Dave Smith Instruments OB-6 6-Voice Polyphonic Analog Synthesizer SN 00100

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Rush - Tom Sawyer Bass Growl | Tutorial with Korg Minilogue, No Talking

Published on Sep 16, 2018 Anodyne Institute

"What's happening here?

We adjust our First Oscillator to be a number of octaves lower than its default pitch. We introduce Oscillator Two an octave above the first, barely mixing it in so that it doesn't overwhelm the deep bass of the first. We slightly detune the second oscillator to add subtle animation and fluffiness.

We switch from Polyphonic mode to Unison mode. All of the oscillators are now stacked for one massive voice. We again slightly detune all of these oscillators, using the contextual Voice Mode Depth knob, for more animation and fluffiness. (This is caused by all of these waveforms subtly cancelling each other out at different points, creating more of a bass 'pad' than a solid bass tone.)

We move on to the filter. We use the filter in 2-pole mode, for a wider range of resonance and preservation of bass; the 4-pole filter can cut out bass frequencies at higher resonance because the curve is so steep. (Plus we think that Rush used an Oberheim OB-X for this sound, and it uses a 2-pole filter as well!) We add resonance to the filter, set our 'target cutoff frequency' manually, then add the modulation envelope's contribution to the filter. This automates the signature filter sweep so that we don't need to play it by hand.

The length of the decay on the filter envelope and how deeply it is applied, combined with the resonance amount and the fuzzy unison voice, are some of the most key ingredients here.

Finally, we add echo from the delay section. Using the high pass filter on the echoes is very useful in preventing such thick bass frequencies from getting muddy, and the repeats (feedback amount) really accentuate the filter sweep.

We fine-tune some of these key parameters: resonance, envelope decay length, envelope modulation depth. *We initially made the attack of the filter envelope a little too long and it produces a sharp, liquid pop.* Welp, now you have the opportunity to do better!

//

The Anodyne Institute is a fictional place. We would like to make all of the sounds."

Radio Music SSL 1440 module

Published on Sep 16, 2018 alternatingbitmusic

"5U version of Radio Music. A fun sampler full of surprises once you run various CV inputs."

Jomox XBase 09 on drums.

LINN DRUM - Whats Inside? REVERSE TEARDOWN No. 2

Published on Sep 16, 2018 LOOK MUM NO COMPUTER

#linndrum Whats inside this legendary #drummachine?
Audio And Samples from this Video are available on my patreon!, along with many other Samples from other machines i have made
:- https://www.patreon.com/lookmumnocomputer

Like i said! if you use them in a song and want to hear them in the background! send us them, with a link to inclue! they might get used!

Shot by Johnny Goddard

DTRONICS good for aftermarket parts for the linndrum! :-
http://www.dtronics.nl/

Synamiitti -18

Published on Sep 16, 2018 Petri Kauppi

"Turun Syntetisaattoriseuran Synamiitti 2018 Dynamossa 15. syyskuuta."

Update:

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YAMAHA MODX - Le Montage pour les pauvres

Published on Sep 16, 2018 Les Sondiers

"On teste le Yamaha MODX (ici une version 61 ou MODX6), un synthétiseur - et oui j'ai merdé la colo de cette vidéo, j'ai juste oublié d'allumer la lumière :-) Bon... hein. J'ai fait comme j'ai pu."

Linnstrument + Ambika ('MPE' mode)

Published on Sep 16, 2018 ljs8888

RIP John Leimseider

Update: "A memorial and celebration of life will be held at Studio Bell, home of the National Music Centre, this Sunday, September 30 at 5:00 pm in Studio Bell’s Performance Hall (850 4 Street SE).

More info can be found here.

Pictured: John Leimseider on the right with Malcom Cecil from this recent post on the upcoming event, TONTO Week.

It has come to my attention that John Leimseider has passed away. John was the head synth technician at the National Music Centre in Calgary, Canada, and previously the Cantos Music Foundation. He was recently scheduled to give a presentation on TONTO with Malcom Cecil on Nov 17 as part of TONTO Week. Please note, that talk is still scheduled to go on with Malcom Cecil. According to NMC, "TONTO was one of the last major projects of JL’s, so this event has much more significance now that he’s gone. But there will be an enormous void without him."

John Leimseider's influence spread far beyond the museum. Many of you visiting MATRIXSYNTH likely know him. I unfortunately never had the opportunity to meet him in person, however I remember seeing him engage on both the Rhodes Chroma and Yamaha CS80 lists. I still have some of those threads. I was hoping to one day make it out to the National Music Centre and meet him in person.

Below is a short playlist featuring John including his work at the NMC, an introductory video on the Roland System-8 from Roland, a video for The Moog Legacy featuring John, and a fun video featuring Neil Diamond's band paying a visit to the NMC, invited by none other than John Leimseider. He will be sorely missed by the synth community.



Playlist:
National Music Center Mini Doc [be sure to listen in stereo - you can only hear John on the left channel to start]
First Impressions of the Roland SYSTEM-8 with John Leimseider
Virtuality: The Moog Legacy, by Amin Bhatia [John Leimseider comes in at 1:58]
Quarter Note Video Tweet: Neil Diamond's band visits the NMC collection [keep an eye out for John]

You can find a handful of posts mentioning John Leimseider in the archives here. He worked on quite a few synths sold by individuals over the years. It's neat to think each one of those synths were touched by him at some point, and the work he did on them will live on.

Deckard's Dream Players at Knobcon 2018

Published on Sep 12, 2018 Paul Schilling

"A bunch of great people came and played the Deckard's Dream + Kurzweil Midiboard + Linnstrument combo. Here for your viewing and listening pleasure, are some of the highlights. Thank you to all!"

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This video was initially added to this post. Re-posting it here for those that may have missed it.

Demo :: Jupiter 8 + Alesis Quadraverb

Published on Sep 15, 2018 SOLON Music

"Demo of the Jupiter 8's Random LFO modulating the filter. Reverb from the Alesis Quadraverb. The synth is recorded through Heritage Audio's DMA73 preamp."