Tuesday, November 25, 2014
George Harrison's Vintage LINNDRUM LM-2 Drum Machine Up for Auction?
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pic of the inside below.
"All original, ledgendary vintage 1982 LinnDrum LM-2 Drum Machine in wonderful, like new condition! Unless you have a time machine to go back and buy one brand new in 1982, I guarantee you will not find one in better condition! Take a look at the pictures..even the hinges at the back etc...all like new :) It could pass as new-old stock!
It also has an amazing history as it was owned from new by George Harrison, yes that guy from the Beatles! :)
Fully serviced and operationally perfect, no bad buttons or scratchy pots etc. New Ni-Cad memory battery fitted. So all ready to go!
Comes with rare original manual, power lead, all original sounds, and in a custom-fitted full flightcase. The full package!
Latest 3.1 software fitted.
Sounds utterly incredible! Used on countless numbers of hit records and now coming back again in very a big way!"
via this auction
Pic of the inside below.

It also has an amazing history as it was owned from new by George Harrison, yes that guy from the Beatles! :)
Fully serviced and operationally perfect, no bad buttons or scratchy pots etc. New Ni-Cad memory battery fitted. So all ready to go!
Comes with rare original manual, power lead, all original sounds, and in a custom-fitted full flightcase. The full package!
Latest 3.1 software fitted.
Sounds utterly incredible! Used on countless numbers of hit records and now coming back again in very a big way!"
STUNNING Vintage MOOG *The Source* SN 2145
ARP 2600 2601 Synthesizer with 3620 Keyboard SN 0927
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This 2600 is in excellent working order, when i purchased it there was normal issues due to age and there was a microphone plug installed between the keyboard and console so i had it repaired by Wes Taggert of analogics is geneva ohio... This 2600 has the unpotted modules that earlier 2600's had. Arp did not want other synthesizer manufacturers to steal their technology so they put an epoxy in the modules which meant to repair the synth the epoxy had to be removed which adds time to the repair and could even damage the module. Repairs made to this 2600 were all tantalum caps in the console and keyboard were replaced, if these old caps decide to blow it could do major damage to the synth making repairs very costly. The power supply was rebuilt, and all slides and switches were cleaned. There was a problem with the VCA triggering which was also repaired in the console. This 2600 was fully calibrated. The keyboard has all bushings replaced and was cleaned and works smooth, all the keys are aligned nicely. The added microphone cable was removed and all wiring set back to factory. With the power supply and tantalum caps being replaced and repaired you will not have to worry about something major blowing and causing expensive repairs in the future."
via this auction

ALM Pamelas Workout Eurorack Modular Clock Generator with Original Packaging
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Cool packaging.
"Technical information taken from ALM:
'pamela's workout' is a compact programmable clock source for your eurorack modular synthesizer system. it provides 8 highly editable trigger outputs, all correlated to a direct and voltage controlled bpm based clock.
pamela's workout grew out of a need to flexibly synchronize various clocked modules and external devices but do so in flexible and feature-full manner as to also enable more creative and playful rhythmic usage.
via this auction
Cool packaging.
"Technical information taken from ALM:
'pamela's workout' is a compact programmable clock source for your eurorack modular synthesizer system. it provides 8 highly editable trigger outputs, all correlated to a direct and voltage controlled bpm based clock.
pamela's workout grew out of a need to flexibly synchronize various clocked modules and external devices but do so in flexible and feature-full manner as to also enable more creative and playful rhythmic usage.
Yamaha CS-40m Analog Synthesizer | HQ AUDIO DEMO | CUSTOM PATCHES
Published on Nov 25, 2014 Parker Tichko
"What does a Yamaha CS-40m sound like?
Here is a collection of custom patches that I programmed into my Yamaha CS-40m analog synthesizer. The demo includes basses, leads, sound effects, and more. I recorded these patches dry into Ableton Live without any internal or external effects processing. All parts were played by myself."
