MATRIXSYNTH


Saturday, May 17, 2008

Dj Skyline br - HitMan


YouTube via kamitnick. "Xperimental" KORG Electribe ESX1.

Resonance instability = fun

"I was fiddling with the polivoks vcf's resonance this evening and came about a startling setting. Something I can only describe as a sustaining vinyl needle slip.

The only modules in this set up (as shown to the right [left]) are a Livewire Dual Cyclotron -> PlanB Model-15. the Model-15 pulse out -> Polivoks vcf -> Model-13 set fully open (vca-only setting)."

click here for the full post including audio on noisesource.

Happy Knobbing 2008 Teil 4


YouTube via elektrosurfer. Find the previous vids here and all Happy Knobbing posts here.

【レビュー】WALDORF blofeld vol.2


YouTube via musictrackjp. via synthzoom.

【DEMO:CC】Waldorf blofeld Keyboard

Flame MIDI Talking Synth

via this auction

Note this is a Noisebug listing.

"the flame midi talking synth is a small-sized midi-controlled sound module based on the analogue speakjet ? chip, produced by the u.s. company magnevation llc. originally designed for basic artificially generated speech output in american english tongue it was then refined and further developed as an 8-bit sound module with speech-like sounds and synthetic robot voices as well as beeps, alarms, noise and retro-style sci-fi sounds. due to the structure of the speakjet ? (with its complex sound synthesizer, preset sounds and serial interface) it offers an impressive range of possibilities. it contains 72 speech elements (allophones), 43 sound effects, and 12 dtm touch tones. the idea was to create sounds, patterns and sequences in the 8-bit style of the 80s or other retro sounds for making music instead of just simulating speech. most allophones can be tuned and used tonally. the flame midi talking synth contains two speakjet ? chips to produce a richer and more complex tonal variety as well as generating a pseudo stereo effect.

since the speakjet ? has not originally been laid out for the purpose of making music it is actually not fully controllable via midi input, i.e.: once sounds are triggered they cannot be directly stopped by note off messages from a midi keyboard or a sequencer. thus a midi-controlled audio tremolo has been implemented in the flame midi talking synth virtually allowing midi control and enabling an easier integration into a midi setup. the flame midi talking synth lets you play back preset words in its expander mode via an external midi keyboard or a sequencer. in addition you can use the flame midi talking synth as a stand-alone midi controller since all controls and joysticks send midi control/change data to the midi-out connector."

Siel OR 400

images via this auction

"SIEL OR-400 Synthesizer. Arp eventually bought the rights to these in the 1980's I believe."

Friday, May 16, 2008

Syntar Cake

Fizmo

Tiptop Audio DSP Feedback Loops

"Sitting at the core (or left of center, depending on how you look at it) of the Z5000 VCDSP is the Tiptop Audio 24-Bit DSP. What makes it even more unique is that because the modular format allows patching to and from anywhere in a system it is fairly easy to make very interesting use of the 16 different algorithms that the DSP contains.

All of the algorithms in the DSP work differently. Some handle the signal on two separate channels (like the delay effects), but the reverb algorithms, work entirely differently, mixing and processing the signal together using both processors.

Using that delightful feature, it is possible to send a signal into the left input and then feed the left output back to the module's right input that to create a wild feedback loop that makes the module to oscillate and create its own sounds and timbres, similar to the way filter resonance works. This oscillation will continue as long as the CTRL knob is set to MAX, and will decay as the knob is turned to MIN.

Technically, the module should start oscillating even with out any external signal. Using a sound source, however, gives you the ability to "trigger" and control the oscillation and also blends the oscillation timbre with that of the incoming sound source.

Check out the sample below for those long oscillations fading in and out as the sound source triggers them. It's nice to hear how the sound source is changes the tone of this oscillation each time it cycles."

You can find the sample here.
Be sure to check out the rest of Tiptop Audio for more.

The Journey of Jean-Jacques Smoothie's Yamaha CS5 !


YouTube via tarabusch. see the write-up here.
"http://analogsuicide.com
http://www.jeanjacquessmoothie.com

Tara brings Jean Jacques Smoothie's Yamaha CS-5 home to L.A....."
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