Saturday, November 16, 2013
Синтезатор СССР Юность 21 Часть 1 / Soviet Synthesizer Unost 21
Published on Nov 16, 2013 kotomonstr·2 videos
"Импровизационная демонстрация возможностей советского полифонического синтезатора Юность 21
Наслаивание дорожек осуществлялось при помощи loop station BOSS RC 300
Improvised demonstration of the Soviet polyphonic synthesizer Unost 21
Layering tracks performed by loop station BOSS RC 300"
Синтезатор СССР Юность 21 Часть 2 / Soviet Synthesizer Unost 21 Part 2
different distortion sounds
Published on Nov 16, 2013 pianoloft·227 videos
"the only instrument of this setting without distortion is the TRAX rota synth, which did a good job for a bass line. then a drum groove from korg ER-1 follows, run through MAM analog filter bank and through sherman filterbank, which adds this special warm distorted colours. wmd geiger counter is one of the most raugh distortion pedals, a real destroyer, i combined it with a groove from the korg EM-1. a sound from roland SH-2 gaia synth is run through the internal fuzz-effect. yeah, thats electro synthy rock´n roll."
Caustic 3 Essentials content packs Demo
Published on Nov 16, 2013 EIPStudiosOhio·19 videos
"Here's a very small quick peek at what you're going to dive into with the coolest expansion packs for the Caustic 3 app, also check out PocketKit Pro -- the Finest Kits ever available for mobile music production.... and much more to come soon!"
"Here's a very small quick peek at what you're going to dive into with the coolest expansion packs for the Caustic 3 app, also check out PocketKit Pro -- the Finest Kits ever available for mobile music production.... and much more to come soon!"
Massive KORG Volca Attack!
Published on Nov 16, 2013 ollilaboratories·16 videos
"Minimal, kind of old school massive attack feel to this beat.... and sorry for the resonance sweep at the end (had to automate that in the DAW so you wont get deaf.. still a bit loud i think so be careful if you use in ear headphones, its the final 10 secs of the track)
Enjoy it or hate it :)
high quality audio at: https://soundcloud.com/ollilab/ollila..."
KORG Volcas on eBay
"Minimal, kind of old school massive attack feel to this beat.... and sorry for the resonance sweep at the end (had to automate that in the DAW so you wont get deaf.. still a bit loud i think so be careful if you use in ear headphones, its the final 10 secs of the track)
Enjoy it or hate it :)
high quality audio at: https://soundcloud.com/ollilab/ollila..."
KORG Volcas on eBay
Korg X-911 Vintage Guitar Synthesizer SN 271957
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Korg X-911 Guitar Synthesizer effects unit. The unit is in excellent condition for it's age. It can be used to process guitar signals as well as interfacing with vintage Korg Synthesizers and Sequencers such as the MS-20 and SQ-10..."
via this auction
"Korg X-911 Guitar Synthesizer effects unit. The unit is in excellent condition for it's age. It can be used to process guitar signals as well as interfacing with vintage Korg Synthesizers and Sequencers such as the MS-20 and SQ-10..."
LastGasp "Multi Noise Processor 2" (MNP2)
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The "Multi Noise Processor 2" (MNP2) is a noise instrument which has four unique sound generators.
The MNP2 contains two theremins, Droner (bottom range oscillator), Shaker (shaking noise generator) and Tracer (magnetic tape reader). It can be as a table top device or attach a shoulder strap for standing and moving around. The MNP2 is one of Mike Patton's favorite devices.
Features
Theremin Level 1 & 2 Controls
Theremin 1 & 2 Mute Controls
Shaker Gain Control
Shaker Level Control
Shaker Dist/Boost Switch
Tracer Level Control
Droner Level Control
Droner Osc 1 Control
Droner Osc 2 Control
Multiple Outputs"
via this auction
"The "Multi Noise Processor 2" (MNP2) is a noise instrument which has four unique sound generators.
The MNP2 contains two theremins, Droner (bottom range oscillator), Shaker (shaking noise generator) and Tracer (magnetic tape reader). It can be as a table top device or attach a shoulder strap for standing and moving around. The MNP2 is one of Mike Patton's favorite devices.
