MATRIXSYNTH


Thursday, September 27, 2012

'77 ARP 2600 Vintage Analog Synthesizer 2601 SN 0711

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below and more at the auction while up.

"For your consideration is this vintage 1977 ARP 2600 series “2601″ analog synthesizer and matching “3620″ keyboard. This particular set, both with matching serial numbers (0711), is in near mint, all original, impeccably serviced, condition and includes the original case lids, the original owner’s manual, the controller owner's manual, the original patch book, and original patch cables. This unit was purchased directly from synth tech extraordinaire Will Alexander, and though it was in extremely excellent shape when initially serviced, it was transformed into the absolute best functioning ARP 2600 possible: every single mechanical component was cleaned, all rubber bushings were replaced, and everything was precisely calibrated. For those who have been waiting for the definitive premium example, well, look no further, this is the one, and we have decided to sell it to the highest bidder with No Reserve, Free USA shipping, and discounted Worldwide delivery, so place a bid, because finding a comparable keyboard will be near impossible!

Will Alexander, personal synth tech for Keith Emerson/ELP, Herbie Hancock, and The Rolling Stones, to name just a handful, in addition to being an important figure at Oberheim, took great care in restoring what little needed to be addressed to beyond factory specifications, resulting in the best performing, most consistent ARP 2600 we've had the pleasure of offering.The only mod, which we considered highly thoughtful, was the replacement of the traditional oval power cable receptacle with a standard IEC female jack. Though no pictured, an IEC cable is included.

This extremely well-preserved piece presents in near immaculate condition, and aside from one minor set of snags (having since been secured by Will) on the exterior of the synth lid, it would otherwise be considered undeniably mint. Save for such, this is an incredibly clean synth, with no evidence of mis-treatment, improper storage, or even expected wear.

The ARP 2600 is considered the absolute benchmark in compact analog semi-modular synthesis. Extremely versatile, and capable of producing a seemingly indefinite amount of both classic and modern synth sounds, the 2600 has become the standard by which other synths are measured.

Played, and made famous, by a veritable who’s who of modern music, the ARP 2600 can be heard on albums by: John Lennon, Stevie Wonder, Joy Division, Kraftwerk, Frank Zappa, Herbie Hancock, Steve Miller, The Beastie Boys, Cat Stevens, The Who, Depeche Mode, U2, and an ever-expansive alumnus of artists whom have featured this amazing synth in their music.

This last version of the 2600 is rare, and while some prefer the sound of the early examples, this final generation was result of stabilizing some of the more inconsistent modules. This also makes it practical for studio use, and plug-in-and-play applications."

Keyboard SN 3620 SN 0711

Wave-PD1 HTML5 Online Pad Synth

Update: the URL would help. Sorry about that: http://alxgbsn.co.uk/wavepad/

via Livio Lanzetta on Facebook

"TRY IT!

Can Your Mobile Device Play This? (HTML Audio Test)

Alex Gibson’s WAVE-PD1, aka WavePad, is a basic synth toy that sounds a bit like a theremin, built with HTML 5 audio.

WavePad has a simple touchpad UI and generates sound based on the wa
veform and filter settings that you can select. It can also be affected using delay and feedback settings.

While it’s unsophisticated as a synth, it’s built with HTML and delivered via the Web, so it should theoretically be cross-platform. At this time, only about 25% of the smartphones in use support HTML5 audio.

Does this work with yours?"

This worked for me on Safari, but not Firefox. The resolution is a bit large for a phone but it does work.



Serge VCS as a Subharmonic Generator


Published on Sep 27, 2012 by GoldenCardiganCult

"Here is a quick improv of a sketch I have been working on. This will eventually get multi-tracked and re-edited, but for now I have just made a quick live recording.

The main reason I wanted to upload this is to show how the Serge VCS can be used as a Subharmonic Generator.

I have two main sequences running from Ableton. The bass line and the arpeggio melody. The VCS is being driven by the VCO providing the melody line. All percussive elements are being produced by my "Terminal Glitch 3" Reaktor ensemble.

