Published on Oct 21, 2013 retronyms·51 videos
"AudioCopy makes it easy to paste sound in hundreds of compatible apps.
In order to keep some of the best features of AudioCopy in iOS 7, we added a free standalone app. This acts as a "sound pasteboard" and seamlessly serves all the copied content to 3rd party apps. The AudioCopy app sits in the background and quietly serves the sound content to apps as they request it. If you don't have the AudioCopy app installed, AudioCopy/AudioPaste still work using the general pasteboard."
iTunes: AudioCopy - Retronyms
Monday, October 21, 2013
Rheem Kee Bass Vintage Piano Bass
Synthesis Technology e560 Deflector Shield Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
IFIeJCrztiBSZYS8clhg~~60_57.JPG)
via this auction
"The e560 is a triple-mode effects module: thru-zero frequency shifter, phaser and ring mod. what sets the e560 apart from other dsp effect modules is the unique carrier wave morphing feature. traditional frequency shifters and phasers use sine waves as the carrier/modulator, but the e560 has 8 different carrier waves that can be continuously cross-faded to create never-before heard sound scapes. the 8 carriers are specifically selected to give the widest sonic palette, from simple frequency shifts to 64-note ‘pattern sequences' to extreme harmonic content.
The 3 operating modes are:
Shift: a frequency shifter that can shift thru-zero with 2 simultaneous outputs (down and up). like traditional frequency shifters, a sine carrier will generate a smooth shift but the e560’s 7 other waves will generate a vast array of harmonic content and even patterns of evolving timbral shift.
Rm: a standard ring modulator (4-quadrant multiplying vca) with a twist: the 2 outputs are always forced into quadrature (90 degree phase shift). the 8 carriers can produce everything from tremolo effects to gating to high degrees of distortion.
Phase: this is an e560 exclusive mode. the audio input is applied to an 8-stage all-pass network. the 2 audio outputs are in quadrature, but in turn phase shifted from 0 to 360 degrees relative to the input. not only that, the vector the phase shift follows is the data in the carrier wave table. the phase shifting can be linear (saw wave), traditional (triangle) or bouncing all over the place (64-random phase waveform).
Not only do you have full control over the effect, but also the wet/dry mix and applying either positive or phase-inverted (negative) feedback) this introduces peaking at certain harmonics or cancellation of those harmonics. applying a slow lfo to the feedback cv can produce a wide range of constantly changing spectral content.
There are 4 cvs available to control the e560 in real-time. all 4 of the panel controls have a corresponding cv input, so that you can turn all 4 knobs at once by applying 4 cvs.
The e560 is another unique dsp-based module that has no equal in the modular world, in any format. if you are 'stuck in a musical rut' and are looking for a new module with a wide range of sounds, the e560 might be what you are looking for.
Specs:
size: 3u x 14hp (128.5mmx 70.8mm)
depth: 32.5mm
power: +12/+12v @ 90ma, -12v/-15v @ 20ma (supports both motm/frac 4-pin and euro ribbon cables)
frequency shift range: 0hz to +-3000hz
carrier waveforms: sine, triangle, square, saw, 16-point random phase, 64-point random phase, cross-modulated triangle/pulse and 3x sine"
IFIeJCrztiBSZYS8clhg~~60_57.JPG)
via this auction
"The e560 is a triple-mode effects module: thru-zero frequency shifter, phaser and ring mod. what sets the e560 apart from other dsp effect modules is the unique carrier wave morphing feature. traditional frequency shifters and phasers use sine waves as the carrier/modulator, but the e560 has 8 different carrier waves that can be continuously cross-faded to create never-before heard sound scapes. the 8 carriers are specifically selected to give the widest sonic palette, from simple frequency shifts to 64-note ‘pattern sequences' to extreme harmonic content.
The 3 operating modes are:
Shift: a frequency shifter that can shift thru-zero with 2 simultaneous outputs (down and up). like traditional frequency shifters, a sine carrier will generate a smooth shift but the e560’s 7 other waves will generate a vast array of harmonic content and even patterns of evolving timbral shift.
Rm: a standard ring modulator (4-quadrant multiplying vca) with a twist: the 2 outputs are always forced into quadrature (90 degree phase shift). the 8 carriers can produce everything from tremolo effects to gating to high degrees of distortion.
Phase: this is an e560 exclusive mode. the audio input is applied to an 8-stage all-pass network. the 2 audio outputs are in quadrature, but in turn phase shifted from 0 to 360 degrees relative to the input. not only that, the vector the phase shift follows is the data in the carrier wave table. the phase shifting can be linear (saw wave), traditional (triangle) or bouncing all over the place (64-random phase waveform).
Not only do you have full control over the effect, but also the wet/dry mix and applying either positive or phase-inverted (negative) feedback) this introduces peaking at certain harmonics or cancellation of those harmonics. applying a slow lfo to the feedback cv can produce a wide range of constantly changing spectral content.
There are 4 cvs available to control the e560 in real-time. all 4 of the panel controls have a corresponding cv input, so that you can turn all 4 knobs at once by applying 4 cvs.
