MATRIXSYNTH


Thursday, October 04, 2007

The medical effect of nukes


YouTube via sidecars.
"1950's film on what not to fear about nukes. New soundtrack using malletkat, tbk1 from h-pi.com and pc2r. The TBK-1 allows reassignment of notes and pitches. I had the settings "wrong", but it gave the film the warbly soundtrack of a broken film from the 50s. Cool device. I also used a continuum from Haken feeding a v-synth xt."

Roland GR-700 Guitar Synth


YouTube via Analogger.
"I've been meaning to do this for awhile. I scrolled thru some of the factory presets. I'm not really a guitar player but I got the GR-700 to do ambient textures and fat pads, etc. The GR-700 has the same synth engine as the JX-3P but has a more "organic" sound because each string can send pitch bend so you can get a really nice slight de-tuning. Two digitally controlled oscillators per string and a fat 24db analog filter. I used the G-707 guitar controller. The only effect was some dealy from an Alesis Quadraverb."

Also see:
Roland GR-300 guitar synth
Super Fat Analog Roland Guitar Synth Video

Blacet VCO 2100

Note: links to listings are affiliate links for which the site may be compensated.
via this auction

Roland System 100m

images via this auction.

Note this is a zero feedback auction so as always be careful. I did not see the images prior to this, so they went up. Be sure to check them out full size.

2x191J 5 module rack (220 volts power)
1x100 VCO/VCF/VCA
1x112 Dual VCO
1x121 Dual VCF
1x130 Dual VCA
1x140 Dual EG & LFO
1x150 Ring Mod/Noise/S&H/LFO
1x132 Dual CV/Audio Mixer & Voltage Processor
1x131 Output mixer/oscillator/Headphone Amp
10x1,5 mt patch cords included

ARP Odyssey

images via this auction.

"Produced between 1974-76. The Odysseys I and II look and feel virtually the same. The main difference between them are the addition of CV/Gate control and a new black and gold color scheme. The 2810 introduced a beefier 4-pole VCF. This filter was similar to the Moog filter and did not last. While a persistent rumor that Moog sued ARP over this, no suit ever occurred. Arp and Moog came to an amicable agreement and a small licensing fee was paid by ARP for units previously manufactured. ARP soon after designed their own four-pole, low-pass filters. They came up with the 4075 filter which was used in subsequent Odyssey models. The similar 4072 was featured in the 2600, Omni, Axxe, Solus, and others. visit arpodyssey.com or vintagesynth.com for more details."

ARP Little Brother

images via this auction.

"The ARP Little Brother, produced from 1975 to 1977, is a keyboardless monophonic expander module, used with another ARP synthesizer. It has a single oscillator and LFO, controlled using other ARP synths to "fatten up" their sounds. It was commonly sold with the Axxe model, however could be used with any of ARP's synthesizers."

Yamaha CS01

images via this auction.

"Producer Series" manual

MOOG Opus 3

images via this auction.

Wurlitzer Omni 3500

images via this auction.

If you know more about this one, feel free to comment.

Audio Damage Vapor

click here for more info and samples on Analog Industries.

"As to what Vapor is, that probably requires a bit of explanation. What I need is a word that can describe the effect, since it's sort of a New Thing. Mentally, I use "psychosomatic frongulator," but obviously that sort of nonsense won't Increase Shareholder Value. It needs to be a word like "chorus" or something, a simple word that says what it does.

And what does it do? It has delay modulation, like a chorus, but it has diffusors, like a reverb. More or less. This is a semi-unstable network, and at extreme settings can make Intergalactic Robot Noises; it can also give a nice sheen to most any sound at more temperate settings, or knock the corners off pretty much anything. I'll put up some sound samples later today, but we're still touching up the code a bit, so these might not be 100% indicative of the finished product."
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