Check out the wheel controls on it. It's not clear if this one is additive based or if the wheels adjust timbre. The description from ruskeys.net implies it's capable of more than just organ sounds as well: "Junost-70 is a multi-voice instrument. The voices can be changed, depending on the genre of a performed work and the will of a performer, with the help of knobs of the octave sound synthesis. In such a case, sounds from one or several octaves are added in different proportion to a basic sound, which makes it possible to smoothly vary a timbre colour over a wide range, providing sounds that are characteristic for various genres, from pop and folk music to organ works. It may be used as an accompanying or solo instrument, depending on the will of a performer. The device is equipped with a "glissando" unit, which is switched on by the button situated in the lower part of the case. The volume control is carried out with the help of a foot pedal."
If anyone knows what this is capable of, feel free to chime in.
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via this auction
"- Sliders - a bit sticky but functional - all slider caps and knobs intact and present - internal circuitry very clean - keys of keyboard: action feels as it did new. - selling as is - for the vintage synth aficionado."
YouTube Published on Apr 20, 2012 by lucyzeke12 First post featuring the Casio XW-P1 used in a live set.
"Lee-Ann joins drummer Eddie Bast of Pandemonium, along with Jimmy Hat bandmates Marc Brunetti (guitar), JP Philbin (upright bass), and Bryan Clark (keys), to cover Sting's "The Shape of My Heart" in this artsy warehouse jam."
YouTube Uploaded by ComputerHistory on Jul 16, 2010
"[Recorded: April 7, 2010]
In the late 1950s computer music pioneer Dr. Max Mathews created MUSIC, the first widely used music synthesis program while working in the Acoustic Research Group at Bell Telephone Laboratories. Over the next forty years at Bell Labs and then at the Center for Computer Research in Music and Acoustics at Stanford University, Mathews advanced and refined digital computer music synthesis.
In this video Mathews describes and demonstrates his Radio Baton Controller and Conductor software program and performs brief selections by Bach, Chopin, Beethoven and Appleton.
A Radio Baton is an electronic instrument with two baton controllers and a receiving base called the antenna. In the end of each baton is a small radio transmitter. As the batons are moved over the receiving base, four antennas in the base are able to determine the batons' location in three-dimensional space. The movement of the batons through space are converted into instructions determining how the music is to be synthesized.
The Radio Baton Conductor Model uses the model of an orchestra conductor controlling the musical tempo, dynamics and expression of the piece. The Conductor program puts the pitches and the durations of the notes in a score that the computer reads as a sequence of beats in the computer memory. The conductor can move the batons around with his two hands, controlling six variables, and assign these variables to whatever functions in the music are important at any instant of the music.
When asked if the radio baton was a successful instrument, Mathews answered, 'I suspect actually it was too successful. It may have made music too easy to play. But my vision there, and the vision I think I got from John Chowning was that everyone could have his own orchestra and could interpret music according to his particular feelings about it. And that this might be a much more satisfying way than simply sitting and listening to a recording or simply listening to a concert in a concert hall.'"
Its just the system100m you hearing. I made a stereo patch and the left channel goes thru a Ibanez AD202 and the right channel is going thru a Ibanez UE405 of which i only use the delay. At the end of the signal i push it through a Fostex stereo spring-verb. The whole patch is build around 3 sounds. The first is a pink-noise thru the phaser and audio-delay to create the pseudo-stereo effect on it. The second sound is a ring-mod percussive sound which get triggers thru a gate-delay which makes it pretty unpredictable. And the last sound is the "melody" type of sound, build up from 3 oscillators on which each one has it own LFO on the CV-in. Giving each oscillator his own LFO was a idea i saw in the dwanatron.
Hope you guys enjoy it, so sit back, put on those headphones, press play, close your eyes and listen. Thanks"
YouTube Published on Apr 20, 2012 by crimsontechnology
"WaveSynth Pro is "easy and full-fledged musical instrument app specialized in performance", a wave table, 16 multi-timbral synthesizer application for iPad with 128 preset sound tones and 1 drum set defined by General MIDI specification.
http://www.facebook.com/crimsontech.jp"
Not sure if this is a new version for the iPad. Looking at the App Store I only see the following iPhone version. The specs appear to be the same.
"WaveSynth is a wave table, 16 multitimbral synthesizer application for iPhone / iPod touch with 128 preset sound tones and 1 drum set defined by General MIDI specification.
It is possible to play various musical instruments sound tone such as piano, guitar, trumpet, strings, flute, drums, percussions and so on.
The keyboard can be selected by 1 octave keyboard or 2 octave keyboard on the display. In every sound tone, most suitable octave is assigned automatically or to be chosen by manual.
In addition to normal keyboard play, various expressions could be added by the Pitch Bend Controller, Portamento, Mono Mode.
Vibrato(Modulation) effect is available if you shake the body.
Also WaveSynth supports LINE6 MIDI Mobilizer for full 16 channel MIDI Input / Output. Please use your iPhone as a perfectly GM sound module !
Be sure the mode is in silent mode if the sound is null.
Specifications:
* 128 preset sounds and 1 drum set defined by General MIDI specification
* Pitch Bend Change Control
* Portamento ON/ OFF
* Mono Mode ON/OFF
* Reverb / Chorus Effect"