The e560 is another unique dsp-based module that has no equal in the modular world, in any format. if you are 'stuck in a musical rut' and are looking for a new module with a wide range of sounds, the e560 might be what you are looking for.
Specs:
size: 3u x 14hp (128.5mmx 70.8mm)
depth: 32.5mm
power: +12/+12v @ 90ma, -12v/-15v @ 20ma (supports both motm/frac 4-pin and euro ribbon cables)
frequency shift range: 0hz to +-3000hz
carrier waveforms: sine, triangle, square, saw, 16-point random phase, 64-point random phase, cross-modulated triangle/pulse and 3x sine"
Synthesis Technology E580 Mini Delay Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The synthesis technology e580 resampling mini-delay emulates the classic sounds of digital, bbd and tape-based delays with 4 parameters under voltage control. the 14hp wide euro module accepts either +-12v euro standard power or +-15v motm/frac power. using a 40mhz dsp and 24-bit codec, the e580 recreates the pitch-shift modulating of bbds with the variable bandwidth and noise floor without costly bbd ics. in tape mode, wow& flutter, tape saturation and non-linear distortion model classic tape units without the bulk and maintenance. there are 2 simultaneous audio outputs: a straight delay and a variable tapped delay. the tap position is a percentage of the main delay time. this allows very short delays (<350us) as well as long delays (750ms). both tap position (‘offset’) and main delay time are voltage-controlled over a -5v to +5v range.
Feedback is jumper-selectable from either the tapped position or the main delay. this flexibility can generate standard ‘rhythmic’ delays (feedback from main delay) or a series of 'pre-delay reflections' (tapped delay) which sound very different from each other."
via this auction
"The synthesis technology e580 resampling mini-delay emulates the classic sounds of digital, bbd and tape-based delays with 4 parameters under voltage control. the 14hp wide euro module accepts either +-12v euro standard power or +-15v motm/frac power. using a 40mhz dsp and 24-bit codec, the e580 recreates the pitch-shift modulating of bbds with the variable bandwidth and noise floor without costly bbd ics. in tape mode, wow& flutter, tape saturation and non-linear distortion model classic tape units without the bulk and maintenance. there are 2 simultaneous audio outputs: a straight delay and a variable tapped delay. the tap position is a percentage of the main delay time. this allows very short delays (<350us) as well as long delays (750ms). both tap position (‘offset’) and main delay time are voltage-controlled over a -5v to +5v range.
Feedback is jumper-selectable from either the tapped position or the main delay. this flexibility can generate standard ‘rhythmic’ delays (feedback from main delay) or a series of 'pre-delay reflections' (tapped delay) which sound very different from each other."
Doepfer Dark Time Analog Step Sequencer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Dark Time is an 2 x8 steps analog sequencer with CV/Gate, USB and Midi interface. It was planned in the first place as an add-on for the Dark Energy but can be used in combination with other Midi, USB or CV/Gate equipment too..."
via this auction
"Dark Time is an 2 x8 steps analog sequencer with CV/Gate, USB and Midi interface. It was planned in the first place as an add-on for the Dark Energy but can be used in combination with other Midi, USB or CV/Gate equipment too..."
Roland SH-32 Synthesizer SN ZP42118
Animodule SOB Eurorack Synthesizer Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A State Variable Filter with an adjustable WaveFolder and a VCA on the input.
Self-Oscillating Filter Tracks 1V/Oct
Vactrol Input allows you to control CutOff and/or VCA via gates/triggers without using up an EG
Pot to mix "Clean" and "Folded" signal levels
Filter and/or Fold Audio Or Control Voltages
2 Input Signal mixer
2 Input Control Voltage Mixer
1 Input to Vactrol for CV Modulation
1V/Oct Buffered Thru Output (So you don't have to mult your 1V/Oct)"
"A State Variable Filter with an adjustable WaveFolder and a VCA on the input.
Self-Oscillating Filter Tracks 1V/Oct
Vactrol Input allows you to control CutOff and/or VCA via gates/triggers without using up an EG
Pot to mix "Clean" and "Folded" signal levels
Filter and/or Fold Audio Or Control Voltages
2 Input Signal mixer
2 Input Control Voltage Mixer
1 Input to Vactrol for CV Modulation
1V/Oct Buffered Thru Output (So you don't have to mult your 1V/Oct)"
Synthesis Technology e355 Morphing Dual LFO
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The e355 is a 14hp euro module with 2 lfos that use our unique morphing algorithm to create over 10,000 different wave forms. the 2 outputs can vary from 1 cycle in 12 minutes to 1000hz in 2 ranges and the use of a 24mhz 32-bit arm processor allows the frequency to be stable over temperature and during years of use.
It has features to make it useful in both live and studio use. the 2 lfos are "locked" to each other in one of 3 ways, selectable by a panel switch:
lfo2 and lfo1 have independent rates and the same waveshape and phase
lfo2 has independent waveshape but the same rate and phase as lfo1
*lfo1 and lfo2 have the same rate and wave shape but variable phase from 0 -360 degrees
lfo1 can be thought as the ‘master’ lfo as it always has independent rate, fm and morphing. the lfos track 1v/oct and all parameters are under voltage control. there are 2 leds that vary brightness based on output amplitude in 128 levels.
