"In the previous posting, we discussed how the core of a typical VCO works, and the main sources of drift and instability in a VCO core circuit. The Digitally Controlled Oscillator (DCO) is a 1980s technology designed to eliminate most or all of these sources of inaccuracy, while still operating as basically an analog VCO. The DCO was a transitional technology that arose as soon as inexpensive microprocessors were available that were fast enough to control the timing of an audio oscillator circuit, but not yet fast enough to compute the oscillating waveform entirely in the digital domain. (A secondary consideration was the fact that fast 16-bit digital-to-analog converters, although available, were still quite expensive at the time.) The distinguishing characteristic of a DCO, as opposed to a purely digital oscillator, is that the DCO does not have a D/A converter in the audio signal path. (It may have a D/A converter in the control path.)"
click here for the full post.
Monday, February 18, 2008
MiK-one - The Guts - Part 1
YouTube via MusicMiK. Follow up to this post.
"MiK-one is the name of my DIY synthesizer, and this video shows you the modules built into it. It's not a full development story, but it might leave an impression.
More development details can be found in the german synthesizer forum: http://www.sequencer.de/synthesizer/v...
Due to YouTube length limits, i had to split this video into 2 parts - this is the first part."
MiK-one - The Guts - Part 2
Depeche Mode Photographic Cover
YouTube via analoguecrazy4
"Here is my cover of 'Photographic' by Depeche Mode. This was the first track they recorded for thier 'Speak and Spell' LP."
Spot the synths.
Yamaha An-200 Demo
YouTube via Gtechture
"Hi, this is a video of the AN-200. Its not just a cool sequencer, its a great synthesizer too. I will show you how it can be proggrammed followed by some preset patterns."
Electrocomp EML 200
"This is an old analog modular synthesizer from the EML Company. Many people from the 70s will recognize this - very common in schools and universities as an alternate to the big Moog and ARP modulars of the time."
Principles and Practice of Electronic Music by G. Trythall
images via this auction
Pictured:
MOOG Synthesizer IIIp
ARP 2600
MOOG Minimoog
Buchla Electric Music Box
""A Fundamental Approach to Understanding the New Sound Sources Covering Both the Technical and the Creative Aspects of Sound Synthesis".
From 1973. First Printing!
Contents include:
- Forward by Robert A. Moog!
- Chapters covering Basic Acoustics, Principles of Electronics, Electronic Circuits (filters, ring modulators, mixers, amps, oscillators, wave generators &more), The Function and Operation of Electronic Music Modules, Procedures for Electronic Sound Synthesis (Analog, Additive, Subtractive, Timbre, Amplitude, Frequency, Resonant Filter, Digital Sound), Tape Recording, Tape Editing and Mixing, Getting Started, Form and Notation in Electronic Music, and A Brief History of Electronic Music (Early Developments, The 1950's, Synthesizers, Computers and the Future).
Amazing pictures of analog & modular synthsizers! Pictures of the Synthi 100, Telharmonium, Trautonium, RCA Theremin with Tone Cabinet, Ondes Martenot, Moog Synthesizer IIIp, The MiniMoog Synthesizer, Arp 2500, Buchla Electric Music Box 101, Buchla Electric Music Box 200, and more!
Book includes 7 inch vinyl record! The sleeve is glued on the back inside cover and reads: "This envelope contains the 45 recorded sound examples listed in Chapters I, II, and V". The record is in great condition and comes in a 7 inch sleeve within the sleeve attached to the book. Check out the videos to hear what the record sounds like:"
Principles and Practice of Electronic Music Book & Record 01
Principles and Practice of Electronic Music Book & Record 02
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH