MATRIXSYNTH


Monday, October 08, 2018

TTSH Demos by therudyrude


Published on Oct 8, 2018 therudyrude

Playlist:

1. TTSH Mini Meanie
Assembled by Patrick Groulx
Controlled by Beat Step Pro FX by H9
Op-1 on Drums
2. TTSH in a pseudo paraphonic mode with the H9
TTSH ARP 2600 clone in the Eventide H9
3. TTSH Droning in H9
4. TTSH LOW FREQ NOISE
ARP 2600 Mini Meanie makes some low freq noise for your subs.

Tone Science Module No​.​2 Elements and Particles (DiN​:​TS02)




"Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged its own independent path and to date has released 56 physical CD albums as well as 21 download only releases.

Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.

Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” was released in March 2018 and has garnered a lot of critical acclaim. This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and
 r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.

“Tone Science Module No.2 Elements and Particles” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.
credits
releases October 19, 2018

1. Todd Barton Floating World 8:41
This is an exploration of layering various timbres and textures, each having its own
diverse panning structure and speed. Performed on a Buchla Music Easel with a
TC Electronic Ditto x4 looper and TC T2 reverb.
toddbarton.com

2. Bluetech Magnetic Lullaby 6:36
Multitracked sequencers in long takes at different clock speeds to get a fractal layer of shifting melodies evolving at different rates with Strymon modulation at different times for complexity.
bluetechonline.com

3. Parallel Worlds Additive Procedure 5:56
Eurorack, Analogue Systems and Serge modular systems, using harmonics created via waveshaping/wavefolding & the Verbos Harmonic Oscillator & RS370/375 Polyphonic Harmonic Generator.
parallel-worlds-music.com

4. Paul Nagle Euneirophrenia 7:52
The peaceful state of mind after a pleasant dream. In this mellow polymetric excursion, Cirklon's CVIO juggles a Quadnic, NW1, Plonk, Rings and Plaits.
bogusfocus.com/pn/

5. Dave Bessell Overtone 6:37
Between two worlds, the technical and the theatre of the imagination, the apparently real and the obviously synthetic play hide and seek with your perception. Realised with an all analogue signal path, this is a study in waveguide physical modelling.
sites.google.com/site/davebessellmusic/home\

6. Richard Quirk Radar Hill 7:22
This track is taken from an ongoing collection of music based on abandoned radar stations. Created with an AJH Eurorack system along with a Voltage Multistage, Bark filter, Magneto delay, Radiomusic and a tube Echoplex.
richardquirkmusic.bandcamp.com

7. Hainbach Your Strange Glitter 5:02
Aiming for purity I focused entirely on the Ciat-Lonbarde Plumbutter, Sidrax and Cocoquantus. I wanted this piece to feel like “synthesizer music”, clear and shimmering, yet alien, not rooted in a real acoustic space.
hainbachmusik.com

8. Nathan Moody Prophet And Loss 5:02
This piece was created using a Buchla modular synthesizer (200 & 100 series modules) as a meditation on the false piety of tyrannical populists in the early 21st Century.
nathanmoody.bandcamp.com

9. r beny Marine Layer 7:02
Fog conjuring with Mutable Instruments Rings loops being processed by Orthogonal Devices ER-301, Mannequins Three Sisters, and Strymon Magneto.
rbeny.bandcamp.com


Total Time 60:24
license
all rights reserved"

Follow-up to:
Tone Science Module No.2 Elements and Particles Demo Mix
Todd Barton Autumn Tour & New Release

The Muscarin synthesizer by kNoB technology - Future Funk track


Published on Oct 8, 2018 kNoB Technology

"Demonstration of how I recorded the song future funk
Support us if you like our synthesizers!🖖
Visit our indiegogo page https://igg.me/at/muscarin"

Strange Science Modules With Omiindustriies Shift Register


Published on Oct 8, 2018 Perfect Circuit

"This Video uses the Strange Science Instruments M4 mixer to combine all of the sounds and as VCAs, with their F1 stereo filter being used as two filters for two synth lines. The F1 is two transistor ladder filters with saturating inputs and stereo and dual mono operation modes. We also used the Omiindustriies Dual Digital Shift Register for some sequencing and triggering in this patch.

Strange Science Instruments available here: https://www.perfectcircuit.com/f1-ste...
Omiindustriies available here: https://www.perfectcircuit.com/omiind..."

---
This one in via Soviet Space Child.

Live at Sweetwater: MOOG One Demo with Daniel Fisher


Update: moved this one over to the main post here as he references Amos' videos there, and it's somewhat of a follow-up to them.

Moog mother32 / Digitakt


Published on Oct 8, 2018 tasuku0676

Moog One Deep Dive, Live from the Moog Factory Part 2


Part 2 just added to the main post here.

Mathew Jonson Presents His Synthesizer Favourites: Sequential Pro One (Electronic Beats TV)


Published on Oct 8, 2018 Telekom Electronic Beats

"Mathew Jonson is back for his next in-depth look at his all-time favourite synthesizers, shining a spotlight on the Sequential Pro One for Telekom Electronic Beats TV. A classic from 1981 that’s still widely sought after to this day, it’s a flexible piece of hardware that saw Sequential successfully reworking their existing Prophet 5 into a compact and affordable monophonic unit."

Yet another VCO with FM synthesis - Skrodzevicz


Published on Oct 8, 2018 mas2477

"This is another trial VCO with FM symthesis (bottom, left). This time i have tried to add simple S-R envelope."

Birdkids Raven @ DMF 2018


Part 10 in the playlist here.
PREVIOUS PAGE NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH