Monday, November 01, 2021
Batterie Elettroniche in Sintesi Analogica | Vermona DRM1 MKIV | SOUNDMIT REVIEW #06
video upload by SOUNDMIT
"Ripartono i video del Soundmit!
Tra vacanze, Superbooth e sopratutto l'organizzazione del nuovo Soundmit 2021, siamo stati un pò impegnati ma ricominciamo alla grande con il video dedicato alla VERMONA DRM1 MKIV che Thomas Haller ci ha inviato qualche mese fa!
Ci siamo innamorati del 'nuovo' suono dato da alcuni miglioramenti alla circuitazione, delle nuove funzioni e della solidità con cui è costruita!"
https://2021.soundmit.com
Sequential Circuits Prophet-5 REV 3.0 SN 1329
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"You’ll find searching for a Vintage Prophet 5 that sellers say that it “works fine” or has had a minor repair to make it seem “fine”. We had Bell Tone Synth Works go completely thru this one and fix what was broken and replace the common things that fail to insure a solid & warrantied synth.
Low serial number puts made in the late ‘70s (1978-1983 for all rev 3.x models)"
via this auction
"You’ll find searching for a Vintage Prophet 5 that sellers say that it “works fine” or has had a minor repair to make it seem “fine”. We had Bell Tone Synth Works go completely thru this one and fix what was broken and replace the common things that fail to insure a solid & warrantied synth.
Low serial number puts made in the late ‘70s (1978-1983 for all rev 3.x models)"
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Auctions, Reverb, Sequential Circuits, Synth Techs
LABELS/MORE: Auctions, Reverb, Sequential Circuits, Synth Techs
Roland GR-700 JX3P, PG200, & G707 Analog Synthesizer System
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"Complete, original vintage Roland JX/ GR synthesizer suite, including the Roland JX-3p synthesizer, PG-200 programmer, GR-700 synthesizer, and G-707 controller, complete with original case, memory cartridge, and all cabling!!!!
The PG-200 will program both the JX-3p, and GR-700, and when a midi input is added, the GR-700 can act as an expander module with extra memory for the JX-3p. Lots of synth!!!
The g707 controller is also an excellent guitar in its own right, and plays a peach. The humbuckers are actually pretty damn good all on their own, and of course, slinging a black g707 on stage is a pretty hard flex. ;)
A rare opportunity to get the full meal deal. All components are serviced and fully functional, and sounding awesome."
via this auction
"Complete, original vintage Roland JX/ GR synthesizer suite, including the Roland JX-3p synthesizer, PG-200 programmer, GR-700 synthesizer, and G-707 controller, complete with original case, memory cartridge, and all cabling!!!!
The PG-200 will program both the JX-3p, and GR-700, and when a midi input is added, the GR-700 can act as an expander module with extra memory for the JX-3p. Lots of synth!!!
The g707 controller is also an excellent guitar in its own right, and plays a peach. The humbuckers are actually pretty damn good all on their own, and of course, slinging a black g707 on stage is a pretty hard flex. ;)
A rare opportunity to get the full meal deal. All components are serviced and fully functional, and sounding awesome."
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Auctions, Guitar Synths, Reverb, Roland
LABELS/MORE: Auctions, Guitar Synths, Reverb, Roland
Roland System 100 Modular Synthesizer Docs
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
Patch Note
Patch Book
Notice
Steakers
Guessing Steakers = stickers.
via this auction
Patch Note
Patch Book
Notice
Steakers
Guessing Steakers = stickers.
Korg X-911 Analog Guitar Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
“Unlike other 'synth' pedals, the X-911 gave players real synth controls to play with; things like portamento, voltage-controlled filters and real ADSR generation were built right in. And unlike many other synth boxes, these actually worked, and worked well.
