KORG DW-8000 synthesizer | Digital/Analog

Espen Kraft
Published on Jan 24, 2016

"Written and recorded with only the KORG DW8000 synthesizer providing all sounds except for drums.
The KORG DW8000 released in 1985 have two digital oscillators, and within one oscillator is the possibility to choose from 16 different digitally stored waveforms. The rest of the signal path is analog with VCF, VCA. The KORG DW8000 can sound very fat in unison mode."

Korg Poly-800 | Multitrack

Espen Kraft Published on Dec 9, 2015

"A song with an old analog synth, the KORG Poly-800. The Poly-800 was released in 1983 so it's quite old but it sounds lovely still. The track is entirely made with sounds from the Poly-800 except for the drums. Every track is recorded playing live into the DAW. There is no quantization done here.
Song (c) Espen Kraft 2015"

Behringer Model D Analog Synthesizer Module Review

SweetwaterSound
Published on Aug 9, 2017

"It's all there. Sweetwater's Daniel Fisher demonstrates the three punchy oscillators, classic 24dB/octave voltage-controlled filter with resonance, envelopes, LFO, portamento, and more. All instantly familiar — only smaller. The Behringer D is a Eurorack-sized reincarnation of the legendary analog monosynth that started it all. From fat pulsing basses to searing leads to celestial pads: the Behringer D puts a world of musical expression under your fingertips."

ROLAND SH-101 + KORG ER-1 ~ Will They Pair? Ep.21

once upon a synth
Published on Aug 9, 2017

"Pairing the Roland SH-101 with a Korg ER-1. The SH-101 is a vintage analog monophonic synthesizer from the 80s. The ER-1 is a digital drum machine from the 90s. Together they ooze vintage 90s techno/house vibes which I explore in this video. I'm largely using preset patterns on the ER-1. The ER-1 is outputting MIDI clock which I then convert into CV and feed into the clock input of the SH-101 to synchronize the sequencer. The SH-101 is then run through the ER-1 via its external audio input."

Kebu - Roland SE-02 Demo

Kebu
Published on Aug 9, 2017

"I was fortunate to get my hands on (at the time) Scandinavia's only Roland SE-02 synth for a few days. So I took some time to try it out and hooked it up to a Boss RV-500 reverb unit. It's a really lovely sounding analog synth!

The sounds were recorded straight from the SE-02, through the RV-500. No additional processing was used (except for some EQ where mentioned)."

Retroaktiv HLFO - Module Overview & Function Demo

New England Analog Archives
Published on Aug 9, 2017

"This video demonstrates some of the functionality of the Retroaktiv HLFO (Haptic LFO) for Eurorack. The module is 10HP wide. (Note, the unit shown in this video is a prototype with a lasercut plastic panel. Production units are metal panels with black silkscreen.) It features a voltage-controlled LFO, a sample & hold, a noise source, and a force sensor controller. This module packs a lot of utility into a small space. For more information on this module, please check out www.RetroaktivSynthesizers.com."

Note: I created a new Retroaktiv label for these moving forward. I was previously using the New England Audio label.

Frap Tools SAPÈL teaser

Learning Modular
Published on Aug 9, 2017

"I’m so happy with the Frap Tools SAPÈL Tamed Random Source that I wanted to share a little preview of it before I finished my normal 'training' videos on it.

This is an otherwise-boring arpeggio animated by three of the random voltage streams from one half of a SAPÈL: the quantized 'n+1' stream (the green trace) is controlling the tuning interval between a pair of PWM’d square wave oscillators; the quantized “2n” stream (the blue trace) is selecting the “vowel” on the LimaFlo Motomouth formant filter; the smoothly fluctuating stream (the pink trace) is controlling the cutoff of a Moog Mother-32 LPF between the oscillators and the Motomouth.

I’ll be releasing a few movies about the SAPÈL at the end of August that goes much deeper, including probability distribution, random triggers, and more."

SNAZZY FX- NOISE PATCH2- LOUD AND WEIRD

snazelle
Published on Aug 9, 2017

"in this video, we take a look at using a bunch of SNAZZY FX modules with the sequencer to create some "out there" sounds. The Hi_GAIn, Kitty Eyes, and Eternal Spring Filter all work very well together, and make exploration of noise, chaos, super aggressive trash, and subtle dirt quite simple. In this video we are using the Hi GAIN to process one percussion sound (from the ERICA SYNTHS PICO DRUMS) and the multiple ins and outs on the HI GAIN are being used for feedback loops and cross coupling as well as cv in and out with the Eternal Spring Filter AND with the Kitty Eyes jacked in as well. Also, we are using the KICK_ME as the foundation.

With this video we are trying to show how easy it is to bring a wide range of NEW sounds into your system. And though we kept the results dry, it would be very easy to patch the output of the HI_Gain into the Wow and Flutter delay or into a reverb. SNAZZYFX.COM"

Studiologic Sledge Synthesiser Tutorial 57 & 58

David Clements
Published on Aug 9, 2017

"George Hall recreates sounds from the classic ELP track Tank on a studio logic sledge synthesiser. Learn synth programming with George Hall."

Studiologic Sledge Synthesiser Tutorial 58


David Clements
Published on Aug 9, 2017

"George Hall recreates sounds from the ELP track Tank on a Studiologic Sledge synthesiser. Learn synth programming with George Hall."

You can find all parts in the George Hall series of Studiologic Sledge tutorials here.

Moog Sub Phatty & Marshall Shredmaster

3rdStoreyChemist
Published on Aug 9, 2017

"Sub Phatty synthesiser through a Shredmaster distortion. The Shredmaster has been placed on an aux send.

No further processing except normalisation."