sleeper ... Digitone Keys & S-4 ... ambient

video upload by substan

"A performance on the Elektron Digitone Keys, Torso S-4.
In supporting roles: Squarp Instruments Hapax, Hologram Microcosm, Source Audio Ventris
Recorded in one take into 1010music Bluebox
Mastered in post.

The great support from my patrons makes all of this possible ... thank you so much guys !! / substan

Substan Bandcamp Page: https://substan.bandcamp.com"

Source Audio Encounter Ambient Delay and Reverb - Demo with Synths (no talking)

video upload by Limbic Bits

' With the Korg MultiPoly & Twisted Elektrons MEGAfm,

0:00 Warm Pad LoFi / Noise Tape
1:26 Dub Chord 1 Trem Verb / Resonant
3:07 Open Lead Kaleidoscope / Hypersphere
4:46 Komorebi Echoverb / Shimmer
5:59 Forsaken Lead Kaleidoskope / Reverse
6:59 Ambient Piano Kaleidoscope / Swell
8:07 Percussive Lead Echoverb / Swell
9:27 Dub Chord 2 multiple
11:03 Grainy Pad Drum Echo / Swell

Source Audio Encounter Ambient Delay / Reverb with Synths (no talking)

video upload by Bonedo Synthesizers

"In this video we take a close look at the Source Audio Encounter SA-264 Delay & Reverb — a versatile dual-engine effects pedal that combines lush reverb textures with rhythmic delay patterns in one compact unit. Its intuitive layout and powerful DSP let you craft everything from ambient wash and spacey trails to punchy, rhythmic echoes with ease.

With separate controls for delay and reverb along with onboard modulation, tempo sync, presets and expression control options, Encounter is designed for players who want deep sound shaping without a complex menu dive. Whether you’re adding depth to clean tones or sculpting experimental atmospheres, it delivers inspiring sounds for studio and stage."

0:00 Sweet Arp
1:23 Warm Pad
2:51 Trance Arp
4:06 Melodic Techno Lead
5:19 Ambient Piano

convergence ... Elektron Tonverk & Ventris ... ambient

video upload by substan

"I can't wait for Tonverk to grow up and no longer be overshadowed by its own shortcomings.

A performance on the Elektron Tonverk.
Recorded in one take.
Mastered in post.

The project file, music and a temporary sample pack on Patreon.
The great support from my patrons makes all of this possible ... thank you so much guys !! / substan

Substan Bandcamp Page: https://substan.bandcamp.com"

Craig Padilla - Solina Movement 5 (ARP Solina String Ensemble and Source Audio Pedals Improvisation)

video upload by Craig Padilla

"This is the epic final track from the ambient album 'SOLINA' by Craig Padilla. This improvised spacemusic performance was captured live on three cameras, performed on an ARP SE-IV Electronic Music Synthesizer using COLLIDER and LUNAR effects pedals by Source Audio which run through a long decaying looper plug-in called ElotTronix XL. Everything that you see and hear was performed live in the moment on this classic synthesizer from the 70's without any overdubs.

The ARP SE-IV String Ensemble is a classic synthesizer that was used on many albums by a variety of artists throughout the 70's. Its unique warm sound combined with the right effects makes it inspiring and fun to play."

Craig Padilla - Solina Outtake 1 (ARP Solina String Ensemble and Source Audio Pedals Improvisation)

video upload by Craig Padilla

"This was recorded during the making of the spacemusic album 'SOLINA' by Craig Padilla. This track didn't make it on the album. It's an improvised performance that was captured live on three cameras, performed on an ARP SE-IV Electronic Music Synthesizer using COLLIDER and LUNAR effects pedals by Source Audio which run through a long decaying looper plug-in called ElotTronix XL. Everything that you see and hear is 100% live in the moment without any overdubs."

Source Audio Artifakt [FX w/ Synthesizers #18] No Talk Audio Demo

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

Artifakt by Source Audio. Lo-fi, low grade reverb, bit-reduction, tape hissy, AM Radio goodess. Today I'm running some synths and electro gear through the Artifakt pedal, see what modes I've been vibing with. Pedal was edited all manually - on computer. No presets were used - So you'll see a pic of pedal starting point settings w/ each audition. Dry audio preceeds FX auditions...well usually. Recorded direct to Tascam DR-05, no other effects or mastering beyond routine normalization.