The heart of the X-911 lies within its mixer; a crossfader between the “instrument” section and the “synthe” section. The former bank of knobs and switches transforms your guitar into six polyphonic voices: Electric Bass, Tuba, Trumpet, Distortion Guitar (!), Violin and Flute. Each of these voices gives you a tone knob, while the Violin setting offers up an attack control. Those of us that caught wise to synths early on knew there was no chance on Earth that your guitar was going to magically turn into a Mellotron and spit out a pristine violin or flute sample, but the X-911 got decently close. However, it was a lot easier to digest the idea of your guitar pumping out floor-thumping bass rather than emulating a tuba, so most of us gave it a pass and saw it for what it was.
The Synthe section is where the X-911 earns its money, serving up several stackable waveforms along with the ability to sculpt your own custom ADSR envelope for a complete synth experience. Frankly, it’s what synth pedals should have been from the get-go. Other offerings include extra synth touches like analog octaving, touch sensitivity and a slick portamento knob to easily and seamlessly glide between notes without so much as a hiccup. The front panel let you control the various parameters with a variety of foot-controllable extras, letting you use the X-911 as a brain for your entire setup. This thing was serious.
Strangely, it’s one of the most unsung Korg units, even though it should be celebrated far outside of its brand, category and segment of history. Frankly, the X-911, despite its at-times questionable tracking (just put a compressor in front) is the yardstick to which all other guitar synth units should be measured.”
via this auction
“Unlike other 'synth' pedals, the X-911 gave players real synth controls to play with; things like portamento, voltage-controlled filters and real ADSR generation were built right in. And unlike many other synth boxes, these actually worked, and worked well.
The heart of the X-911 lies within its mixer; a crossfader between the “instrument” section and the “synthe” section. The former bank of knobs and switches transforms your guitar into six polyphonic voices: Electric Bass, Tuba, Trumpet, Distortion Guitar (!), Violin and Flute. Each of these voices gives you a tone knob, while the Violin setting offers up an attack control. Those of us that caught wise to synths early on knew there was no chance on Earth that your guitar was going to magically turn into a Mellotron and spit out a pristine violin or flute sample, but the X-911 got decently close. However, it was a lot easier to digest the idea of your guitar pumping out floor-thumping bass rather than emulating a tuba, so most of us gave it a pass and saw it for what it was.
The Synthe section is where the X-911 earns its money, serving up several stackable waveforms along with the ability to sculpt your own custom ADSR envelope for a complete synth experience. Frankly, it’s what synth pedals should have been from the get-go. Other offerings include extra synth touches like analog octaving, touch sensitivity and a slick portamento knob to easily and seamlessly glide between notes without so much as a hiccup. The front panel let you control the various parameters with a variety of foot-controllable extras, letting you use the X-911 as a brain for your entire setup. This thing was serious.
Strangely, it’s one of the most unsung Korg units, even though it should be celebrated far outside of its brand, category and segment of history. Frankly, the X-911, despite its at-times questionable tracking (just put a compressor in front) is the yardstick to which all other guitar synth units should be measured.”
Roland JP-8000 Analog Modeling Synthesizer SN AK35005
1970's PAIA OZ 3760 All-Key Polyphonic Portable Analog Synth
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"18 keys and selectable 5 octave range. Tone, level, tuning control, trigger, 1/8" in and out, built-in speaker and amp. This one does not come with the pitch bending pad."
via this auction
"18 keys and selectable 5 octave range. Tone, level, tuning control, trigger, 1/8" in and out, built-in speaker and amp. This one does not come with the pitch bending pad."
Clavia Nord Micro Modular Synthesizer
YAMAHA CS20M monophonic synthesizer
Is the Moog DFAM versatile? | Why it's better with eurorack friends
video upload by Jameson Nathan Jones
"A look at expanding upon the already unique Moog DFAM - the weird percussion synth with a weird name.
Chapters
0:00 - Intro
0:51 - DFAM basics
3:40 - DFAM with an external sequencer
6:11 - Is it a drum machine?
7:04 - DFAM with a quantizer
12:34 - Sending it some more CV
15:00 - Getting carried away
16:49 - Summary"
DFAM Loops Sample Packs: https://store.fracturedcapstan.com/
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
