Friday, March 28, 2008
Buchla 200e Demo
click here for the demo via Nicholas Kent. This one is pretty different from most you have probably heard.
Jarre breathes again with Oxygene

"Now Jarre has returned to his roots, dusted off his aged but robust tools and for the first time embarked on a tour of indoor venues across Europe.
These keyboards and synthesisers look antediluvian but emit warmth and emotion when in the right hands.
'It's not nostalgia, it's not a retro way of thinking. It's just the fact that these instruments - in the history of music - are absolutely unique, like the Stradivarius, or the Les Paul Gibson 58, or whatever," he says.
'Those instruments are very sensual and organic and you can have a very poetic approach to it.
'The difference between noise and music is the hand of the musician.
'It's the reason why I wanted to present Oxygene, which I've never played before in its entirety in a concert, to share this experience in a different venue, with proximity to the audience, to share the experience with the audience in a different context.'"
Click here for the full interview by the BBC.
You can find tour info at the official Oxygene JMJ website. Looks like European dates only. Anyone know if he will be coming to the US?
Mochika live, bjork cover
YouTube via atomolab
"Hi, this a live set during practices for the upcoming Atomo´s concert. 2 Mochika sequencers + Kaos Pad."
Thursday, March 27, 2008
sha101100 - Roland SH-101 and Eurorack Modular Track

"The bassline is the 101 and everything else is the eurorack modular (Analogue Solutions, Bananalogue, Doepfer, Livewire & Plan B). The 101 is being clocked by the modular."
you can find the track here.
From 1860 - The First Sample Ever?

The 10-second recording of a singer crooning the folk song “Au Clair de la Lune” was discovered earlier this month in an archive in Paris by a group of American audio historians. It was made, the researchers say, on April 9, 1860, on a phonautograph, a machine designed to record sounds visually, not to play them back. But the phonautograph recording, or phonautogram, was made playable — converted from squiggles on paper to sound — by scientists at the Lawrence Berkeley National Laboratory in Berkeley, Calif."
Click here for the full article on the New York Times including the creepy audio.
via Retro Thing
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH