arduiNoise from Collin Cunningham on Vimeo. "code from Loud Objects 'stereo' Noise Toy program - ported (and futzed with a bit) for Arduino. - and what, no sensors?!? no, i'll leave that up to you."
Complex Doepfer Analog LFO from Isotope Of Me on Vimeo. "LFOs are great. Modulation is the heart of many good sounds, but a single LFO can get boring. Up, Down, Up, Down. So why not mix 2 of them together? Here's an example of a slightly more complex pattern made by summing 2 midi synchronized LFOs at the Linear VCA.
The patch is extremely basic, a simple 2 OSC saw fed to a 24 DB lowpass filter. the output of the combined LFOs is brought into the secondary VC input on the LPF creating a syncopated pattern."
Music from outer space synth demo from breedx on Vimeo. "Gordon brought his music from outer space synth and let us play with it on a battery powered amp. Fun noisy tones were emitted!"
Buchla 200e , 100 and Genoqs Octopus from Joe Pascarell on Vimeo. "The awesome Genoqs Octopus sequencer controlling the even more awesome Buchla 200e and 100 modular synth. Sorry about the crappy audio .... i'll upload more after i figure out how to make the audio better. I couldn't resist putting this up."
YouTube via ProGuitarShopDemos. via sendling. "www.ProGuitarShop.com- Subdecay Prometheus Resonant Filter Pedal- The Prometheus is a voltage controlled 12dB filter which can be manipulated by playing dynamics or an internally generated signal. Subdecay Prometheus Resonant Filter Pedal - Everything You Want in a Filter Pedal. * Loads of headroom * Reasonable size (measures about 3.7x4.7 inches) * Highpass, Bandpass, and Lowpass filtering with adjustable intensity (resonance) * Forward and reverse envelope following * Sample/Hold step filtering based on 3 different wave forms. * No special power supplies required. Operates with a single 9 volt battery or standard 9 volt adapter.
Subdecay Prometheus Resonant Filter Pedal -- Hidden Features * The LFO rate can be adjusted to run much faster than the the step rate. This can be used to create very interesting arpeggiation. * The Depth knob can push the filter cutoff frequency outside of the audio range. This can be useful to create a slow attack effect. * The step rate can be turned up high enough for smooth modulation. This can be used to create and autofilter effect, that can sound similar to a phaser or tremolo. * A fixed filter effect is possible by turning the depth knob down all the way, and using the Frequency knob to set the filter cutoff."