via this auction
"Coming from the personnel Collection of a famous French Music Producer, Celmar Engel... The 303 and 606 where bought together in the 80's, never been used, never been separate :)"
Friday, January 08, 2021
Roland TB-303 Bass Line Synthesizer + Roland TR-606 Drumatix - Collector Condition
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via this auction
"Coming from the personnel Collection of a famous French Music Producer, Celmar Engel... The 303 and 606 where bought together in the 80's, never been used, never been separate :)"
via this auction
"Coming from the personnel Collection of a famous French Music Producer, Celmar Engel... The 303 and 606 where bought together in the 80's, never been used, never been separate :)"
Red Roland SH-101 w/ Original Box & Mod Grip
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via this auction
"Roland SH101 Red "Mint" condition. Comes in original Box including Mod Grip, Roland Leather Strap and a printed Manual. This is the rare chance to buy a real beauty of an original vintage Roland classic SH101 with all original accessories."
via this auction
"Roland SH101 Red "Mint" condition. Comes in original Box including Mod Grip, Roland Leather Strap and a printed Manual. This is the rare chance to buy a real beauty of an original vintage Roland classic SH101 with all original accessories."
Roland Jupiter-8 14-Bit Version Synthesizer
VINTAGE 1980 PAIA 4700-SERIES SYNTHESIZER (ASSEMBLED FROM KITS) W/ PRO KEYBOARD
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via this auction
"Analog 'patch cord' monophonic synthesizer that contains all of the fundamental modules needed for music synthesis. I assembled this synthesizer in 1980 using 4700-series kits from the legendary PAiA Electronics, Inc. in Oklahoma.
This synthesizer was in “working” condition before I stored it away. I was already an experienced electronic kit assembler at age 18 when I assembled all of the modules. I used terminal strips to create “bus bars” inside the module cabinets to conveniently provide the three supply voltages (plus ground) to all of the modules. Once I got to college at PSU I begged an Electrical Engineering professor let me use a frequency meter in a lab to calibrate each key of the keyboard to the proper pitch. I recently applied power to the cabinets and proved that the power supplies are working, but their output voltages will need to be recalibrated according to the manuals. I say that this unit is “working”, but I never really got it to make the sounds I was hoping for…
I fell in love with synthesizers as a teenager during the 1970’s because I was into both music and electronics. I desperately wanted to buy a MiniMoog (despite the fact that I didn’t have any keyboard aptitude or training) but, in any case, my family didn’t have that kind of money for something non-essential.
I discovered PAiA Electronics when their first 2700-series synthesizer kits were featured on the cover of Radio-Electronics magazine in 1973. The cover picture showed a fully functional synthesizer built from kits – except that the keyboard was made of hand-bent spring wires with buttons glued to the ends in order to keep the cost down. A few years later PAiA started offering professional 37-note keyboards and enclosures.
I bought the road cabinet and the power supplies first in 1979. I bought the actual synthesizer module kits as I could afford them during 1979 and 1980. I finally raised enough money to buy the (approximately) $100 keyboard/case kit in 1980.
This synthesizer contains the following cabinets and modules:
via this auction
"Analog 'patch cord' monophonic synthesizer that contains all of the fundamental modules needed for music synthesis. I assembled this synthesizer in 1980 using 4700-series kits from the legendary PAiA Electronics, Inc. in Oklahoma.
This synthesizer was in “working” condition before I stored it away. I was already an experienced electronic kit assembler at age 18 when I assembled all of the modules. I used terminal strips to create “bus bars” inside the module cabinets to conveniently provide the three supply voltages (plus ground) to all of the modules. Once I got to college at PSU I begged an Electrical Engineering professor let me use a frequency meter in a lab to calibrate each key of the keyboard to the proper pitch. I recently applied power to the cabinets and proved that the power supplies are working, but their output voltages will need to be recalibrated according to the manuals. I say that this unit is “working”, but I never really got it to make the sounds I was hoping for…
I fell in love with synthesizers as a teenager during the 1970’s because I was into both music and electronics. I desperately wanted to buy a MiniMoog (despite the fact that I didn’t have any keyboard aptitude or training) but, in any case, my family didn’t have that kind of money for something non-essential.
