Thursday, June 05, 2008
Resonant Neuron Synthesis
At the beginning of the 21. century there is a clear trend in all areas of science and technology: a departure from the old cartesianic, linear and determinable world view. The new paradigmas are named complexity, order from chaos, self organisation of complex systems, networking and cooperation. A new math of complexity is under way to evolve, powered by new knowledge in biology, information technology and quantum physics.
It shows up that to capture nature by numerical mathematics is not that easy as it was thought of by the classical advocates of the mechanistic and reductionistic view. From a certain complexity onwards a system is not even the sum total of its parts but a greater whole which gains totally new attributes than its sub structures.
Also in cultural spheres of society those new thoughts push forward. Who hasn't heard about neural nets yet, which as technical pendants to the biological predecessor should teach the actually stupid, static and serial working computers the creative "thinking". Currently quite simple models are used to simulate the biological processes in neurons, axons and synapses.
Why not use these thoughts for the development of a new sound generation? A modulation path can be seen e.g. as a branch of a neural net, too. A signal can be a discrete voltage or a frequency or a sound or an oscillator. At last, the only question is in which context of time you see (and hear) those things." [link]
Update via fluxmonk in the comments: "more practical DIY info: link"
Killer synth filter
flickr by watkins.philipfull size
"This is a ultra high end filter you could never buy unless you could find someone to custom make one for you. Its a dual variable slope bandpass moog filter. Low pass filter can go 2-12 poles, the high pass only 4. Independent Q control. Vc frequency and bandwidth. All pass or bandpass mode switch. sounds great, but never added to any system. Can be used as stereo filter too. Stereo MOOG filter."
Introducing The Moog Guitar
YouTube via MoogMusicInc. Follow-up to this post. Leave your comments there.
"The Moog Guitar puts revolutionary new technology in the hands of the guitarist. Moog Music is known for building the finest instruments and the Moog Guitar is first and foremost a very fine guitar; designed to be played by the best musicians as their primary axe. Its AAAAA maple top, mahogany body and ebony finger board bespeak the quality that musicians have come to expect from a Moog instrument.
The addition of Moog Guitar Electronics opens guitarists to a whole new musical vocabulary: Not a guitar synthesizer, not a MIDI guitar or an effects processor; players are intimately connected to The Moog Guitar because it works its magic on the strings themselves." comment here
Roland GR-707 & GR-700
images via this auction"Roland GR-707 and GR-700 Guitar Analog Synthesizer System. The GR-700 is a stomp-box guitar synth with the same synth engine as the JX-3P."
Pearl Syncussion SY-1 Drum Synthesizer
via this auction"drum synthesizer made by Pearl Musical Instruments, circa 1985. This is one of the earliest drum synthesizers which I believe pre-dates Simmons."
Anyone know when the first SIMMONS drum synths appeared? I'm showing that the original Clap Trap came out in the 70s.
Pioneering Synthesist Herb Deutsch to Perform Concert in NYC
Herb Deutsch, the experimental jazz musician who collaborated with Bob Moog in developing the Moog synthesizer prototype, and who composed the world’s first musical composition using the Moog, “Jazz Images”, is performing a concert in New York City on Sunday, June 8, 2008. Mr. Deutsch will perform with several multi-talented musicians from the Long Island Composers Alliance (LICA), including long-time musical partners Paul Hefner and Jack Hotop. Theremin and electronic violin virtuoso Darryl Kubian will also be featured, along with Grammy Award winning composer/pianist and Thereminist Rob Schwimmer and pianist and electronic composer Phyllis Chen, The concert will feature several world premiers by Mr. Deutsch and others. The synthesizer, theremin, piano, toy piano and computer will be spotlighted.
Details on time, date and location are listed below.
“Music Reflecting The New Electronic Technologies“
Sunday, June 8, 2008 at 2:00 pm
Park Avenue United Methodist Church
106 E 86th Street, New York City
post-concert reception
suggested church donation: $10
seniors & students: $5
For information, call 516-799-8815 or contact licamusic.org."
via the Bob Moog Foundation blog. Image via hofstra.edu where you can find a short bio.
From the Fertile Mind of Moog: Tomorrow’s Axe Debuts at NAMM
ASHEVILLE, N.C. (June 5, 2008) – The much-anticipated and much-talked-about Moog Guitar will debut at Summer NAMM in Nashville. The Moog Guitar is “a fantastic axe designed to be played by the best musicians in the world,” says Moog Music President Mike Adams.According to Adams, The Moog Guitar opens the guitarist to a whole new musical vocabulary: “It’s not a guitar synthesizer; not a MIDI guitar; not an effects processor,” Adams said. “The guitarist is intimately connected to The Moog Guitar because it works its magic on the strings themselves.” See the attached FAQ for additional details.
The first public demonstration of The Moog Guitar will be at the Moog Guitar Showcase, featuring Kenny Vaughn and Fareed Haque with Garaj Mahal. The Moog Guitar Showcase will take place at Nashville’s renowned 3rd and Lindsley on Friday, June 20 from 7:00 – 9:00 p.m. Tickets are $10.
The Moog Guitar will be demonstrated to media at NAMM at a press conference at 10:30 a.m. on Saturday, June 21 in Moog Music’s NAMM Booth 2030.
The first ever Moog Guitar will be the limited edition Paul Vo Collector Edition Guitar. The AAAAA maple top guitar with a mahogany body and ebony finger board will be a much sought-after axe even without the addition of the patented Moog electronics. Each guitar will be individually signed by Moog associate and guitar inventor Paul Vo and will carry a sealed Certificate of Authenticity identifying it as the first ever Moog Guitar.
The Moog Guitar offers three unique modes…Sustain, Mute and Controlled Sustain. In the Sustain mode, it provides infinite, powerful sustain on every string and at every fret position; Mute removes energy from the strings, resulting in a variety of staccato effects; Controlled Sustain allows the musician to play sustained, single-note or even polyphonic lines with strong sustain and effortless clarity. In this mode, the Moog Guitar sustains the notes being played while actively muting the notes not being played.
“Take the powerful combination of sustain and mute…add the ability to move that power between the neck and bridge pick-ups, and suddenly you can pull both subtle and dramatic harmonic blends from the strings,” said Moog Senior Engineer Cyril Lance. The Moog Guitar’s creative power is further enhanced by the built-in Moog ladder filter. Both the harmonic blending as well as the ladder filter are controlled from the included expression pedal, according to Lance.The late Bob Moog and Adams often spoke of entering the guitar market, but it was not until Vo’s invention that Moog Music felt it had something truly innovative to bring to the guitar market. “Clearly, this guitar meets the definition of a Moog product that Bob ingrained here at Moog Music: A Moog product must be an inspiration to the creative process of making music,” Adams said.
“As one person told me, ‘Only Moog could have done this.’”
For more information and video on The Moog Guitar, visit moogmusic.com. Go to www.moogmusic.com/upload User name: mguitar Password: sustainmute for more photos.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH



























