via this auction
"This unit is in excellent condition - plastic still on the screen! Comes with original box and installed in a 4ms Pod 60 with power supply."
Sunday, December 26, 2021
Percussa SSP Super Signal Processor & 4ms Pod60
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This unit is in excellent condition - plastic still on the screen! Comes with original box and installed in a 4ms Pod 60 with power supply."
via this auction
"This unit is in excellent condition - plastic still on the screen! Comes with original box and installed in a 4ms Pod 60 with power supply."
Kawai K3m W/ Custom K3m Midi CONTROLLER
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via this auction
"Unique digital wavetable/ Analog SSM filter synth. This comes bundled with its own custom midi controller which really opens up this stunning synth. A RC2 memory card is also included."
via this auction
"Unique digital wavetable/ Analog SSM filter synth. This comes bundled with its own custom midi controller which really opens up this stunning synth. A RC2 memory card is also included."
EML 400/401 - Rare 1970s Sequencer & Synth System
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via this auction
"Rare EML Electrocomp model 400 / 401 system comprised of a dual 16 stage (or single 32 stage) quantized sequencer paired with a 2 oscillator voice module with a multimode filter. These rarely pop up for sale as few were made but they are powerful systems with sophisticated features especially for the time. This one is in great condition other than some broken latches which could be replaced. Although EML used heavy duty metal latches on their other gear they used plastic ones on the 400 and they tend to be broken. Functionally the system is working great and sounds awesome. Though the sequencer gets all the attention when folks discuss the 400/401, I'm also a big fan of the synth section. Totally unique sound capable of some pretty wild and aggressive sounds you cant get out of a Moog or Arp. It is a basically a EML 500 with fewer mod options on tap though you can patch for them.
More from the designer:
"Following the traditions of , , and other early synth developers, the EML engineers crafted an analog sequencer that bears little resemblance to today's MIDI sequencers. 'The 400 series sequencer was my baby,' [EML designer, John] Borowicz admits. 'I loved that box. It was killer. I'd say that was one of the first hybrids, because it was analog and digital. One of the problems with analog circuits was tuning the bloody things. So we built a voltage quantizer, and then jumped on the bandwagon, since they were the big boys on the block. Our quantizer was basically set up for 12-tone diatonic, but you could tune it to play microtones too, and it would still maintain its quantizing feature, which was pretty hip.
"'It also had voltage-controlled envelope generators, which as far as I know was a first, too. You could patch that thing, load it up in increments of 16 stages, and the control voltages could be either locked in - quantized - or you could set it to be variable, either way. By patching, you could get the thing to do retrograde permutations: It would go through a sequence as you programmed it with all the rhythm, and then you could start to do permutations by jumping around in a very progammatic fashion to different stages. It could go through stages 1-16, and then 1, 15, 2, 14, 3, 12, and so on. You could line up the patterns however you wanted. That was an amazing little box.
"'It also had a voice module with it, the 401, which was basically a scaled-down 500: dual oscillators with switch-selectable waveforms, a multimode filter, and the voltage-controlled envelope generators. At that point, you only had AR (attack/release) envelopes, but you could get multiple stages by gating the voltage correctly.'"
via this auction
"Rare EML Electrocomp model 400 / 401 system comprised of a dual 16 stage (or single 32 stage) quantized sequencer paired with a 2 oscillator voice module with a multimode filter. These rarely pop up for sale as few were made but they are powerful systems with sophisticated features especially for the time. This one is in great condition other than some broken latches which could be replaced. Although EML used heavy duty metal latches on their other gear they used plastic ones on the 400 and they tend to be broken. Functionally the system is working great and sounds awesome. Though the sequencer gets all the attention when folks discuss the 400/401, I'm also a big fan of the synth section. Totally unique sound capable of some pretty wild and aggressive sounds you cant get out of a Moog or Arp. It is a basically a EML 500 with fewer mod options on tap though you can patch for them. More from the designer:
"Following the traditions of , , and other early synth developers, the EML engineers crafted an analog sequencer that bears little resemblance to today's MIDI sequencers. 'The 400 series sequencer was my baby,' [EML designer, John] Borowicz admits. 'I loved that box. It was killer. I'd say that was one of the first hybrids, because it was analog and digital. One of the problems with analog circuits was tuning the bloody things. So we built a voltage quantizer, and then jumped on the bandwagon, since they were the big boys on the block. Our quantizer was basically set up for 12-tone diatonic, but you could tune it to play microtones too, and it would still maintain its quantizing feature, which was pretty hip.
