elements from the Titan Capsule family. They are sound generators built to recreate the sound of Titan haze. These transistor based oscillators have a wide range and a very particular sound. 2 TITAN modules will create deep and vibrant bass.

Using the « densité des brumes » contriol, the sound will be shaped through Titan’s haze from deep basses to high pitches. The titan transistors generate a bass frequency of +/-15 semi-tones from 1Hz a 6kHz."

Additional posts featuring the Eowave Titan

MRG Synthesizers - VCO modulated by the second VCO .

video upload by Dziam Bass

"Hi Guys.
sometimes I like very simple solutions like here when one VCO modulates the other VCO, I know people want to have mass modulators in their systems but when I have a nice sequence, something simple is enough.
These are two VCOs from MRG Synthesizers and filter plus EG and of course the delay you hear from the PICO DSP module from Erica Synths.
what are your favorite modulations?"

MRG FILTRONE

video upload by MRG Synthesizers

"The previous videos in this channel have all been affected by some issue in digitalization that created some click/pop sounds. In this video I changed set up, so you get to have better audio quality in exchange to a mad webcam autofocus.

This is a very simple patch: a square wave with triangular LFO PWM is fed to the filter. Cutoff CV is controlled by an ADSR. The filter goes directly to out. No external effect used.

Modules used: MRG LFOs, MRG ADSR, MRG VCO, MRG FILTRONE, ALM HPO. Sequenced by Korg SQ1."

And a demo from MATTHS (hit the play button):


MRG #filtrone Jam #shorts video upload by MATTHS

via MRG

The MRG FILTRONE is a versatile voltage controlled low pass filter.

The resonance can be increased up to loud self-oscillation, and the module features 1V/O cutoff tracking.

Apart from the usual controls for manual and CV-controlled cutoff and resonance, offers two special features: SLOPE switch and TONE control.

1. SLOPE Switch

The big rocker switch under the cutoff allows the filter to change its slope from 18dB to 24dB.

2. TONE Control

This is a defining feature of the module, and an original one to the best of my knowledge.

In 24dB mode, the tone control blends the output of the second stage (12dB slope) and the output of the fourth stage (24dB slope).

In 18dB mode, the tone control blends the output of the first stage (6dB slope) with the output of the third stage (18dB slope).

Practically speaking, this allows to maintain the cutoff stable, but gently increasing harmonics.

The tone control, that allows to dynamically change the slope of the filter, together with the 1V/O tracked self-oscillation, makes this a filter apt to exploration and can produce many different (and sometimes unexpected) sounds, despite the overall simplicity of the module.

The filter, like all other MRG filters, are rich in low frequencies, and can be setup (with low cutoff, high resonance and short A/R in the CV cutoff) to generate powerful kick-like sound.