MATRIXSYNTH


Thursday, December 10, 2009

EMS DUAL RANDOM VOLTAGE GENERATOR

via this auction
"EMS Dual Random Voltage Generator, perfect to add to your Synthi or VCS3. Also interfaces with other modular/cv synths. Fully working and in original wooden case. It comes with mini-Bulgin power lead and very rare Cinch-Jones to facilities cable for connecting with a Synthi/VCS3 down a single lead. The module is internally switchable between 110V and 220V.

from the original spec sheet -

TWO VOLTAGE RANDOM GENERATOR

EMS STUDIO MODULES

The EMS Range of Ancillary Studio Modules EMS Modules are designed not only for use with Synthi synthesisers but with any complex of voltage controlled equipment, of whatever manufacture. They are supplied in handsome afrormosia cases, but can be removed and mounted in standard 19" racks, occupying only 1.7" (44mm) of vertical space. They contain their own mains power unit with a very wide range of stabilisation to cope with poor mains line conditions, being operable at anything from +10% to more than—23% of nominal line voltage. Connections to and from the modules can be made either from the jack sockets on the front panel or via the multi-way socket at the back.

TWO VOLTAGE RANDOM GENERATOR

The EMS Random Voltage Generator produces a staircase type of output, the 'steps' of which occur randomly, but whose voltage range and time variance are controllable in the following ways:

Time: The internal clock which decides the mean rate of events can be (a) freerunning and subject only to manual control, (b) inhibited so that the next random voltage depends on a manual push button or an external pulse (equivalent to external clock control); (c) free-running but voltage controlled so that an external voltage influences the mean rate. In this state the device becomes a voltage/time converter.

If the time variance control is at zero, the mean rate is constant (though subject to change of steady rate if influenced by a control voltage). As the time variance control is tuned clockwise, the mean time random variance becomes greater, and when this control is at maximum the rate will randomly vary in a ratio of more than 100:1. The distribution of chances is rectangular, not Gaussian, so that no part of the variance range is particularly favoured.

Voltage: Two voltage outputs are available and separately adjustable, but both are subject to the same time control — i.e. the steps of the staircase occur at the same time from both outputs. At zero, there is no voltage variance at all, and as the setting is increased the variance about the mean voltage (set at the device being controlled) becomes greater, excursions being both positive and negative of the mean voltage. In addition, a trigger pulse is sent whenever a random selection is made, and a lamp on the panel glows at the same time.

The random voltage generator can be used for quasi-melodic purposes, for interesting timbre and other parametric changes, or at high speeds for randomly varying vibrato or tremolo (very near simulation of natural, performed vibrato), or for producing very dense textures of rapidly changing notes. A very versatile instrument, essential for any well-equipped electronic music studio.

SPECIFICATION

Power Supply:
240 or 115VAC 50/60Hz + 10% to —23%

Control Outputs:
+/- 2.5V max. (this excursion can be offset to accommodate non-EMS products).

Trigger Output:
+4V

Mean Time Range:
0.2 - 20 events per second.

Time Variance:
Max. approx. 100:1 (at mid-settings of mean rate — limited by possible clock range).

Select Input and Inhibit/Free Run Switch:
+ 5V at select input or manual push button operates and inhibits after one event if switch at INHIBIT. +5V will run clock at mean rate set while present at select input, if switch is to FREE RUN.

Voltage Controlled Mean Input:
0.5V/octave ( = doubling or halving rate) limited by possible clock range."

EMS EIGHT OCTAVE FILTER BANK

via this auction
"EMS Eight Octave Filter Bank, perfect to add to your Synthi or VCS3. Also interfaces with other modular/cv synths or can be used as standalone piece of studio outboard. Fully working and comes with mini-Bulgin power lead. The module is internally switchable between 110V and 220V.

