iDelirium game music app

YouTube Uploaded by rgbsound on Sep 26, 2011

From the makers of RGBSOUND

Francesco Cricchio - iTunes
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Update: the official press release:

"★iDELIRIUM, REMIX YOURSELF!★

Many instruments existed on earth since long time, the guitar, the piano, the drums and many others, and then iDELIRIUM arrived...
iDELIRIUM is a delirating alien instrument that allows to register and playback your own voice together with electronic sound effects and allucinating combinations of visual effects. The interface, that at first glance looks cryptic, it is in reality extremely easy-to-use.

The main features of the app are:

✔ Record/play your own voice together with preregistered electronic sounds by tapping colored buttons
✔ Start music loops at different speeds
✔ Handle the pitch and volume control of each sound
✔ Drum machine mode
✔ The creation of a rhythm is visually associated an hypnotic movement of colored squares.

Stay tuned and REMIX YOURSELF!"

Polymoog Synthesizer 203a

via this auction

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Roland MKS 80 + MPG 80 Super Jupiter Synthesizer

via this auction

SN 481189

"The multi waveform oscillators feature cross modulation which can also be controlled from env 1. The VCOs can be modulated by LFO 1 and env 1. The pulse width modulation can be controlled by env 1, LFO 1 or the keyboard. The oscillators can be synced in either direction: 1 to 2 or 2 to 1.

The filter is low and high pass with a choice of either env 1 or env 2 (both invertable). Separate controls for the HPF, LFO 1 and key follow.

The MKS-80 responds to velocity which can modulate both of the envelopes times and levels.

The unit can retain sixty-four patches in memory, which can be layered or split with tuning offsets and key ranges and stored in one of the sixty-four patch locations.

An additional 128 patches and tones can be stored on the M64C RAM cartridge.

The MKS-80 has four voice modes: Poly 1, Poly 2, Unison 1, and Unison 2. Poly 2 operates in unison until more than two keys are pressed, and which time it reverts to normal poly mode. This is great for leads, retaining the mono unison sound but permitting overlapping notes and a chord here and there.

In split mode you can use as 2 separate synths via the 2 XLR outputs.

You also get great midi spec and sysex implementation"

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Roland Juno-106 with Wood Sides

via this auction

abertronix (RSS)

HOHNER A.D.A.M.

via this auction

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Sequential Circuits Pro One Vintage Analog Synthesizer

via this auction

SN 2798

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Vintage MAM VF-11 11 band Vocoder

via this auction

"The VF-11 is an 11-band analog vocoder from German company MAM (Music And More). A vocoder lets you create robotic vocal effects. You basically feed two sounds into it, the sound you want to process (Synthesis Input) such as a synth lead or synth pad, and the sound that will do the vocoding (Analysis Input) such as your voice or a drum loop.

The Analysis input has mono Mic and Line inputs. The signal you plug in here will be separated into 11-bands which cover a frequency range of 50Hz to 12kHz. The unique frequency spectrum of the analysis input sound will have different amplitudes at each of the 11 analysis bands. So a low frequency specific sound will generate lots of voltages in the low frequency bands, but very little to no voltages among the higher frequency analysis bands. The amount of voltages generated by these bands depends entirely on the harmonic content of the Analysis sound input.

Voltages generated by these analysis bands go on to control up to 11 Envelope Detectors on the Synthesis channel. The Synthesis channel is also split into 11-bands and each band passes through a VCA envelope controlled by these Envelope Detectors. The end result is that the Synthesis input's envelope is generated by the harmonic content of the Analysis input sound.

The VF-11 has its very own, albeit very simple, analog VCO to use on the Synthesis channel in lieu of external audio. This oscillator offers only a sawtooth waveform with a simple pitch adjustment knob. The VF-11 has only a mono output which can output the processed or unprocessed signals. The VF-11 can also function as a filterbank! Plug a sound to the Synthesis channel, and nothing into the Analysis channel. Then you can adjust the gain of each of the 11 bands. It isn't resonant, but it works. The VF-11 is analog and affordable. There's no MIDI or memory and you'd need two of these to process stereo audio."

Grey Roland/ SH-101

via this auction

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Simmons Clap Trap - Handclap synth - Rare Digital Analog Hybrid

via this auction

"The controls are - Clap, pitch and length (knob for each). This is the digital side - the sample is produced by a ceramic clip as found in other Simmons gear (SDS7, SDS9 and so on). Not the crazy ear splitting-ly crisp reproduction of todays standers. But a more smooth, full ranger sound from the dawn of "samples". On the analog side you have - Noise, pitch and length (knob for each). Soloed the Noise makes a nice snare sound. That brings us to the balance knob and Volume (also work as the on/off). You can 100% clap and 100% noise with a hard pan of the balance knob.The Auto, push button and Auto speed knob control a metronome that fires the unit at intervals. On the back it has inputs and outs for Foot pedal, Synth or it can be trigger by a 80's drum pad or even a sequencer (Simmons MTM works too. any gate will do). You can fire it with a push button on the top, the "trigger" button. Nice action on this button for live use (not hard to push or sticky). The Humaniser varies the pitch just a tiny bit every time you trigger the unit so you do not get "machine gun" effect. Unless you dig that effect, then turn it off to sound like a robot. Sounds amazing!"

KORG PSS-50 PROGRAMMBLE SUPER SECTION

YouTube Uploaded by ebishide on Mar 22, 2010


via this auction

"Program Your Backup Patterns and Chord Progressions - a Valuable Assistant for Practice, Recording, and Composing. It's like having your own session musicians ready to play along with your songs and arrangements. The PSS-50 lets you program both the backing pattern (drums+bass+ strings, brass, piano, etc.) and chord progression. You can then play it back to try out different arrangements, make demo tapes, or simply practice your instrument. The forty eight built-in backing patterns include 4, 8, and 16-beat, as well as fusion, reggae, disco, ballad, and many more. Each is amazingly realistic and has its own exciting original arrangement. Since you arefree to arrange the three parts in each backup pattern as you like, you have a possible variety of 100,000 new and different combinations. With the song writing function you can change the backup pattern and chord progression a bar at a time (or even at every half measure for chord changes). The PSS-50 will store eight of your songs for automatic playback. Add breaks and endings just the way you want them. The drum section uses digital storage technology to give you real drum sounds that are a far cry from an ordinary rhythm box. Songs can be linked for continuous play or to handle longer compositions. The tape interface permits infinite song data storage. Other features include external input jack (for mixing with guitar, keyboard, etc.) built-in stereo effect, stereo drum output with fixed array, drum-stick lead-in, and more."