MATRIXSYNTH

Sunday, March 23, 2014

Vintage Original Buchla Dual Mixer Model 206

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via this auction

MOOG The Rogue Vintage Analog Synth Synthesizer NR MINT in Original Box SN 9381

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ROLAND TB-303 Bassline with Kenton CV Mod

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via the seller: "OK, this is probably the most sought-after Synth on the Planet!! Needless to say more! This is like a "fetisch" among all producers of all kinds… this is the ultimate and original ACID machine everyone talks about!

And the best part is that THIS ONE, was bought by me, 1ST HAND by Roland, Greece, which was their LAST PIECE IN STOCK, so I bought it NEW, and took the GREATEST care of it!!

As you can see in the pics, this is in near-mint condition, both operationally and aesthetically.

It has a Kenton socket modification on the back rear side, which enables it to be controlled through MIDI, using a suitable midi to CV converter such as the Kenton's PRO-4. The mod included the addition of 5 sockets for midi to CV control. Those are: CV, GATE, FILTER, ACCENT, SLIDE. Total control of your 303 indeed!!"

Roland TR-606 Drum Machine

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MFB Tanzbar Analog Drum Machine & Synth

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TipTop Audio Trigger Riot Sequencer Eurorack Module with Original Box

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Punk Pac-Man.

Novation Bass Station II Synthesizer

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Micro Moog Vintage Synthesizer SN 1893

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yammy happy


via Jon Adams on The MATRIXSYNTH Lounge

"He's yammy happy"

BTW, the synth cat meme started way back in 2005. Here's the first one on the site.

There are 742 posts to date on the Synth Cats channel.

Update: Also check out CatSynth for a blog dedicated to cats and synths, and of course a couple of cats in an Obama "Yes we Cat" motiff ended up becoming the mascot for the Muff Wiggler modular forum.

Cwejman QMMF-4 Initial Test with Mega Saturation


Published on Mar 22, 2014 bigcitymusic·316 videos

"Here's a quick test of the new Cwejman QMMF-4 module with plenty of saturation.

2x Cwejman D-LFO's (4 oscillators) are fed from the 4MS VCA Matrix into the Master 'Audio Input' of the Cwejman QMMF-4.

From the Master Input, each filter voice from the 'POST' output: (1. OSC-SAT, 2. OSC-SAT, 3.RES, 4.OSC) is fed back into the 'Audio Input' of the previous filter channel. Each output of the Cwejman PH-4 is used to modulate the Cutoff modulation of each filter channel (offset by 90 degrees). Audio Input per filter channel is turned up to feedback each filter voice into the Master MultiMode Output, of which the 'WET' signal is being directly monitored."
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