electro-music 2009

The electro-music festival, known as the "Woodstock of electronic music," is the world's premiere event for experimental electronic music. This year's event features three mind-bending days of innovative electronic music concerts, seminars, workshops, demonstrations, jam sessions, video art, a laptop battle, and a swap-meet. Action starts at 12 noon on Thursday, October 29 and runs until after midnight on October 31. Musical activities will be running continuously throughout the three days of the festival.

electro-music 2009 takes place at the Star Lake Camp in Bloomingdale, New Jersey. This year, on-site lodging and meals are available. Tickets range from $22 for a single day to $220 for a 3-day pass including meals and lodging. Tickets that include food or lodging must be reserved by October 15.

More information, including a complete schedule of events can be found on the web site at:
http://event.electro-music.com/
You may also contact us at
event *at* electro-music.com

A wide variety of instruments and musical styles will be represented, ranging from theremin to analog modular synthesizers to home made devices, from classic space music to abstract electronica to world beats.


The following artists will be performing:
1undread
Ace Paradise
Acoustic Interloper
Alphacore
Azimuth Visuals
Jonathan Block
Brainstatik
Casperelectronics
Delicate Monster
Dewanatron
dRachEmUsiK
Dubathonic
Duet for Theremin and Lap Steel
Earthgirl
FULCRUM
Hong - GuZheng
In The Loop
Steve Jolliffe
kataStatik
Kingdom of Sharks
Kevin Kissinger
Klimchak
Andrew Koenig
Kribophoric
Richard Lainhart
Lonely Robot Audio presents MUS EXCELSIOR
Mayakara
Terrence McManus
The Megadrives
Kurt Michaels
Logan Mitchell
Modulator ESP
Shane Morris
MyOwnYoko
NEOREV
Joker Nies
Northern Valentine
Project Ruori
RDK
Ricochet Gathering
safe 2
Siebert and Lepre
Don Slepian
Spinning Plates
SPITZNAGEL
State Machine

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korg monopoly drummachine

YouTube via f...ingharpsichord
"Angelique, my Monopoly, has turned into a drumcomputer"

Elka Synthex & Roland CR-68

YouTube via zaphid
"synthex sequencer transposed with keyboard."

DIY Sequencer Synth

flickr set by Unity Gain

"This is a work in progress: A synthesizer and 16 step sequencer. When finished ther will be 70 more knobs controlling the VCOs, noise genertors, envelope, and Filter on each of the 16 channels. There will be main parameter overides, adjustable sequence length, and individual outputs for each channel if desired. All that's holding this up is $."

Future Retro 777

via this auction

SEM Among Friends

flickr by brotherloco
(click for more)

"An absolute dream come true. A modern Minimoog next to a modern SEM. Pure analog and connected via CV."

Inside and EMS Putney

flickr set by Loscha
(click for more)

"Putney Butt"

Synthesizers.com Calendar

Pictured is the 2009 calandar.
The 2010 calendar will be available here.

Note Roger Arrik of Synthesizers.com is calling for picture submissions. If you have any contact him via the link above.

No Name inspelat från radioprogrammet "Bandet går" nån gång 1978-79

YouTube via Drummelskrudd
"Spelades in med en MiniKorg 700s, ett Dynachord bandeko och en Akai rullbandspelare med sound-on-sound-funktion.
Jämför gärna med den nyare inspelningen som jag lagt upp här tidigare."

Translation via Mr. Longhair in the comments:
"Recorded with a MiniKorg 700s, a Dynachord tape-echo and an AKAI tape deck with a sound-on-sound function. Be my guest to compare with the newer recording I uploaded earlier."

Signal Generation Sequences

YouTube via JeffreyPlaide
"This purely electronic original atonal composition was created without the use of any kind of synthesizer or musical generator. The combinational signal sources were recorded from the Adobe Audition signal generator function to generate fundamental sine, triangle or square waveforms and their associated harmonics as chosen from the software. Various waveforms were recorded with different initial and final frequencies and modulation attributes. Some waveforms had period rests inserted to create short frequency bursts, with some frequency segments being pitch-shifted to create pseudo-arpeggiated patterns. These sequences were processed with light chorus, flanging or reverb. A small number of waveforms were generated using the DTMF signal function - similar pulses (but modified) to digital dial tone telephone signals. Three first-order sequences were mixed. The first sequence incorporated many spliced segments sequenced by the aid of a light rhythm pattern created on the Hammerhead Rhythm Station. The second sequence included several spliced patterns but without the rhythm track. The last sequence was a complex ring-modulated cascade of rising and falling sine waves added to further ring-modulated sine waves. A simple arpeggiated chordal pattern functions to conclude the work. These three first order sequences were mixed with overlap edits and re-mixed and equalised at specific regions along the timeline to emphasize particular frequencies. The result is an abstract, dark and atonal electronic composition reminiscent of the style and execution explored by some of the early electronic music pioneers who used signal generators and magnetic tape recorders to splice together complete compositions without the use of a keyboard or other music interface. The visuals are a mixture of video imagery combined with oscilloscopic modulations performed by the Adobe Premier WaveWarp function and utilizing second-order modulation processing and colour manipulation."