Previously owned by Malcolm Cecil and formed part of TONTO. "Tonto is an acronym for "The Original New Timbral Orchestra," the world's first (and still the largest) multitimbral polyphonic analog synthesizer, designed and constructed by Malcolm Cecil. Tonto featured on albums from Stevie Wonder, Quincy Jones, Bobby Womack, The Isley Brothers, Gil Scott-Heron and Weather Report, as well as releases from Stephen Stills, The Doobie Brothers, Dave Mason, Little Feat and Joan Baez, Steve Hillage". More info here

from the original spec sheet -

EIGHT-OCTAVE FILTER BANK

EMS STUDIO MODULES

The EMS Range of Ancillary Studio Modules EMS Modules are designed not only for use with Synthi synthesisers but with any complex of voltage controlled equipment, of whatever manufacture. They are supplied in handsome afrormosia cases, but can be removed and mounted in standard 19" racks, occupying only 1.7" (44mm) of vertical space. They contain their own mains power unit with a very wide range of stabilisation to cope with poor mains line conditions, being operable at anything from +10% to more than—23% of nominal line voltage. Connections to and from the modules can be made either from the jack sockets on the front panel or via the multi-way socket at the back.

EIGHT-OCTAVE FILTER BANK

The EMS Eight-Octave Filter Bank is a group of eight individual resonating filters fixed-tuned one octave apart in the range 62.5Hz—8KHz, arranged in parallel. The unit is inserted into an audio signal line, and since the output of each filter may be separately controlled very subtle variations of colouring can be made. It is simplicity itself to operate, and no voltage control is involved, its purpose being to provide characteristic colourings which are on the whole constant during a particular application. The cut-off is sharp enough to permit sections of the spectrum to be virtually removed, making profound changes in the character of a sound. With all the controls at maximum the signal will emerge unchanged except for a 10dB overall gain. At intermediate settings the response is comblike, levelling out to total rejection of the whole band when all controls are at zero.

A valuable extra facility is the access given by jacks or the facilities socket to each filter separately. The main output contains all the filters in parallel, but in addition the spectral content of the output of each filter is available at the appropriate jack. Thus up to nine simultaneous timbres can be obtained from a single complex signal. An additional use for the filter bank is as a signal improver. Hum or any other unwanted fixed frequency phenomenon can often be removed completely without serious distortion of the signal spectrum.

Apart from its use in electronic music, the eight-octave filter bank is a great asset to any studio; a group of several (at least as many as the number of output lines) can be arranged for instant patching in to any channel needing correction.

SPECIFICATION

Power Supply:
240 or 115VAC 50/60Hz +10% to—23%

Input Level:
6V p-p max.

Max. Overall Gain:
10dB +/- 1.5dB.

Individual Filter Gains:
9dB +/- 3dB max.

Hum and Noise:
—80dB referred to max. gain conditions.

Filter Frequencies:
63, 125, 250, 500, 1,00O, 2,OOO, 4,000, 8,000 Hz.

Filter Tuning:
Centre frequencies all +/10%

Filter Slope:
12dB/octave.

Channel-to-channel crosstalk:
—60d B."

ROLAND SH-5

via this auction


Casio SK-1 with Highly_Liquid Midi Mod


via this auction

"Casio SK-1 with a custom midi retrofit from Highly_Liquid. I commissioned Highly_Liquid to build out this mod for me a couple of years back for a project I was working on. More often than not, adding the midi retrofit to a Casio means removing the speaker to make way for the additional board, but in this case I had an external breakout box built so that all of the original characteristics and functionality of the unit remained in tact."

Kaiser Chiefs Custom White Nord Electro 2


click here for a short clip featuring this custom white Nord Electro 2 by http://customsynth.co.uk/.

Max/MSP John Chowning Style


YouTube via akihikotube
"John Chowning Style FM Synthesis
http://homepage.mac.com/sin..."

