MATRIXSYNTH


Sunday, January 16, 2011

ARP Odyssey Synthesizer

via this auction

NAMM Updates

A ton of updates just went up. See the bottom of The NAMM List. Don't miss the CyberStep KDJ-ONE.
Note each update would normally get a new post, but I decided to keep updates for each synth in one post.

uSYNTHs Moog


via uSYNTHs tumblr

1 Beatseqr, 4 Tracks, and a Ton of Fun


YouTube via solarno72 | January 15, 2011 |
follow-up to this post
"This is my third video demonstrating Steve Cooley's handmade 16-step MIDI controller, the Beatseqr. In this video I am showing how you can use the Beatseqr to simultaneously send MIDI information to multiple tracks/instruments in Logic. Then, using a control surface I can toggle those different instruments on and off.

With the four programable patterns available in the Beatseqr this allows for potentially huge number of pattern/instrument combinations.

For more info on the Beatseqr project visit http://www.beatseqr.com"

technics wsa synthesizer - some physical modelled sounds


YouTube via borgmechaniker | January 16, 2011 |

"Here some sounds i created on the TECHNICS WSA synthesizer. As the WSA uses a simplified version of physical modelling, the sounds are very acoustic in character and always have some "alice in wonderland" feel to it.

The WSA is good for virtual percussive, stringed and or blown instruments. It also has some good sounding filters and fx unit."

mee blip synthesizer


flickr By Iain Browne

"pretty cool thing."

41 namm2011 dove andremo a finire 2


YouTube via accordoTV | January 16, 2011

Namm Show 2011 - Don Buchla: parla il maestro


YouTube via accordoTV | January 15, 2011 |

"http://audio.accordo.it/articles/2011..."

NAMM: Brand New Loud 'N Dirty Modules From Ken Macbeth


via Sonic State
"We kick off this year's Analogue Haven coverage with the enigmatic Ken MacBeth giving the lowdown on his two 3U & 5U modules (look out for a brief appearance by Sonic's Nick Batt!)."

NAMM: What's New From Tip Top Audio


http://tiptopaudio.com/
via Sonic State
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