Oberheim DMX thru Roland SIP-301 (quick patterns demo)

video upload by Valmont

"That day I forgot my camera stand so my friend Steph had to hold the camera for me x)
Just throwing some Oberheim DMX (factory eproms) grooves through a 1979 Roland SIP-301 bass preamp/comp... that has a very crunchy opto comp actually!

Recorded at MusikMusicStudio some time ago"

Minimoog-overdriven Oberheim DMX

video upload by Valmont

"Obi DMX plugged into a 78' Minimoog external input!
I really like the natural ducking effect of the mixer section... And that drive color :p

Recorded at my friends from MusikMusicStudio some time ago"

15 Pads & Textures on Kawai GMega / K11

video upload by Valmont

"Some very different synth from the usual stuff I play :p
This is a 1993 rompler, just like the Korg M1 and all these realism-aiming synths. It's a keyboardless version of the Kawai K11, with 256 waveforms, 32 voices, 32-multitimbral in a desktop 1/2 rack format. Most of the sounds are single-waveform, so you get these typical 90s static pads, which sound very nice with verb. The only downside is that you need to program it thru 4 buttons and a rotative encoder... Very 1990 again x)

0:00 - Blue Sheen
0:29 - Presence
1:15 - Breathy M1
1:35 - Liminal Space
2:04 - Turquoise
2:26 - VHS Strings
2:42 - 1993
2:58 - Bottles Orchestra
3:17 - Additive II
3:43 - Little Bell
4:00 - MIDI Bass
4:10 - Hot Water
4:36 - Hybrid
4:51 - Birds From Eden
5:37 - Scissors Echoes"

Yamaha DX7 Patch Recreations by Valmont

Synclavier Church Bell recreated on Yamaha DX7 video upload by Valmont

"Check the Synclavier voices patch from Genesis 'Mama' recreated on DX7 as well here: [below]

The Synclavier being linear FM, one of the only suitable algorithm on a DX is the one with 3 parallel carrier/modulator. So in this patch, we have 3 partials but the original patch had 4. This is no big deal, as we can just detune more the DX operators. However, the Synclavier had a 1st harmonic on carrier 1 at 20% level, which is something we can't achieve on DXs because they aren't additive... Just use some feedback, to be honest it's absolutely unnoticeable ;p

The Synclavier vinyl: https://www.discogs.com/fr/release/67...

Based on 'init' patch:
Algorithm: 5
Output level: 99, 84, 99, 84, 99, 84
Coarse: 1, 1.43, 1.01, 1.44, 1.02, 1.45
Detune: 0, 0, -2, -2, -2, -2
Rate 1: 90, 75, 90, 75, 90, 75
Rate 2: 17, 0, 17, 0, 17, 0
Rate 3: 99, 20, 99, 20, 99, 20
Rate 4: 25, 20, 25, 20, 25, 20
Rate Scaling: 2
Feedback: 4
Transposition: C2"

Synclavier "Voices 1" from Genesis 'Mama' recreated on Yamaha DX7 [Supermax]

video upload by Valmont

"This one was more simple than the previous Synclavier patch. The subtlety is that the two triple-harmonic operators are doubled by the Synclavier chorus function, and that both use asynchronous LFOs. So you get a 2x6 linear operators sound, with two moving parts in the whole thing. We can't do this in a DX7, however we have the Supermax delay function which allows something in the very same spirit. Not having a Supermax results in a strictly halved-stack, which is noticeable but okay if you add thick chorus behind.

The two Synclavier operators both contain harmonic 1, 2 and 3. They're detuned from each other, so until here the DX7 can follow. Then with the trigger-delayer, we ask the DX to play each note a second time very shortly after, with an augmented pitch. We get twice the sound, twice fatter. But we still only have one LFO for the voices, delayed or not, so the sound is phasing out a bit less. Just add a lil chorus on the output and there it goes. Tho we can remark that the patch used on 'Mama' by Genesis has less LFO modulation, it's smoother. But I wanted to recreate the real Synclavier sound x)

Also note that Depeche Mode used this patch on 'Love in Itself', just like the ChurchBell sound I recreated a month ago. [above]

Based on 'init' patch:

Algorithm: 32
Output level: 96, 84, 80, 96, 84, 80
Coarse: 1, 2, 3, 1, 2.02, 3
Detune: -4, +4, -4, +5, +5, +7
Rates for all operators: 50/99/99/40
Levels for all operators: 99/99/99/0
LFO wave: sine
LFO speed: 36
LFO delay: 16
LFO PM: 28
-----------------
Supermax functions:
Delay: 140
Volume: 3
PT: 0.38"

Synclavier "Voices 1" from Genesis 'Mama' recreated on Yamaha DX7 [Supermax]
video upload by Valmont

"This one was more simple than the previous Synclavier patch. The subtlety is that the two triple-harmonic operators are doubled by the Synclavier chorus function, and that both use asynchronous LFOs. So you get a 2x6 linear operators sound, with two moving parts in the whole thing. We can't do this in a DX7, however we have the Supermax delay function which allows something in the very same spirit. Not having a Supermax results in a strictly halved-stack, which is noticeable but okay if you add thick chorus behind.