*Time* *Equipment* *Artifakt Mode*
0:00 | Sequential Multitrak | uVerb
0:45 | E-Mu Drumulator | Glitch
1:29 | Sequential Multitrak | Tape
2:07 | Behringer Poly800 | uVerb
3:42 | E-Mu Drumulator | uVerb
4:27 | Sequential Multitrak | Radio
5:03 | Tascam Porta One Ministudio | Radio
6:05 | Nord Electro 6D | Crush

And be sure to check out my cool eurorack modules available in my Reverb store https://reverb.com/shop/gstormelectro

G-Storm Electro:
*BLOG* http://gstormelectronica.blogspot.com/
*LISTEN/DOWNLOAD* http://soundcloud.com/gstormelectro
**REVERB** http://reverb.com/shop/gstormelectro"

Unlock complex delay pedals with a MIDI controller

video upload by Richard DeHove

"The Source Audio Nemesis is a classic stereo delay with loads of interesting parameters. Unfortunately most of those parameters are only accessible via the editor software - or as MIDI CC parameters. Meanwhile the Free the Tone Future factory delay makes all the parameters available via the front panel interface, but it's a cumbersome button and encoder process that feels like an old digital synth interface.

To get easy access to most parameters while playing you can use a MIDI controller. The cheap and cheerful option is a Korg NanoKontrol 2. It is handsome, compact, cheap but is USB only which means if you want to use it without a computer then you'll need to go through a MIDI host. Now your slimline controller is starting to get big and messy, especially if you also want to add an external clock.

The best controller option imo is the FaderFox EC-4. Not only does it have MIDI in and out, it can pass through MIDI clock, has multiple scenes available direct from the unit and even lets you create four-character names for every parameter. Of course it also costs about the same (or more) as your expensive stereo delay pedal so you'll want to be sure you'll get good use from it beyond just a delay pedal knob tweak.

So is it worth the time and trouble to add a controller? It can make for some dramatic effects far beyond what is usually possible. It could also be a far quicker and more enjoyable way to program new patches.

0:00 So many options
1:28 FF & Nemesis
2:00 Ergonomics
4:15 NanoKontrol2
6:33 Annoying install
7:18 Future Factory CC list
8:02 More Nano pain
9:11 MIDI Host pain
10:15 FF setup
11:15 FF music*
17:23 Nemesis CC list
19:52 Nemesis setup
23:20 Nemesis music (no more talk)

* In the Future Factory EQ controls I limited the bass EQ boost. The full CC range 0-127 gives a 15dB bass boost. That was so ferocious I limited the range to 0-100. So if you want bass boost it's available.

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Analog synth jam with the Roland SH-101, Moog Subsequent 37, Walrus Sloër, Source Audio Ventris

video upload by Jay Hosking

"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synthesizer jam performed entirely on hardware.

I got an SH-101. Yes, it's simple. But I love its particular sound and find it endlessly deep and soothing. Thinking of it that way made me think to pair it with the Subsequent 37, another synth that provokes exactly the same feeling. Turns out the two make a good team.

Roland SH-101 into Source Audio Ventris - Bass / melody synth sequence
Moog Subsequent 37 into Walrus Sloër - Lead synth

Performed and recorded live, with EQ, compression, and limiting on the master.

Thanks for listening.

https://jayhosking.bandcamp.com"

Nemesis delay walkthrough on synth (Part 1)

video upload by Richard DeHove

"The Source Audio Nemesis delay belongs to a small group of 'old' stereo delays that have maintained their popularity over years. Why? Because they're good at what they do. This is my second time with the Nemesis, so am very happy to get all these beautiful sounds back again.

Here I give a basic overview of the pedal, blab on at length about its operational philosophy, then go through all 24 engines using the Neuro software editor. Some engines get more love than others in the demo (sorry Tremolo), but at least everyone gets a turn. As usual I bought this pedal with my own money at full price.

TLDL: Sounds great & whatever the knobs are on is what you get

0:00 Ports & knobs
4:42 Why I bought again
6:32 Three ways to play
8:45 Knobs are WYSIWYG
11:20 Bootup mode
12:00 Neuro app intro
12:55 Global options
13:51 Neuro editor overview
20:30 Digital engine
21:32 Diffuse engine
23:24 Analog engine
27:41 Tape engine
29:57 Noise Tape engine
32:44 Degrade engine
35:00 Shifter engine
36:50 Helix enine
38:38 Reverse engine
40:57 Sweeper engine
42:12 Rhythmic engine
43:03 Slapback engine
44:15 Resonant Analog engine
45:52 Tremolo engine
46:08 Sequenced Filters engine
47:13 Dub engine
49:23 Chorused Delay engine
50:26 Flanger Delay engine
51:18 Double Helix engine
51:54 Complex Rhythmic engine
53:30 Lofi Retro engine
54:20 Warped Record engine
54:54 Compound Shifter engine
56:12 Oil Can egine
57:39 Binson Drum Echo - singlehead
58:03 Binson Drum Echo - multihead
59:44 Cloud presets

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Qun mk2: Piano ambient / Noise

video upload by Nunomo LLC

Piano: MC-101
Noise, synths : Qun mk2
Reverb: Source Audio Collider

Looking for happy unexpected result.