Theresynth™ In Nature


YouTube via chamberofsounds
"Here's a wild Theresynth in nature making bird calls. Get your very own Theresynth @ chamberofsounds.com"

Overture Okinawa -jean michel jarre +impro


YouTube via graal7
"my new and better quality version of overture okinawa"

ARP Newsletter Scans

you can find them on Retro Synth Ads

EMS Synthi 100 starting at 100GBP no reserve

via Peter Forest:
"The Synthi 100 that didn't get a bid in the last VEMIA now has to be sold without reserve, so if you'd like to be able to say you once bid on a Synthi 100, now's your chance. Since the bid will include full servicing we're relying on it getting a bit higher than the 100GBP start bid.

http://www.spheremusic.com/Bargaindtl.asp?Item=7459 - bidding ends a week today, Thursday 17 Dec, at or very soon after 20.00 UK time (GMT)." images here be sure to click on All Sizes followed by Original for the full glory.

Auction Description:
"START BID £100, no reserve; to be sold FULLY SERVICED by EMS experts Lucid Sound - ** the bid includes the servicing cost**. AUCTION ENDS 20.00 GMT OR SOON AFTER, THURSDAY DECEMBER 17. This wonderful Synthi 100, serial number 3007, was owned originally by Bruno Spoerri, and was the first ever to be sold to a private studio. He used it for many years. At some stage he decided he wanted some more variety within this massive system, and changed some (maybe 10%) of the modules' circuitry to more modern analogue designs. He also added some interesting and useful additional mods. Because of the modular nature of the beast (all the important boards are contained within card-frames for simple removal and work) it would be very possible to return these to their original design - all parts are still readily available. But our feeling is that it would be good to start with Bruno's mods intact, and only change back if they proved not to be useful or interesting. The winning bidder can decide what he or she prefers - if necessary after discussion with Lucid as the servicing proceeds. The bid will include complete servicing to Bruno's modded spec, whereas returning the machine to original factory spec might possibly involve some extra expense, payable to Lucid Sound. After Bruno Spoerri, it was owned by Felix Visser of Synton, who bought it as one of the centrepieces of a massive museum planned for the Netherlands. The museum never happened, and so he sold it 18 months ago. The new owner unfortunately has hit a crisis which involved having to move out of his current studio and home without having been able to use it once, and so the Synthi is up for sale again. It is in very good cosmetic condition. There is some cosmetic marking where damage to one of the massive pin matrices has been repaired - see the photo - and a small amount of corrosion on the right of the serial number panel. Apart from that, and the odd scuffs and marks consistent with its 35 years' life (including on the padded top), it is really lovely. The 'producer desk' in between the two matrices has been repaired and re-tolexed and looks great. All knobs are beautiful; all keys on the twin-manual keyboard are excellent. There are a lot of photos of this machine at http://www.flickr.com/photos/73278691@N00/ (or http://www.flickr.com/photos/matrixsynth/sets/72157622974821168/. The photos are poorly organised but do show most aspects of this gorgeous instrument. This is totally complete: it comes with the stand for the keyboards, the back panels, sliding front panels for the Synthi stand, a generous number of matrix pins (including some for the sequencer) - well into three figures, we think - and the original manuals, massive tomes like old bibles. This is the eighth out of less than 30 of these incredible machines, and one of very few (just 3 or 4?) to go to a private studio, so much less likely to be abused during its life by a succession of careless students or employees. Servicing will take a maximum of three months from the end of the auction - the hope is to do it more quickly, but three months is the worst case scenario.) The winning bidder will receive regular progress reports from Lucid. Payment: because of the considerable value we hope this will reach (exceptionally rare, beautiful, and fully serviced), there are special payment arrangements. 10% **non-returnable** deposit to be paid within 24 hours of the auction finish, by bank transfer, credit or debit card (or UK cheque by agreement) - and then the rest by bank transfer or UK cheque within 14 days of the auction finish. SHIPPING: we are willing to ship worldwide, with the buyer paying for crating and transport (and of course any import costs). We will also offer personal delivery in the UK mainland, northern France, Belgium, Holland, and possibly other countries, depending on distance."
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