The two Synclavier operators both contain harmonic 1, 2 and 3. They're detuned from each other, so until here the DX7 can follow. Then with the trigger-delayer, we ask the DX to play each note a second time very shortly after, with an augmented pitch. We get twice the sound, twice fatter. But we still only have one LFO for the voices, delayed or not, so the sound is phasing out a bit less. Just add a lil chorus on the output and there it goes. Tho we can remark that the patch used on "Mama" by Genesis has less LFO modulation, it's smoother. But I wanted to recreate the real Synclavier sound x)

Also note that Depeche Mode used this patch on 'Love in Itself', just like the ChurchBell sound I recreated a month ago. Check it here if you haven't seen it yet! [above]

Based on 'init' patch:

Algorithm: 32
Output level: 96, 84, 80, 96, 84, 80
Coarse: 1, 2, 3, 1, 2.02, 3
Detune: -4, +4, -4, +5, +5, +7
Rates for all operators: 50/99/99/40
Levels for all operators: 99/99/99/0
LFO wave: sine
LFO speed: 36
LFO delay: 16
LFO PM: 28
-----------------
Supermax functions:
Delay: 140
Volume: 3
PT: 0.38"

BBD emulation Crumar Trilogy prototype

video upload by Valmont

"Here I only presented the wet sound of a single BBD line and the mixed effect (still with one line). The complete ensemble consists in 3 lines like that, with phase offset and LFO combinations."

1984 Akai AX-80: 17 more great sounds

video upload by Valmont

"I played for hours straight so I had to change my camera's battery 4 times and my SD card, then assembling and sorting all the cuts I realized it moved a bit, sorry for that!
One of the great thing with the AX80 is the stability: it doesn't move of a single cent, which is fundamentally important for live performances! (Also there are 64 presets it's nice). More than being stable, it's also really in tune thanks DCOs drivers. (too much in tune..?)
It's nice to know this synth has a double-mode crossmod section, an ADSR to DCO routing and an additional sub waveform. On 8 voices so it goes big! I especially like the crossmod. It's not as versatile as a Prophet 600, but it does have a sonic difference. The filters are a question of taste, I'm into the 2044 reference and those CEMs don't sound quite the same, they have a more aggressive resonance... They're just different (in a CEM way by definition :p)
And well that look, with astonishing neon LEDs behind opaque plexiglass, and this fantastic keyboard feel! Oyy we don't speak enough about it, but it's amazing, it's perfectly balanced and nice to play with.

As usual with mono sources, I preamped the AX-80 thru a Golden Age Premier PREQ-73, and since the Akai output level is super high it easily went on overdrive. The Akai doesn't drive by itself, it's on the contrary really clean!

0:00 - matt's jupiter
0:22 - bbd like
0:38 - edged era
0:54 - chillaxattitudzer
1:16 - nyx
1:40 - parallels
1:59 - pouet
2:16 - rotterdam
2:37 - shattered skies
2:54 - sparkling cubes
3:21 - trapezoid bridge
3:45 - staircase
4:18 - strewed semolina
4:45 - atmos
5:12 - grasping at straws
5:35 - cubicle
5:58 - cardboard box"

Лель УДС (LEL' UDS) with a Welson Supermatic S12

video upload by Valmont

"- The LEL' UDS is a soviet drum synth, made in the late 80's.
It has 2 identical, independant channels that include a tone (triangle) and a noise generator.
- The Welson Supermatic S12 is an italian drum machine made in 1971.
It provides 12 classic patterns with no available edits, except global volume and tempo.
There's still a little knob at the back that acts like a 6dB LP filter ('tone' thing)

So in a few words, two simple instruments that make simple sounds... Chained together!
I was digging inside the LEL' (A bit of servicing) but got lazy to close the lid to shoot the video. So there it is, wide opened for your eyes :D
I think I'll add a second output for this unit.
Just requires to build a second amplifier and split the channels - not thaaat complicated stuff so... why not give a try x)

Patterns:
0:00 - Shake
0:28 - Tango
0:46 - Mambo 1
0:59 - Mambo 2
1:09 - Slow Rock
1:20 - Samba 1
1:32 - Snare Roll
1:43 - Samba 2"

Crumar Bit One: 15 great sounds (Rare SSM rev.)

video upload by Valmont

"Long time ago I recorded a video of this Crumar, but the sound was mono with phasing issues, and so didn't give honor to Bit One's sonic character.
This time I recorded it with the voicepan x)
This unit is a SSM-2044 version, it said less than 300 (or 200?) were made before switching to the less sought-after CEM-3328. With the incredible number of broken Bit Ones you can find online, I don't think there's much SSM versions left :D
The Bit is also capable of split/layer/two-unison, I forgot to make some patch for that when recording the video!

I made a Crumar Bit One/01/99 t-shirt here (idk I thought it looked cool) https://sites.google.com/site/digital...

0:00 - caramel
0:18 - italie 13
0:42 - july
1:01 - imagination
1:16 - aspects
1:35 - spread
1:56 - venus
2:22 - aristide
2:55 - scent
3:15 - pacific fish
3:36 - butternut
4:07 - boreal toad
4:24 - montmartre
4:56 - neons
5:20 - oranges"

MSX Yamaha CX5M Music Computer SFG-05 FM Sound Synthesizer Unit II Engine

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"MSX Yamaha CX5M Music Computer SFG-05 FM Sound Synthesizer Unit II Engine WORKS! This unit is in excellent condition, being tested and functional with no major issues. It has all parts and pieces and comes with an SFG-05 FM Sound Synthesizer Unit II Module plugged in the back, wham-o! This unit is clean and has no damage, and has all the original plug covers still in place as well (these are usually lost relatively quickly).

This unit measures in at 16 1/2" wide, 8 1/4" deep, and 2 3/4" tall. It weighs in at 6 pounds, 12.9 ounces total."

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Waldorf Q Phoenix 61-Key Synthesizer

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Siel Orchestra 2 Analog Synthesizer SN 230/221

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"First you think it has 4 basic sounds but it is the 80s so the piano is of course does not sound like a piano at all, and the others also very very diferent what you expect but the result is surprisingly great, you simply do not want to stop playing!

The equalizer is a real plus! It can change the sound of every patches and it is a really hands on modification tool."

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