I discovered PAiA Electronics when their first 2700-series synthesizer kits were featured on the cover of Radio-Electronics magazine in 1973. The cover picture showed a fully functional synthesizer built from kits – except that the keyboard was made of hand-bent spring wires with buttons glued to the ends in order to keep the cost down. A few years later PAiA started offering professional 37-note keyboards and enclosures.
I bought the road cabinet and the power supplies first in 1979. I bought the actual synthesizer module kits as I could afford them during 1979 and 1980. I finally raised enough money to buy the (approximately) $100 keyboard/case kit in 1980.
This synthesizer contains the following cabinets and modules:
Oberheim OB-Xa Synthesizer SN 821804
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Gadget Collector
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Gadget Collector
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EML ElectroComp 200 Original Synthesizer Brochure
Yamaha DX7iiD
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Interesting perspective shot with the Jupiter-Xm.
via this auction
Interesting perspective shot with the Jupiter-Xm.
Polyend Dreadbox Medusa
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via this auction
3 Digital wavetable oscillators
3 Synchronisable analogue oscillators, each with four classic waveforms
Classic 24 dB dreadbox analog filter with 3 different types (2-pin LP, 4-pin LP, HP)
5 Independent LFOs
3 Different game modes: monophonic, paraphonic x3 and paraphonic x6
LED button
64 Customisable and precisely playable silicone pads
3 Sequencer modes: Step, Live and Incremental
128 Independent memories for sequences and sound presets
2 OLED displays
Mixer for all seven voices (analogue, digital and noise)
5 Independent and loopable DADSR envelopes
Robust aluminium housing
Dimensions (W x H x D): 490 x 205 x 50 mm
Weight: 2.3 kg
via this auction
3 Digital wavetable oscillators
3 Synchronisable analogue oscillators, each with four classic waveforms
Classic 24 dB dreadbox analog filter with 3 different types (2-pin LP, 4-pin LP, HP)
5 Independent LFOs
3 Different game modes: monophonic, paraphonic x3 and paraphonic x6
LED button
64 Customisable and precisely playable silicone pads
3 Sequencer modes: Step, Live and Incremental
128 Independent memories for sequences and sound presets
2 OLED displays
Mixer for all seven voices (analogue, digital and noise)
5 Independent and loopable DADSR envelopes
Robust aluminium housing
Dimensions (W x H x D): 490 x 205 x 50 mm
Weight: 2.3 kg
Waldorf Iridium, Moog Slim Phatty, Virus C, DSI Pro 2, Korg Gadget: 'Giussani'
Brittle stR music
"Giussani (or Giunssani) is a remote valley in northern Corsica. I'm tweaking cutoff against filter envelope amount on the Pro 2 for the high arpeggios; filter envelope amount on the Phatty for the bass; the X/Y pad on the Iridium controlling filter and FX on both layers. Ambient pad from the Virus and sequencing/drums from Gadget."
Custom Morphagene Reels Patch Walkthrough (and Performance)
Red Means Recording
"This week we'll be going over Morphagene!
In this video, I'll do a patch walkthrough and performances using a reel I made in the first video. These reels are available for you to download and use in your music, for free, here:
(These are temporarily on Patreon while Freesound gets their shizz together: https://www.patreon.com/posts/45858216) https://freesound.org/people/jjbbllkk...
Watch how I made these reels:"
Making Morphagene Reels from Kontakt Instruments Just for You
Red Means Recording
"This week we'll be going over Morphagene! First starting with reel creation. In this video, we'll use Ableton and some Kontakt instruments to make reels for Morphagene, the granular micro loop module from Make Noise."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
