"Up for offer an extreme rare Synton College. Only a few produced around 1970. On top of that, this is the limited white version which are only 2-3 of them ever made. On top of that, for sure unique, it has been checked / serviced by Bert Vermeulen from Synton :)"
"All of the Jupiters have a sound that was unlike any other synthesizer and the JP-6 lives up to the billing. The sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.
A few minor scuffs here and there as you can expect for something which is nearly thirty years old, but nevertheless - this is a incredible analog synth beast which has been regularly serviced at James Walker’s Synthrepair. He actually commented it was one of the best that he had come across. A reluctant sale but my workflow has changed over the past year and i've gone back to an ITB setup.
The Europa firmware upgrade gives the JP-6 an up-to-date and deeply comprehensive MIDI implementation. All parameters are controllable via Continuous Controller or SysEx. Europa also features an extensive arpeggiator which will sync to MIDI clock with programmable clock divisors and rhythms, and has about 50 more playback variations than the JP-6's original Up, Down, Up/Down, and Down/Up. A Europacized Jupiter-6 is a thoroughly modern synth with a classic sound, great for sound design and will only go up in value."
"Polish techno producer Umba is taking the Medusa Hybrid Synth on an improvised minimalistic trip again. Drums from Electribe ESX, additional sequencing by Polyend Seq."
Some creepy dolls and mannequins to start your weekend!
"For day 11 of Jamuary I wanted to do something special. All of this is performed on the magically expressive Continuum Fingerboard, with just a slight touch of EQ and compression here and there. It is, in my opinion, the king of expressive hardware synthesisers, by far. I mean, by several generations. By several leagues. Nothing even comes close.
Gear used: Continuum Fingerboard, by Haken Audio
Recorded in: Logic Pro X, with a tad of extra reverb.
FabFilter VST's used: Pro-Q3 (EQ), Pro-L (limiter), Pro-C (compressor), Pro-M (multiband compressor)"
This short track uses AE modular to create a bass line that uses an envelope as a sound source!
(bass line is heard throughout, but most obvious during intro and end)
The basic idea is that an envelope can be triggered at 'audio rate' via its gate input, and output is then an audio waveform that can be shaped using the envelopes shaping parameters (attack/decay).
to add more variation, I used two square wave oscillators (2OSC) to drive gate 1 and 2,
the oscillators were at different frequencies, and I also modulated the pulse width with an LFO.
other sounds are coming from my eurorack modular.
some FX added in Ableton.
the video is just a handheld iPhone video of the gear used, and some visuals generated on the C&G Organelle.
Its only 720p as im testing out Lightworks as a video editor for the first time :)"
