you can find the review here."Despite the success of Hollywood, some icons never cross the Atlantic successfully from West to East. Say 'Babe Ruth' to the average Brit, and you'll conjure an image of a small girl too young to play ball games. Likewise, say 'Don Buchla' in the UK, and you'll probably be asked whether he was a character in The Godfather. Strangely, that description is not as far from the truth as you might imagine. In the USA, there are three 'godfathers' of synthesis: Alan Pearlman, Bob Moog, and — largely unknown in the Auld Country — Donald Buchla.
Buchla was a contemporary of Moog, and like Dr Robert, he produced his first synthesizers in the 1960s. He continued to do so throughout the '70s and '80s (see the box on the history of Buchla & Associates overleaf), but the commercial acclaim and recognition afforded to Moog eluded Buchla, and he concentrated on controllers in the '90s. By the early years of this century, he had slipped into the backwaters of the music industry, but in 2002, he decided to reinvent his most successful synthesizer, the Series 200 from the early '70s, bringing it up to date while retaining as much backwards compatibility as possible. Three years later, the result has arrived. It's a feature-packed synthesizer with a staggeringly huge price tag (see the final page of this article). It's the Buchla 200e." Note the printed review was from 2005.
Update via Wavedform in the comments: "The SOS review seems like Gordon Reid really wanted to review a different system, and not the system as it was.
The Keyboard review was a little more even-handed, I thought."