Features
Theremin Level 1 & 2 Controls
Theremin 1 & 2 Mute Controls
Shaker Gain Control
Shaker Level Control
Shaker Dist/Boost Switch
Tracer Level Control
Droner Level Control
Droner Osc 1 Control
Droner Osc 2 Control
Multiple Outputs"
Metasonix R-56 Vacuum Tube Reverb Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Details and audio demo captured here.
via this auction
Details and audio demo captured here.
Metasonix D-1000 Portable Vacuum Tube Drum Machine
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The first drum machine made with vacuum tubes since the Wurlitzer Sideman of 1959.
Unlike the Sideman, the Metasonix D-1000 is a "modern" primitive device--with plenty of inputs, outputs, and flexibility.
Even though it has only four drum sounds -- two tunable drums, a tunable "snare" drum (harder sounding than the others), and a cymbal -- control voltage inputs give great flexibility.
Each of the tunable drums is made from a vacuum tube ringing bandpass filter, and can be tuned to sound from below 20 Hz to over 2 kHz. They are also tunable with external control voltages, allowing complex patterns to be built up with external CV or pulse sources. Resonance of each filter circuit is set by internal trimpots. The cymbal sound is an extremely primitive circuit, with white noise gated by a pentode tube. The cymbal's attack is knob-variable and CV variable, from a sharp click to a soft "whoosh". The four outputs mix to a single tube preamp that allows for overdriving via the mix-level controls.
In keeping with the primitive nature of the soundmaking section, the pattern sequencer is extremely simple. Unlike early drumboxes, we won't subject you to preset nonsense like "waltz", "foxtrot", "swing" or the like. Instead, there is a single 8-pulse sequence with separate enable switches for each drum sound--set a toggle switch up to get the sound at that point, down for silence. Great for house, hardcore or other simple 4/4 patterns. The internal clock is settable from 60 BPM to over 1000 BPM.
There is also a "roll" clock signal built-in, to generate a faster drumroll on any drum sound by pressing a button (speed is preset with an internal trimpot). If you don't like the internal sequencer, there are separate trigger inputs for each of the four sounds (the trigger pulse must be 0 to +5v, and less than 40 mS long). These trigger inputs operate in parallel with the built-in sequencer, so the D-1000's sounds may be triggered by its internal sequence and external pulses at the same time. As a bonus, the three tunable drums can also be used as tunable bandpass filters, by feeding a line audio signal to each trigger input.
Ample inputs and outputs: mix output (with overdriveable tube preamp), separate outputs for each drum sound, external trigger inputs for each drum sound, and a main clock output (0-5v) for slaving external generators to the internal clock.
Features
4 Drum Sounds: 2 Tunable Drums, 1 Tunable Snare, and a Cymbal
Voltage Controlled Parameters
Pattern Sequencer
Clock ranges from 60 BPM to 1000 BPM
Roll clock signal for drum rolls
Portable
Trigger Inputs
Overdriveable Tube Preamp
Mix Output
Individual Drum Outputs
Main Clock Output"
via this auction
"The first drum machine made with vacuum tubes since the Wurlitzer Sideman of 1959.
Unlike the Sideman, the Metasonix D-1000 is a "modern" primitive device--with plenty of inputs, outputs, and flexibility.
Even though it has only four drum sounds -- two tunable drums, a tunable "snare" drum (harder sounding than the others), and a cymbal -- control voltage inputs give great flexibility.
Each of the tunable drums is made from a vacuum tube ringing bandpass filter, and can be tuned to sound from below 20 Hz to over 2 kHz. They are also tunable with external control voltages, allowing complex patterns to be built up with external CV or pulse sources. Resonance of each filter circuit is set by internal trimpots. The cymbal sound is an extremely primitive circuit, with white noise gated by a pentode tube. The cymbal's attack is knob-variable and CV variable, from a sharp click to a soft "whoosh". The four outputs mix to a single tube preamp that allows for overdriving via the mix-level controls.