Ladik S-180 S-182 O-111 Q-010 F-510 L-110 C-510
Published on Nov 25, 2014 RuprechtM
S-180 sequencer
S-182 Cv outs (for S-180)
O-111 VCO4
Q-010 quantizer
F-510 Synare VCF
L-110 LFO
C-510 env+vca
New ARP 2600 Clone In the Works - TheWarp Analogue Synthesizer
"TheWarp is a modern reinterpretation of the legendary ARP 2600 semimodular synthesizer produced by ARP Intruments from 1970 to 1981."
Website to come at http://www.thewarpsynth.com/
Update: "TheWarp is a modern reinterpretation of the legendary ARP 2600 semimodular synthesizer produced by ARP Intruments from 1970 to 1981. It is based on the original schematics and interely built with analogue components in traditional THT mounting and soldering process. Redesigned to fit within the standard 19" rack size, the actual instrument retains the graphic design, the size of the sections and feel of the original. Series productions will start in January 2015, the sale price will be CHF 3'400 (equals approx. 3'600 US $ / 2800 Euro depending on the exchange rate).
TheWarp is the result of a teamwork between Neil Otupacca, electronic engineer and former keyboardist of the swiss rock band Gotthard, well known in the swiss Prog-scene for his skills on the Minimoog and the Hammond organ, and Roberto (Bob) Raineri-Seith, electronic music composer, vintage synth collector and "analogue synthesizer guru" since 1984 atcontrolvoltage.org . Neil was responsible for the whole technical work, Bob supervised the project, acted as a consultant and is now responsible for marketing and sales. Both were assisted by Claudio Alge, proud owner of two ARP 2600 and a model 1613 sequencer since the mid-70s, who acted as an experienced advisor and by the graphic designer Shanti Maffioli, who redesigned the front panel. All four live in the same area in southern Switzerland and have long relations, so the contact was easy and constant throughout the entire developing and testing phase of the instrument.
TheWarp's main features and what's different compared to the original instrument:
• Traditional electronic components mounting and soldering technique (THT) as in the original instrument
• Same electronic parts as in the original, with only a few modern equivalents for discontinued or obsolete components. Notably, we replaced all LM301 with the newer TL071, TL072 and TL074 op amps.
• The entire electronic is now mounted on a single PCB, thus avoiding a lot of wiring between the different sections. The PCB is mounted directly to the front panel by means of the jacks and switches without additional "mounting holes"
• The PCB is a 4-layer design; the top and bottom layers use completely solid areas of copper pour connected to ground. The metallic chassis with the sliders is also connected to the ground for better shielding against electrical interferences.
• The original design, exact size of the sections, aesthetic appeal and feel were retained but adapted to the 19" format.
• The most complete oscillator design (VCO 2 on the original 2600) was adopted for all 3 VCO's
• The VCF is based on the first design, aka the 2012 submodule (I think they meant 4012, right?)
• No Voltage Processors, Envelope Follower and Preamplifier? Yes, to fit the new instrument within the 19" format we had to sacrifice some functions; we've choosen to retain only the Ring Modulator and the S&H instead of functions that we considered less important and not directly related to the specific timbre of the original instrument.
• No spring reverb and no speakers? Yes again, for the same reasons. On-board speakers also add weight, and a reverb unit can be added separately to the audio chain if needed. To match the original reverb on the ARP 2600 we recommend an analogue tank spring reverb from Accutronics
• As an important improvement, TheWarp features multi-turn trimmers for easy and precise adjustment. All the trimmers for fine adjustement of the oscillators and the filter are located on the rear of the panel and easily accessible
• Gate and Trig work within the range from 5V to 15V instead of the fixed 10V of the original instrument
• Can TheWarp be considered as a clone of the ARP 2600? Concerning the electronics, definitely yes except only the sections and functions mentioned above.
TheWarp is 19" wide, 12 U high (480 x 520 mm) and 13 cm (approx. 5 inch) deep.
Detailed infos about the instrument will be published soon here and on a specific website, stay tuned ;-)"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH