Published on Sep 3, 2012 ONEPOLYMER·23 videos
"Just a short DSS-1 Demo Track using only DRAW WAVE and HARMONIC SYNTH Feature as well as Drums from the DSS1 Disk Library.
enjoy the bits
onepolymer"
Tuesday, January 22, 2013
KORG DSS-1 WAVE SYNTHESIS DEMO
SQ8L GIMME BASS ENSONIQ SQ80 EMULATOR
Published on Sep 16, 2012 ONEPOLYMER·23 videos
"Wonderful easy to use and great sounding Emulation of the classic ENSONIQ SQ80 Hybrid Synthesizer.
enjoy the bits
onepolymer"
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Audio, Ensoniq, Featured, Soft Synths, Video
LABELS/MORE: Audio, Ensoniq, Featured, Soft Synths, Video
KAWAI SX240 DEMO - GOT G.A.S. ?
Published on Dec 3, 2012 ONEPOLYMER·23 videos
"Just a little demo of the SX240 possibilities.
All Sounds taken from the SX, except Snare Drum (from my beloved Korg EX8000).
GOT G.A.S. ? :D
enjoy the bits
onepolymer"
KEYTEK CTS 2000 DEMO TRACK
Published on Jan 12, 2013
"KEYTEK CTS-2000 HYBRID CROSS WAVETABLE SYNTHESIZER.
enjoy the bits
ONEPOLYMER"
Additional KORG Mini MS20 Specs
See Update 3 in this post for some additional specs.
Akai AX-80 Synthesizer w/ Case
Korg MS-20 Monophonic Analog Synthesizer
Moog Sub Phatty on eBay
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"25 KEYS. 31 KNOBS. 2 OSC. 1 SUB OSC. INFINITE POSSIBILITIES. The Sub Phatty has the soul and hands on control of a vintage Moog synthesizer in a completely new, aggressive sound design machine. It has 25 keys, 31 knobs, and 13 switches that connect you directly to the analog heart of this powerful instrument. Its oscillators have been designed to perform with unmatched clarity and accuracy in any environment with no warm-up time necessary. They are fat, punchy, and loaded with harmonic content. A new Multidrive circuit in the filter section totally transforms the sound of this analog synthesizer into a screaming beast. Create gritty attack, asymmetrical distortion, and saturated hard-clipping sounds that tear through the densest mix. The mixer section houses a powerful square wave sub oscillator designed to add depth, thickness, and side splitting bass to any sound. 
In addition to this, a specially voiced noise generator has been incorporated for sculpting hard hitting, all analog percussion sounds and other sound effects. The Sub Phatty joins the Moog arsenal with a new and boldly unique voice. Its engaging and dynamic interface fuses a connection between man & machine that opens the door to unprecedented sonic exploration. Sound Engine: Analog Number of Keys: 25 Type of Keys: Semi Weighted Other Controllers: Pitch Bend, Mod Wheel Polyphony: Monophonic Sound Sources: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Noise Generator Mod Sources: Triangle, Square, Saw, Ramp, SH, Filter Envelope Mod Destinations: Pitch, Osc 2 Pitch Only, Filter, Waveshape Filter: Moog Ladder Filter 20Hz-20Khz Audio Input: 1xTS Audio Output: 1xTS, 1xTRS Headphone Presets: 4 Banks, 4 Patches Per Bank MIDI I/O: DIN In, Out, and MIDI over USB CV/Gate Inputs: Filter CV, Pitch CV, Volume CV, KB Gate Transposition: +/- 2 Octaves LFO: 0.1Hz-100Hz... Expected delivery, March 6th. Free shipping."
via this auction
"25 KEYS. 31 KNOBS. 2 OSC. 1 SUB OSC. INFINITE POSSIBILITIES. The Sub Phatty has the soul and hands on control of a vintage Moog synthesizer in a completely new, aggressive sound design machine. It has 25 keys, 31 knobs, and 13 switches that connect you directly to the analog heart of this powerful instrument. Its oscillators have been designed to perform with unmatched clarity and accuracy in any environment with no warm-up time necessary. They are fat, punchy, and loaded with harmonic content. A new Multidrive circuit in the filter section totally transforms the sound of this analog synthesizer into a screaming beast. Create gritty attack, asymmetrical distortion, and saturated hard-clipping sounds that tear through the densest mix. The mixer section houses a powerful square wave sub oscillator designed to add depth, thickness, and side splitting bass to any sound. 
In addition to this, a specially voiced noise generator has been incorporated for sculpting hard hitting, all analog percussion sounds and other sound effects. The Sub Phatty joins the Moog arsenal with a new and boldly unique voice. Its engaging and dynamic interface fuses a connection between man & machine that opens the door to unprecedented sonic exploration. Sound Engine: Analog Number of Keys: 25 Type of Keys: Semi Weighted Other Controllers: Pitch Bend, Mod Wheel Polyphony: Monophonic Sound Sources: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Noise Generator Mod Sources: Triangle, Square, Saw, Ramp, SH, Filter Envelope Mod Destinations: Pitch, Osc 2 Pitch Only, Filter, Waveshape Filter: Moog Ladder Filter 20Hz-20Khz Audio Input: 1xTS Audio Output: 1xTS, 1xTRS Headphone Presets: 4 Banks, 4 Patches Per Bank MIDI I/O: DIN In, Out, and MIDI over USB CV/Gate Inputs: Filter CV, Pitch CV, Volume CV, KB Gate Transposition: +/- 2 Octaves LFO: 0.1Hz-100Hz... Expected delivery, March 6th. Free shipping."
NAMM 2013: Something New Coming from Dave Smith Instruments
via Dave Smith Instruments on Facebook
"Critical listening tests, 3 months ago. Tune in Thursday for the results!"
Click the pic to see what he's playing. Note the finish. It looks like a new prototype keyboard. I thought it could be the Mopho x4 but the back doesn't quite match.
Roland SH-3A synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"The SH-3A is a monophonic analog synthesizer that was manufactured by Roland from 1974 to 1981. It is unique in that it is capable of both subtractive synthesis and additive synthesis. Two LFOs and a unique sample-and-hold section provided capabilities not found in competing self-contained synthesizers of the time. The SH-3A was Roland's first non-preset based synth. It was unique for its time in that it offered mixable waveforms at different footages."
via this auction
"The SH-3A is a monophonic analog synthesizer that was manufactured by Roland from 1974 to 1981. It is unique in that it is capable of both subtractive synthesis and additive synthesis. Two LFOs and a unique sample-and-hold section provided capabilities not found in competing self-contained synthesizers of the time. The SH-3A was Roland's first non-preset based synth. It was unique for its time in that it offered mixable waveforms at different footages."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