In keeping with the primitive nature of the soundmaking section, the pattern sequencer is extremely simple. Unlike early drumboxes, we won't subject you to preset nonsense like "waltz", "foxtrot", "swing" or the like. Instead, there is a single 8-pulse sequence with separate enable switches for each drum sound--set a toggle switch up to get the sound at that point, down for silence. Great for house, hardcore or other simple 4/4 patterns. The internal clock is settable from 60 BPM to over 1000 BPM.
There is also a "roll" clock signal built-in, to generate a faster drumroll on any drum sound by pressing a button (speed is preset with an internal trimpot). If you don't like the internal sequencer, there are separate trigger inputs for each of the four sounds (the trigger pulse must be 0 to +5v, and less than 40 mS long). These trigger inputs operate in parallel with the built-in sequencer, so the D-1000's sounds may be triggered by its internal sequence and external pulses at the same time. As a bonus, the three tunable drums can also be used as tunable bandpass filters, by feeding a line audio signal to each trigger input.
Ample inputs and outputs: mix output (with overdriveable tube preamp), separate outputs for each drum sound, external trigger inputs for each drum sound, and a main clock output (0-5v) for slaving external generators to the internal clock.
Features
4 Drum Sounds: 2 Tunable Drums, 1 Tunable Snare, and a Cymbal
Voltage Controlled Parameters
Pattern Sequencer
Clock ranges from 60 BPM to 1000 BPM
Roll clock signal for drum rolls
Portable
Trigger Inputs
Overdriveable Tube Preamp
Mix Output
Individual Drum Outputs
Main Clock Output"
Metasonix S2000 Vacuum Tube Rackmount Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"We took our 20+ years of experience in vacuum-tube electronic music, and used it to make the most exciting instrument in the history of Metasonix. The S-2000 is not merely a new repackaging of old designs. It is a revolution, and a game changer.
The S-2000 was made to be as easy to use as possible. Just plug in power, plug in an amplifier, wait 30 seconds for the real new-old-stock vacuum tubes to warm up, and start playing it. The built-in 400mm ribbon controller is instantly responsive, and needs no special treatment. No trimpots, no fiddling with MIDI interfaces or fighting with fistfuls of cables. The misery has been engineered out.
The simplicity might fool you. The S-2000 has enough controls and enough flexibility to keep the musician busy for years of sonic exploration.
Features
Two all-tube oscillator/filter “operators”, with resonance variable from flat response to deep oscillation
Waveshape is variable from clean sine wave to a distinctive distorted square/pulse wave
Resonate both waveshapes for FM sound effects
All-tube VCA
Three contour generators, C1-C3
C1 attack-release type feeds the VCA
C2 attack-decay type feeds the operator-two sweep and optionally the VCA, and may be set to retrigger automatically
C3 is the same as C2, but feeds the operator-one CV input
Built-in and highly-sensitive ribbon controller"
via this auction
"We took our 20+ years of experience in vacuum-tube electronic music, and used it to make the most exciting instrument in the history of Metasonix. The S-2000 is not merely a new repackaging of old designs. It is a revolution, and a game changer.
The S-2000 was made to be as easy to use as possible. Just plug in power, plug in an amplifier, wait 30 seconds for the real new-old-stock vacuum tubes to warm up, and start playing it. The built-in 400mm ribbon controller is instantly responsive, and needs no special treatment. No trimpots, no fiddling with MIDI interfaces or fighting with fistfuls of cables. The misery has been engineered out.
The simplicity might fool you. The S-2000 has enough controls and enough flexibility to keep the musician busy for years of sonic exploration.
Features
Two all-tube oscillator/filter “operators”, with resonance variable from flat response to deep oscillation
Waveshape is variable from clean sine wave to a distinctive distorted square/pulse wave
Resonate both waveshapes for FM sound effects
All-tube VCA
Three contour generators, C1-C3
C1 attack-release type feeds the VCA
C2 attack-decay type feeds the operator-two sweep and optionally the VCA, and may be set to retrigger automatically
C3 is the same as C2, but feeds the operator-one CV input
Built-in and highly-sensitive ribbon controller"
Korg Electribe ESX-1
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
