ACID 4 the SHEEPEOPLE :-) LIVE TECKNO

Published on Jan 9, 2015 j j

"happy new year
mp3
http://www.newgrounds.com/audio/downl..."

Slo Mo Acid Dub Jam with A4, 606 + 303

Published on Jan 9, 2015 Honeysmack

"A4 + 606 + 303 Devilfish + Space pedal = dub. Please to be enjoy."

ADDAC301 Expression and Sustain Pedals Series

Published on Jan 9, 2015 ADDAC System

ADDAC301 Expression and Sustain Pedals Series - Part 2


"We developed these as it became clear to us that most often, while playing a modular system, our hands are busy, cables around our neck, some between our teeth and still our feet are normally free.
It's also kinda normal to have an expression pedal lying around somewhere so we thought of bringing these back, clean up the dust and put them to good use.

ADDAC301 Floor Control
This module allows the connection of any standard expression and sustain pedal.
The expression pedal action can be fine tuned with Range and Offset knobs.
-Range defines the voltage range (-10v, +10v).
-Offset transposes the range by (-10v, +10v).
-Two leds, plus and minus, monitor the CV Output
-Positive and inverted output jacks.
The sustain pedal action will generate a gate signal on the gate output.
-One led monitors this output.

Also features a bus board +5v Adaptor, this will be able to provide +5v to any bus board.
This feature can be removed through a jumper on the back of the module.
Webpage: addacsystem.com/product/addac300-series/­addac301

ADDAC301B Dual Expression Pedal Attenuator
Passive dual expression pedal attenuator.
Plug any CV or audio source through it and control its amplitude through any standard expression pedal.
Invert switch for inverting the expression pedal action.
Webpage: addacsystem.com/product/addac300-series/­addac301b

ADDAC301C Dual Sustain Pedal Switcher
Passive dual sustain pedal switcher.
Plug any CV or audio source through it and control it's state (on / off) through any standard sustain pedal.
Webpage: addacsystem.com/product/addac300-series/­addac301c"

analog haven²

Published on Jan 9, 2015 Ebotronix

Arp Odyssey 2811 , 2821
Buchla System #1
Roland Jupiter 6, SVC 350,System 100
Moog CP251, MP201
Kenton Pro2000
Mackie the mixer
Rane SM 26
Shure Beta 57
TC M one XL, Lexcicon PCM 90
Ultrabeat kick snare
vid # 1224

Mutable Instruments - Elements

Published on Jan 9, 2015 DivKidMusic

"Full feature overview video for Elements. Don't forget to check out the other videos playing more musical patches with Elements and also playing the module from a pair of Make Noise Pressure Points."

Analog Glitch

Published on Jan 9, 2015 Old Beats

Dsi Prophet 08 launching clips in Ableton Live
Moog Voyager
Moog Little Phatty
DSI Evolver
Akai VX 90
Roland Alpha Juno 2
Novation Bass Station 2
AdrenaLinn on Jomox AirBase 99
Lexicon MX 300
TC Electronic M 350
Allen & Heath Zed 428
Sound directly from the mixer

Electribe Jam #3 :Samplr

Published on Jan 9, 2015 MirEko

"Please excuse my sloppy finger drumming, also the ipad is not midi synced to the electribe, just pressed play on both to get them in time with eachother.

http://www.mireko.club"

iTunes: Samplr - Touch the Music - Marcos Alonso
Korg Electribe2s on eBay

1968 Moog Modular Analog Synthesizer - Testing Video

Note: Auction links are affiliate links for which the site may be compensated.
Published on Jan 8, 2015 progjazzfusion

Note this is for the system featured in this auction, posted earlier here.

::vtol:: metaphase sound machine (video 2)

::vtol:: metaphase sound machine (video 2) from ::vtol:: on Vimeo.

"The Metaphase Sound Machine is a kind of homage to the ideas of the American physicist Nick Herbert who in the 1970s has created both Metaphase Typewriter and Quantum Metaphone (a speech synthesizer). These were some of the first attempts to put the phenomenon of quantum entanglement in practice and one of the first steps towards the creation of a quantum computer. The experimental devices, however, had not confirmed theoretical research, and Herbert’s obsession with metaphysics resulted in the publication of several of his works on the metaphysical in quantum physics, that have led to a serious loss of interest to the ideas of quantum communication. One day, in a course of his experiments, Herbert has hacked into an university computer trying to establish a contact with the spirit of illusionist Harry Houdini at the day of the centenary of his birth.

In his device Herbert in order to achieve a quantum entangled state used as a source radioactive thallium, which was controlled by the Geiger radiation counter. The time interval between pulses was chosen as conversion code. Several psychics had participated in the experiments. They tried to influence the endless stream of random anagrams arising from a typewriter or cause "the ghost voice" to be heard out of metaphone. Scientists also have conducted sessions to bring about the "spirit" of a colleague who had recently died, and who knew about this typewriter. In 1985 Herbert wrote a book about metaphysical in physics. In general, his invention and articles quite severely compromised the ideas of quantum communication in the eyes of potential researchers and by the end of the XX century no any substantial progress in this direction was observed.

The Metaphase Sound Machine is an object with 6 rotating disks. Each of the discs is equipped with acoustic sound source (a speaker) and a microphone. Each of the microphones is connected via computer and the rotary axis to the speakers on the disks. Also in the center of installation a Geiger-Mueller counter is set, that detects ionizing radiation in the surrounding area. The intervals between these particles influence rotation velocity of each of the disks. Essentially the object is an audio- and kinetic installation in which a sound is synthesized based on feedbacks, produced by microphones and speakers on rotating discs. Feedback whistles are used as triggers for more complex sound synthesis. Additional harmonic signal processing, as well as the volatility of the dynamic system, lead to the endless variations of sound. The form of the object refers to the generally accepted symbolic notation of quantum entanglement as a biphoton - crossing discs of the orbits.

more info - http://vtol.cc/filter/works/metaphase-sound-machine"

White ARP Odyssey 2800 SN 282312

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via this auction

Note the serial number is 282312 on the back of this one. This black & gold MK1 has an SN of 282321. It would be interesting to know what SNs the switch occurred around. Also note that both are the MK1 2800 series. ARP eventually used two four digit sections for their serial numbers, the first four were the model number and the second was the unit ID number. I'm curious when this went into effect. Just some interesting bits of synth trivia.