A pulse wave is taken from the VCO and patched into the Trigger input (not the audio in) and the AC output is sent to the mixer. Adjusting the Rise and Fall times will vary the divison of the sub-harmonic.

I am then modulating the Rise and Fall times with an LFO and the arpeggio's gate signal, both are being controlled by the Joystick via two VCA's. The X axis is controlling the LFO and the Y axis the gate signal.

A big thanks to Ken Stone for making these Serge modules available. I am still amazed by all the different functions the Serge VCS is capable of."

TS2MVX5A Analog Drum Test Video 1A DS7 Coron Drum Clone


Published on Sep 27, 2012 by pieruixmaster

"Analog Drum Trigger has a Trigger/Gate input, 1 audio output, tap test. Adjustments for sound, speed, depth, VCO and Sustain. Trigger/Gate Sensitivity control. Set up like the Coron DS7/8 Clone

Tested with an external pulse sent into the input of the unit."

Coron drums on eBay

BugBrand Scandinavian Tour

via the BugBrandBlog

"Yes! A tour of Sweden with a brief jaunt into Norway.
Travelling with a 2Frame Modular.
Getting out to play, to talk, to meet.

The dates:

Tuesday 16th October - Club L'Amour @ Fylkingen, Stockholm
http://www.fylkingen.se/node/1663
A live show!
From 7.30pm - 80 Kr Entry

Wednesday 17th October - Presentation @ EMS, Stockholm
http://www.elektronmusikstudion.se/presentation-tom-bugs-ems-17-october-1830.html
A talk and hands-on demo session!
From 6.30pm - Free Entry

Friday 19th October - Dans for Voksne @ Sound of Mu, Oslo
http://www.soundofmu.no/
A live show!

Sunday 21st October - Lindblad Modular Meet @ Academy of Music and Drama, University of Gothenburg
http://www.muffwiggler.com/forum/viewtopic.php?t=67625 // https://www.facebook.com/events/182064561918595/
A modular meetup + demo!
From 3pm - Free Entry

Monday 22nd October - Lecture @ Academy of Music & Drama, University of Gothenburg
A lecture! (Open to non-students)
Free Entry

Friday 26th October - A show in Gothenburg
Details To Be Finalised!

Sunday 28th October - Ljudlek @ Inkonst, Malmo
http://www.inkonst.com/2012/09/19/tom-bugs-bugbrand-modular-synt-demo/
A talk, hands-on-demo, and a live show!
From 4pm - Free Entry "

Wednesday, September 26, 2012

10-Let's jam again ! Korg MS-20 sequenced by Plogue Bidule


Published on Sep 26, 2012 by GruithuisenCityMan

"Korg MS-20 Series :
Ten ways to have fun with a Korg MS-20

1-Basic Plogue Bidule polysynth passing through the filters of my Korg MS-20
2-Korg MS-20 acting very strange
3-Duophonic Korg MS-20
4-Duophonic Korg MS-20 (2)
5-Korg MS-20 complexely arpeggiated by Plogue Bidule
6-Korg MS-20 arpeggiated - Filters's resonance only !
7-FM-like sounds with a Korg MS-20
8-Crazy feedback loop with a Korg MS-20
9-Let's jam ! Korg MS-20 sequenced by Plogue Bidule
10-Let's jam again ! Korg MS-20 sequenced by Plogue Bidule

Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made in one take using a Korg MS-20, Plogue Bidule and Audacity. Enjoy !"

An Interview with Jon Appleton - One of the Creators of the NED Synclavier


via Astronauta Pinguim where you'll find the full interview.

"APPLETON - I have the first and the second Synclavier but I don't play them. I am not sure they work. Sydney and Cameron and I developed the instrument first from something called The Dartmouth Digital Synthesizer. It was my conception and their design..."

