MATRIXSYNTH

Thursday, May 23, 2013

Tom Oberheim S.E.M Patch Panel Synthesizer SN 0113

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Casio FZ-1/Hohner HS-1 Vintage Digital Sampling/Synthesizer with Analog Filters

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"Hohner HS-1 Digital Sampling Keyboard (White German edition of the CASIO FZ-1 - exactly identical in every way apart from casing)

Detailed information about the model - http://www.vintagesynth.com/casio/fz1.php

This is a very well respected early sampling keyboard with many many editable features, an internal memory for samples and amazingly a floppy disk drive for further storage space.
As mentioned in the linked article the HS-1 is also a very powerful sampler AND synthesiser, with genuine analog filters and the option to create and layer waveforms - even draw them yourself. It also features the usual MIDI IN/OUT/THRU slots and I am told can be used perfectly well as a controller for modern software programmes."


1976 EML SynKey Synthesizer with Program Punchcard Voicings Ad



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"1976 EML SynKey Synthesizer Program Punchcard Voicings Original Vintage Ad"


Ad measures approx. 8 x 11 inches.

1982 Roland GR-300 Guitar Synthesizer Guitar Magazine Ad

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1981 ROLAND GR-300 POLYPHONIC GUITAR SYNTHESIZER DESIGNS FOR THE FURURE PRINT AD

Ad measures approx. 16"X 10.5" inches.

LP Vinyl: Charanjit Singh - Synthesizing Ten Ragas To A Disco Beat

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And here it is in the flesh.

ORIGINAL 1982 INDIAN PRESSING

If you are not familiar with this, see these posts.  Word is this is the first recording to feature a Roland TB-303 and it is acid. Remember, acid house didn't come until later.

Roland Jupiter-8s & TB-303s on the cover.


Korg MS-10 Vintage Analog Synthesizer SN 132938

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1986 KAWAI SX-240 POLYPHONIC SYNTHESIZER PRINT AD

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Sequential Circuits Prophet VS Rack SN 5259

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Roland SH7 SN 700470 with Hard Case

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sir_analog (RSS)

"The SH7 was launched by Roland in 1978 as their flagship monosynth (although duophonic). Incorporating the filter from the Roland System 700 and offering a wealth of features, it stands as one of the iconic Roland monosynths. This is due to its oscillator power/flexibility, modulation options, punchy envelopes and sound processing capability."

A Patch A Day, No. 15

Published on May 23, 2013 hamiltonulmer·15 videos

"A straightforward patch that demonstrates, pretty clearly, the strong relationship between pitch and rhythm.

We use the Dixie II (playing the LFO, outputting a square) as a clock source, and also as a means of modulating the pitch of the two channels of the DPO.

The magic comes entirely as one of the channels of the Maths very, very slowly ascends, increasing the frequency of the Dixie II. As the frequency spins higher, the Clock Divider follows closely, and the DPO spits out what feels like new pitches altogether, despite what you're hearing being the "same" as you heard at the beginning.

Here I use the Graphic Sequencer to create something of an new oscillator as well. By alternating between 0 and 5v, the signal goes into the STRIKE input of the FOLD section of the DPO. As the frequency increases, so does the pitch. Go figure.

The same happens with the MMG, but with a different effect altogether. The MMG ACCENT occurs at a quarter the frequency as the STRIKE circuit on the DPO, and the STRIKE on the MMG occurs at a 16th the frequency. The result is fucking gorgeous - these rich overtones appear, other wonderful overtones have counter motion, and the rest is history."

STG sequencer.
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