A few unboxing shots of my new Subconscious Communications Model 15 Complex Voltage Controlled Oscillator & Model 37 Voltage Controlled LFO / Utility Oscillator. Great modules BTW. Click the pics for the super size shots.
"The Subconscious Studios Rev. 4 Model 15 VCO maintains the identical circuitry of the original discrete triangle core to assure the waveform purity and timbral characteristics which made it a legend. It features two independent fully processed (+/-) VC inputs, a 1V/Oct input, dedicated linear FM input, hard sync, and independent Sine, Triangle, Saw, PWM and a vactrol-controlled Wave Morph outputs. Operational enhancements via it's discrete SMT component design assures even greater accuracy across all functions with stability now better than .005% (less than 2 hertz drift at 1kHz over 24 hours) and single-pot frequency range from 1 to 20Khzm, at a depth of just over .5 inches below the faceplate..."
"Part of the the original groundbreaking ELF module series - the first to feature faceplate potentiometers on a 2cm wide format - the newly redesigned SMT Model 37 is now armed with dedicated outputs for triangle, sawtooth and square wave outputs. While maintaining it's super hard sync and adjustable FM response, the 1V/oct tracking has been increased to over five octaves, making the M37 the unparalleled cost alternative for multi-voiced modular synthesizers..."
via Decoder Magazine where you'll find more pics and an interview.
"After releasing a winning streak of albums in recent years, Glenn Jackson, Adam Myatt and Matt Tammareillo have established themselves as central voices in the Bay Area electronic pop scene. They channel their music through a variety of monikers: James & Evander, Shortcircles, Hoodcats, Empty Pockets, etc. Each outlet has a distinctive voice, but all share a love of studio experimentation, synth worship and expansive musicality. The rich collaboration that exists between them is undeniable; a rare example of three artists living under one harmonious roof. They call it 'the Turtle Shell'."
"Handmade by my friend Alan of Mountainking Electronics in Philadelphia. The Channel Chief is a dual Oscillating synth that was built into an old 50's or 60's TV antennae amplifier box. This is a one-off piece and will never be made like this again. It has two frequency control knobs, a filter knob, a volume knob and a switch for on-off, dual and modulation settings. There is also a switch on that back that switches the filter mode. The unit also has an "Osc.1 CV in", "Ocs 2 CV in", and a "Filter CV in" for running other instruments through it. The unit is fat sounding and pretty wild on its own. Of course, pedals, including delay and reverb, can only make this monster even better. This is that perfect piece you've been looking for to FREQ people out!"
"The synthesizer has been cleaned and calibrated, had a new membrane panel fitted and had the internal battery replaced three months ago. The unit functions as it should and is in very good condition for it's age. There are no crackly pots or wheels..."
"This thing sounds immense. You've got a monosynth, polysynth, string synth (Elka Rhapsody), organ drawbars and some extra percussion sounds, harpsichord etc. all built into this thing, they can all be layered too for some huge sounds. The X705 was famously used by JMJ, his being covered in mirrored tiles for an extra spacey effect!"
"This is a 5 min. video of a modded MOOG MG-1. SOME LEVELS DEMONSTRATING THE FEEDBACK CIRCUIT ARE LOUDER. So watch your ears and speakers.
I have posted this to promote its sale but will leave it up as it may be useful to those considering doing these mods. There are plenty of MG-1 videos demonstrating typical functions and super sweet licks. This is not one of those.
Mods are: Tone Source VCO 1&2 tuned an octave lower than possible with stock synth, variable pulse width for one Source Tone VCO 2, filter feedback loop switch and attenuator.
Sorry for my lame narration. I didn't write a script. You can probably get really drunk if you take a shot of whiskey every time I say "so".
I hope you find this informative. Thanks for watching!"
"What makes this particular synth special is that it has been modified to augment its utility as a bass synthesizer.
Mod 1: Tone Sources/VCOs 1 and 2 have been tuned an octave lower than the stock version can be (modified tuning resistors). It has been tuned and scaled and is ready to record.
Mod 2: Variable pulse width has been added to the square wave of tone source/VCO 2. It used to be thin and buzzy; now it can be thick and juicy (but go back to thin and buzzy or anywhere in between that you want)
Mod 3: The usual 1/4" output and 1/4" input to the filter jacks
Mod 4: A filter feedback circuit with engage switch and gain knob has been added. (note: The filter feedback gain knob can sometimes sound scratchy but the pot is clean. This effect likely has something to do with the fact that the filter circuit isn't used to getting a variable feedback gain signal. It is never scratchy when the knob is not in motion; only sometimes, not all the time, when it is turned while playing notes.)
Finally, the entire bottom board with the poly section and power supply has been completely recapped to ensure reliable performance for years to come. The infamous black foam has also been removed.
The bottom line is that this MG-1 specimen is way cooler that 99% of those out there because of these mods. However, you should be aware that one slider cap is missing and replaced with a make-shift one. Also, the adhesive securing the plastic side panels to the face plate feels a little loose. This is unimportant because the chassis is screwed together. Very minor stuff but no surprises for you."