MATRIXSYNTH

Schtang - Lichen (Ft. Moog SUB37, Korg E2, Korg ESX1) Live DAWless Ambient Jam

Published on Feb 5, 2017 Schtang

"For free downloads of my music, you can find me on Bandcamp:
https://schtang.bandcamp.com/

Or Soundcloud:
https://soundcloud.com/schtang

Another totally Live and DAW-free jam! Recorded in one take :)
I'm primarily known for my rhythmic stuff, and usually the drum portion is the central focus of my music - but this time I decided to challenge myself and make something totally ambient. With all parts combined I felt like I kinda captured the atmosphere of the forest floor.
The latest acquisition to the studio - The Moog Sub37 - provided a dank and very mellow oscillation throughout the piece, sometimes making eerie bird noises, sometimes deep warm bass throbs. This was a single patch, and I sequenced it using the E2 to go up and down in pitch.
The E2 was the brain of the setup, and provided all the complementary melodies, gurgles, kalimba type delays and the main rhythmic element.
The ESX1 brought some interesting one shots, hand percussion and long gritty delay sounds and really rounded out that rainforest feel.
Thanks for watching!
Please consider subscribing for more jams of various genres, tutorials on gear that I use and the occasional VLOG post!
If you have any comments, critiques or discussion please don't be afraid to leave a comment below! Discussion is appreciated :)

You may notice the little decal on my Electribe 2 - It's called an Electribe 2 Shift Skin and it's a wonderful product from the people at CremaCaffeDesign. They make all sorts of synth gear to help you in the studio! Check out this product and many more here:
http://cremacaffedesign.com/project/electribe-skin/

Gear List:
Synths / Samplers / Drum Machines:
- Moog Sub37
- Korg Electribe 2
- Korg Electribe SX1
Mixer:
- Mackie 2404 VLZ4
Soundcard:
- Focusrite Scarlett 2i4
Speakers:
- EVE Audio SC207 Monitors
- EVE Audio TS108 Sub-Woofer

Recorded live into Ableton Live 9

Have a lovely day!!!"

PDSINTE067 - my house noises processed by Pure Data

Published on Feb 5, 2017 Ariel Raguet

"The audio taken by a mic is processed by Pure Data with two pitch delays and reverb."

Test Reflex LiveLoop

Published on Feb 5, 2017 RELOAD

"testing this great module for sampling my modular system......."

SDS Digital Reflex LiveLoop & ModEM-1 LFO & ADSR Eurorack Modules

Doepfer Dark Energy 2 & Strymon Big Sky

Published on Feb 5, 2017 3rdStoreyChemist

"Dark Energy 2 synthesiser through the Big Sky reverb. The Big Sky has been placed on an aux send.

No further processing except normalisation."

Fields of Density with the upcoming Cosmosƒ v4

Published on Feb 5, 2017 Sinan Bokesoy

"performance test with Cosmosƒ v4, only %44 CPU. 9 meso events, 81 micro events, 100's of modulation sources for pitch, filter cutoff and panning."

Freak Jam 20170107

Published on Feb 5, 2017 Little Bitchard

"A quick eurorack modular synth jam with Melu Instruments' module 'Freak', which is a digital dual VCO with phase-synced modulation.

Here it's pretty much the vanilla unit, I applied only small amounts of spring reverb from my TTSH and light limiting. The module is driven by external sequencer and ADSR envelope generator, with output of oscillator 2 routed through a VCA for some (blunt) on/off gating."

Tangerine Dream - tangram (extract 3)

Published on Feb 5, 2017 graal7

inspired by tangram
juno6
moog sub37
minilogue korg
electribe 2

Ganymede Terminal

Published on Feb 5, 2017 davidryle

"Space Music, YES. An imagined moon base on Ganymede off Jupiter.

Modular synth for the bass line, percussion and a 16th note octave sequence.

The Oberheim/Dave Smith OB6 for a starting arpeggio, the Roland System 8 for some bridge chords and the Behringer DeepMind 12 for reverb-drenched chorus chords.

The main bass line sequence and percussion were generated by STG Soundlabs Time Modules. The bass sounds realized on the Moslab 901 VCO's and 904-A LPF.

The sixteenth note line introduced halfway in is the synthesizers.com Q119 sequencer to an Ian Fritz/Doug Slocum Double Dekka Ultrasonic VCO fed to two EG's and a Yusynth Minimoog filter.

Delays included Modcan dual delay, Lexicon MX200 (x2) and Behringer DD400.

The snare is a TipTop Audio SD808.

Played live in the studio and recorded to a single stereo track in Cubase. Video recorded with an iPhone7 and edited in Final Cut Pro."