The e355 using the same morphing engine as the e350 morphing terrarium. the transition from one stored wavetable to another is broken down into 4096 calculated waves. there are 3 banks of waves to select from:
Bank a: basic waves in order of harmonic complexity (sine, tri, saw up, saw down, 25/50/75% pulses and noise).
Bank b: the waves in bank a are repeated in frequency as 1x, 2x, 3x, ..8x. this allows the lfos to have a very wide range between them if necessary or to use this as a basic audio oscillator (limited to 1khz).
Bank c: these are the 64 waves in bank c of the e350 (designed by robert rich) to go way beyond the ordinary. sequences of notes, arpeggiation effects, pings, swoops and lattice phase modulation are just some of the delights contained. in the audio range these can be harsh, noisy and crunchy.
There are 2 external inputs to either sync the lfos or to hold ('freeze') the outputs.
Specs:
Cv inputs: -5v to +5v, dc to 8khz.
Frequency range (bank a and c): low (12min/cycle – 2hz) high (8sec/cycle to 124hz)
Frequency range (bank b at 8x settings): low (1.5min/cycle -16hz) high (1hz – 1020hz)
Power supply range: +-9v to +-15v (euro and motm connectors provided)
Power supply current (typical): -12v @12ma +12v @ 32ma
Size: 14hp x 17mm depth behind panel"
You can find some videos of the e355 Morphing Dual LFO here.
via this auction
"The e355 is a 14hp euro module with 2 lfos that use our unique morphing algorithm to create over 10,000 different wave forms. the 2 outputs can vary from 1 cycle in 12 minutes to 1000hz in 2 ranges and the use of a 24mhz 32-bit arm processor allows the frequency to be stable over temperature and during years of use.
It has features to make it useful in both live and studio use. the 2 lfos are "locked" to each other in one of 3 ways, selectable by a panel switch:
lfo2 and lfo1 have independent rates and the same waveshape and phase
lfo2 has independent waveshape but the same rate and phase as lfo1
*lfo1 and lfo2 have the same rate and wave shape but variable phase from 0 -360 degrees
lfo1 can be thought as the ‘master’ lfo as it always has independent rate, fm and morphing. the lfos track 1v/oct and all parameters are under voltage control. there are 2 leds that vary brightness based on output amplitude in 128 levels.
The e355 using the same morphing engine as the e350 morphing terrarium. the transition from one stored wavetable to another is broken down into 4096 calculated waves. there are 3 banks of waves to select from:
Bank a: basic waves in order of harmonic complexity (sine, tri, saw up, saw down, 25/50/75% pulses and noise).
Bank b: the waves in bank a are repeated in frequency as 1x, 2x, 3x, ..8x. this allows the lfos to have a very wide range between them if necessary or to use this as a basic audio oscillator (limited to 1khz).
Bank c: these are the 64 waves in bank c of the e350 (designed by robert rich) to go way beyond the ordinary. sequences of notes, arpeggiation effects, pings, swoops and lattice phase modulation are just some of the delights contained. in the audio range these can be harsh, noisy and crunchy.
There are 2 external inputs to either sync the lfos or to hold ('freeze') the outputs.
Specs:
Cv inputs: -5v to +5v, dc to 8khz.
Frequency range (bank a and c): low (12min/cycle – 2hz) high (8sec/cycle to 124hz)
Frequency range (bank b at 8x settings): low (1.5min/cycle -16hz) high (1hz – 1020hz)
Power supply range: +-9v to +-15v (euro and motm connectors provided)
Power supply current (typical): -12v @12ma +12v @ 32ma
Size: 14hp x 17mm depth behind panel"
You can find some videos of the e355 Morphing Dual LFO here.
Dave Smith Instruments Prophet 12
Note: Auction links are affiliate links for which the site may be compensated.
via this auction. One more from the seller listed here.
via this auction. One more from the seller listed here.
SIEL KEYTEK CTS 2000 SN 0075
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Not the best pics, but you don't see these often. Click here for previous posts including video demos.
"vintage synthesizer with analog resonant filters in excellent working condition. It has 2 oscillators per voice, 8 voices and analogue CEM 3389 filters, the same as in the Waldorf Microwave I. Cross table synthesis is a kind of wavetable synthesis - with 333 digitally sampled waveforms -control up to 6 wave tables per voice with complete analog processing for each voice incl. 24db per octave filter. 2 times 5 parameter envelope generators & 3 LFO's. 6 data entry slider for real time editing of parameters."
via this auction
Not the best pics, but you don't see these often. Click here for previous posts including video demos.
"vintage synthesizer with analog resonant filters in excellent working condition. It has 2 oscillators per voice, 8 voices and analogue CEM 3389 filters, the same as in the Waldorf Microwave I. Cross table synthesis is a kind of wavetable synthesis - with 333 digitally sampled waveforms -control up to 6 wave tables per voice with complete analog processing for each voice incl. 24db per octave filter. 2 times 5 parameter envelope generators & 3 LFO's. 6 data entry slider for real time editing of parameters."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