Check out the "all-star" pic below. You should recognize some of the names. Peter Zinovieff was he man behind EMS. Via Fabricio Carvalho on The MATRIXSYNTH Lounge

Astronauta Pinguim also brought us interviews with Vince Clark, Gershon Kingsley, Herb Deutsch, and Jean Jacques Perrey.

Remember you can find all interviews featured on the site via the Interviews label below.

Mirador


Mirador from NormanBates on Vimeo.

"a super simple oscillator -from nicholas collins book- a 4093 chip with 2 ldrs, reading some videos of my likes collection. The first two from Guido Corallo, and the last one by Moritz Uebele. The three videos were originally silent. Sorry about the really poor quality, got to compress too much the original video to be able to got it under the 500mb restriction for the non plus like me.

un oscilador recontra simple del libro de Nic Collins, un 4093 con dos ldrs, pegado al monitor, "leyendo" algunos videos de mi colección de favoritos. Los dos primeros de Guido Corallo, y el tercero de Moritz Uebele. Los 3 videos eran originalmente mudos. La calidad deja bastante que desear, pero es que tuve que comprimirlo demasiado para que me quede en los 500 mb de límite para los no plus."

EMW WCS-1 Synthesizer


Published on Sep 25, 2012 by psprojectbrazil

"Playing the EMW WCS-1 synthesizer module using a microKorg and a reverb from a Behringer mixing console."

http://www.electronicmusicworks.com/

Synthesizing the Sound of Cloth, Garments & Fabrics

Motion-driven Concatenative Synthesis of Cloth Sounds (SIGGRAPH 2012)

Published on Jun 19, 2012 by DougLJames

Clothing sounds synthesized using the approach from our SIGGRAPH 2012 paper, and PhD thesis work by Steven S. An.
http://www.cs.cornell.edu/projects/Sound/cloth/

Steven S. An , Doug L. James, and Steve Marschner, Motion-driven Concatenative Synthesis of Cloth Sounds, ACM Transactions on Graphics (SIGGRAPH 2012), August 2012.

Abstract: We present a practical data-driven method for automatically synthesizing plausible soundtracks for physics-based cloth animations running at graphics rates. Given a cloth animation, we analyze the deformations and use motion events to drive crumpling and friction sound models estimated from cloth measurements. We synthesize a low-quality sound signal, which is then used as a target signal for a concatenative sound synthesis (CSS) process. CSS selects a sequence of microsound units, very short segments, from a database of recorded cloth sounds, which best match the synthesized target sound in a low-dimensional feature-space after applying a hand-tuned warping function. The selected microsound units are con- catenated together to produce the final cloth sound with minimal filtering. Our approach avoids expensive physics-based synthesis of cloth sound, instead relying on cloth recordings and our motion-driven CSS approach for realism. We demonstrate its effectiveness on a variety of cloth animations involving various materials and character motions, including first-person virtual clothing with binaural sound."

via Engadget

Precomputed Acceleration Noise for Improved Rigid-Body Sound (SIGGRAPH 2012)

Published on Jun 19, 2012 by DougLJames

"Acceleration noise sounds synthesized using the method from our SIGGRAPH 2012 paper.
http://www.cs.cornell.edu/projects/Sound/impact/

Jeffrey N. Chadwick, Changxi Zheng and Doug L. James, Precomputed Acceleration Noise for Improved Rigid-Body Sound, ACM Transactions on Graphics (SIGGRAPH 2012), August 2012.

ABSTRACT: We introduce an efficient method for synthesizing acceleration noise--sound produced when an object experiences abrupt rigidbody acceleration due to collisions or other contact events. We approach this in two main steps. First, we estimate continuous contact force profiles from rigid-body impulses using a simple model based on Hertz contact theory. Next, we compute solutions to the acoustic wave equation due to short acceleration pulses in each rigid-body degree of freedom. We introduce an efficient representation for these solutions--Precomputed Acceleration Noise--which allows us to accurately estimate sound due to arbitrary rigid-body accelerations. We find that the addition of acceleration noise significantly complements the standard modal sound algorithm, especially for small objects."
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