MATRIXSYNTH


Thursday, January 28, 2021

Vintage Ensoniq Mirage DSK 8 8 Bit Sampler Synthesizer Keyboard SN 20696

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via this auction

Groovesizer Sequencer Synthesizer

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via this auction

Mattel Electronics Synsonics Drums w/ Original Box

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via this auction

Teenage Engineering OP-1 Keyboard Synthesizer

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via this auction

Cool NASA stickers on the back.

Isla Instruments S2400 Video User Manual - Part 8: Outputs / Panning


Part 8 added to this post.

CHI (チ) featuring Roland SYSTEM 100 Synthesizer (HD music video demo)


video by Robert Saint John

"CHI (チ), a performance with the Roland SYSTEM 100 semi-modular analog monosynth from 1975. I'm using the Roland Boutique A-01 Controller+Generator to both trigger the gate of the Model 104 Sequencer and to maintain sync between the System 100 and an iPad running Zenbeats, for its CR-78 based drumkit. Model 103 Mixer provides spring reverb and is connected to the BOSS RE-20 SpaceEcho. Live performance captured with Roland GO:Mixer.

CHI (チ) by Robert Saint John, Music and Video © ℗ 2021"

MOOG MINIMOOG Vintage Analog Synthesizer (1978) Devolution Synthwave


video by RetroSound

"all synthesizer sounds: Lintronics modified Moog Minimoog (1978)
drums: LinnDrum, E-MU Emax
recording: multi-track, played by hand
fx: reverb and delay

RetroSound synthesizer demo videos since january 2007.
All is for free. If you like my work, so can you support me with a donation or a purchase of my synth shirts or music albums. Thank you!

RetroSound Home: https://retrosound72.wixsite.com/home​"

Patch Notes: Heinali


video by FACTmagazine

"Heinali is the alias of Ukrainian composer and sound artist Oleg Shudeiko, a musician who works extensively with modular synthesis.

On his latest album, Madrigals, he takes inspiration from the music of the Middle Ages, utilising historical instruments such as the theorbo lute and baroque alto viola alongside generative synthesis.

In this episode of Patch Notes, recorded live at Ostriv in Kyiv last year, Heinali keeps things simple, crafting a dreamy performance with a compact modular system.

Madrigals is out now on Injazero Records. Find the rest of Heinali’s music at Bandcamp.

Heinali on Bandcamp: https://heinali.bandcamp.com
Madrigals: https://heinali.bandcamp.com/album/ma...​"

No clones for the wicked. STRAIT-JACKIT Live 1 hour hardware set


video by Space Cat Audio Technologies

Wednesday, January 27, 2021

CLOCKING THE ROLAND MC-202 FOR PLEASURE (IF NOT FOR ONE STEP PER PULSE)


video by Sunshine Jones

"My beloved Roland MC-202 is my main squeeze. I love the SH-101 much more (I have two of them) but because of its size, I travel and perform live with the 202.

One of the real disappointments about the MC-202 is that it doesn’t have a sequencer which can be played or advanced with an analog pulse or trigger. The MC-202 works like a 303, 606 or 808 and it requires sync 24 (din sync) to be clocked.



Fig.1 COMPLEX SEQUENCER
I hear a lot of complaining about the 202 sequencer. It’s very straightforward and pretty typical of analog step sequencers. There is also a real time mode. It’s complicated if you don’t read the manual and make some notes, otherwise (as you can see) it’s pretty straightforward.



Fig.2 FREESTYLE

No sync. DJ style. A total pain in the ass. Not recommended.


Fig.3 SIMPLE CONVERTER

Here’s the midi clock out of a boutique TR-06 converted to sync 24 with a simple box.
Works great.


Fig.4-5 ELABORATE CONTRAPTION

Here I’m doing the same thing with the SBX-10.
What’s cool about using a more capable box is having multiple outputs to sync more than one din sync friend with midi clock.



Fig.6 A TASTE OF THE OLD COUNTRY
Here the TR-606 is sending sync 24 out into a little project box I built which repeats - turning one clock output into three clock outputs - and driving the TB-303 and the MC-202 from one clock.
Personally the old ways are usually the best ways. Analog sounds far better to me than digital, and analog clock feels much better to me than digital does. I’m willing to put in the work, and do things the slow, difficult way to get the results I like best. Close enough isn’t anywhere near good enough for me. That’s why I drag all that gear around and it takes me an hour to set up and break down. Time well spent. Based on the results, it’s the only way for me to fly my spaceship.



Ultimately it’s all about collaboration, bringing things together and meeting in the present tense, and playing live now.
In that spirit, this is a little insight into some of the ways for an MC-202 to join the conversation."
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