Berlin School / Ambient jam with Bassline, Töörö, OXI ONE and friends

video upload by Waveformer

"Here's a live Ambient Berlin School jam with Bassline from Erica Synths, the Töörö synth from Fred's Lab, the OXI ONE sequencer, Source Audio Collider and Zoom MS-70CDR effects, and the Bluebox mixer/recorder.

The Bassline starts off with a very basic sawtooth-based bassline, which gets dirtier during the jam. The Töörö joins in with two melodic themes, a secondary bass pattern and a pad with lots of delay and reverb from the Collider and the Bluebox (clouds reverb algorithm).

The audio is recorded to SD card on 1010music's Bluebox mixer/recorder and normalized in Audacity. Video is recorded on a Canon EOS M50 mk2 with the included EF-M 15-45mm lens. Audio and video is synchronized in DaVinci Resolve 17."

Filtered & Delayed 808 Drums | Sound Recipes #34

video upload by Reverb

"808-style drums always sound good. But today, we're showing you how to beef them up even more with two key ingredients."

Source Audio Nemesis Delay with Moog Subharmonicon

video upload by verstaerker

"trying different delay modes of the Source Audio Nemesis Delay on the Moog Subharmonicon ... it really let the sound of a synth shine.
The examples only scratch the surface of the possebilities.

00:00:00 "Enable the Delay - Noisy Tape"
00:57 "Tape"
02:12 "Analog"
03:17 "Diffuse"
04:13 "Digital"
04:44 "Slapback"
05:23 "Sweeper"
06:37 "Decimate"
07:35 "Helix"
08:34 "Shifter"
12:46 "Final Sound Impression"

you can support me if you like
https://verstaerker.bandcamp.com"

Source Audio Ventris Dual Reverb Sound Demo (no talking) with Twisted Electrons MEGAfm synth

video upload by Limbic Bits

Ambient Summer Jam #3 - Collider, Bluebox, Monologue, MicroFreak, Volca FM

video upload by Waveformer

"This jam continues my exploration of the Source Audio Collider and the Bluebox. This time, the Monologue and the Volca FM each plays a pre-recorded sequence, as I improvise chords and melody on top of that, on the MicroFreak, Volca FM and Monologue. The EHX 720 looper also assists with some pre-recorded chords from the MicroFreak.

Gear:
- Source Audio Collider
- 1010music Bluebox
- Arturia MicroFreak
- Korg Monologue
- Korg Volca FM
- Zoom MS-70CDR
- EHX 720"

Sequential Prophet 6 & Source Audio Ventris

video upload by 3rdStoreyChemist

Korg Opsix & Source Audio Nemesis

video by 3rdStoreyChemist

Sequential Pro 3 & Source Audio Ventris

video by 3rdStoreyChemist

Small Systems Patches #1 - Drone, Delay & Feedback

video by Abstract Data

"The first, in what will hopefully be, an ongoing series of jams based around small modular systems. This drone, delay and feedback patch takes three different waveform outputs from a single VCO and feeds them into a combination of filters and wave folders. These signals are mixed together and then split into two separate channels where one is the output signal and the other is used as a feedback path running via delay and reverb and then fed back into the mix. These modules are then modulated using combinations of LFO and looped S&H.

You can check out the rig for this patch here: https://www.modulargrid.net/e/racks/v...​

Modules used (from L to R): Abstract Data ADE-32 Octocontoller; ADE-33 Event Boss; ADE-60 4:4 Mix Utility; ADE-50 3x VCA; / Intellijel Dixie II; uFold; uVCF; / Audio Damage Dub Jr MK2; / 2HP Verb; / Doepfer A-18-2 Multiple.

Case: 4MS 64X Pod; / Sequencer: Arturia BeatStep Pro; / Additional delay and reverb from Source Audio Collider.

Patch was recorded to a Tascam DR-05 recorder and mixed in Logic Pro X."