"'It also had voltage-controlled envelope generators, which as far as I know was a first, too. You could patch that thing, load it up in increments of 16 stages, and the control voltages could be either locked in - quantized - or you could set it to be variable, either way. By patching, you could get the thing to do retrograde permutations: It would go through a sequence as you programmed it with all the rhythm, and then you could start to do permutations by jumping around in a very progammatic fashion to different stages. It could go through stages 1-16, and then 1, 15, 2, 14, 3, 12, and so on. You could line up the patterns however you wanted. That was an amazing little box.
"'It also had a voice module with it, the 401, which was basically a scaled-down 500: dual oscillators with switch-selectable waveforms, a multimode filter, and the voltage-controlled envelope generators. At that point, you only had AR (attack/release) envelopes, but you could get multiple stages by gating the voltage correctly.'"
Macbeth Systems X Series MicroMac D
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Very rare Macbeth 3 Oscillator Mono synth! In 10/10 cosmetic shape and 100% functional. It comes with the original power supply and will be packed like a champ. This is one of Ken’s last designs and sounds amazing!!!"
via this auction
"Very rare Macbeth 3 Oscillator Mono synth! In 10/10 cosmetic shape and 100% functional. It comes with the original power supply and will be packed like a champ. This is one of Ken’s last designs and sounds amazing!!!"
Moog Memorymoog SN 2354
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via this auction
"Excellent cosmetic and working condition Moog Memorymoog... This one was thoroughly serviced three years ago by Mike Borish and is working great. All voices tune perfectly and it barely takes a few minutes for tuning to be performed and stabilized."
via this auction
"Excellent cosmetic and working condition Moog Memorymoog... This one was thoroughly serviced three years ago by Mike Borish and is working great. All voices tune perfectly and it barely takes a few minutes for tuning to be performed and stabilized."
Moog MiniMoog Voyager XL SN XL0002
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via this auction
"This is serial #2! A very special one! Made for Moog’s 40th! This Moog is tested, working, and in excellent physical condition. There are a few small scuffs and scrapes. Included are the power cable, and twelve 1/4” patch cables to get you started.
To celebrate the holidays I’m also including a Moog Werkstatt-01 synth, new in box! CV Expander included! This is the perfect companion to the XL, and will allow all kinds of cool modular possibilities!"
via this auction
"This is serial #2! A very special one! Made for Moog’s 40th! This Moog is tested, working, and in excellent physical condition. There are a few small scuffs and scrapes. Included are the power cable, and twelve 1/4” patch cables to get you started.
To celebrate the holidays I’m also including a Moog Werkstatt-01 synth, new in box! CV Expander included! This is the perfect companion to the XL, and will allow all kinds of cool modular possibilities!"
Teisco 110f
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This unit is in museum quality shape and plays like it’s new. All slider, switches, knobs are scratch free and the keyboard tracks amazing, better yet with CV-GATE conversion. This is a 100v"
via this auction
"This unit is in museum quality shape and plays like it’s new. All slider, switches, knobs are scratch free and the keyboard tracks amazing, better yet with CV-GATE conversion. This is a 100v"
ROLAND Juno-60
Dub Techno with Digitakt, Modular & Juno 60
video upload by Martin Stürtzer
"This is my last track for 2021, thanks a lot to everyone who listened to my music this year and supported my music!
SETUP in this track:
All drums and bass sounds are from the Digitakt. It also sequences the Modular on Midi channel 2 & 3. The Modular is playing two voices with the Mutable Instruments modules Plaits and Braids. At the beginning I play a Chord on the Juno60 that keeps going using the "hold" function. Mixing and effects are within Ableton using the Valhalla DSP Delay and Vintage Verb. The Midi Fighter Twister controls a few FX parameters and volume levels."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
