Creative & Musical Uses of Precision Adders, Offset Voltages & Transposing // BEFACO VOLTIO

video upload by DivKid

"In this video we explore creative and musical uses of offset voltages and precision adders. Using the Befaco Voltio we explore creating chord intervals both statically and with offsetting musical sequences, we get creative with adding asymmetrical behaviours to waveshapers, we lock in FM ratios with analogue VCOs and plenty more.

The Befaco Voltio is a musical voltage source with 0-10V or -5/+5V octave offsets alongside semitone offsets, perfect for dealing in chord intervals. It features 2mm banana outputs that work with probes and it is a very accurate voltage that they designed for testing, building and calibrating modules. As well as generating voltages it's features a sum input, allowing this to work as a precision adder for adding or subtracting CV offset values from both sub audio CV signals and from audio sources."

TIMING INDEX // CHAPTERS

00:00 Hello & patch previews
0:55 What is Voltio and what are these musical offsets?
02:16 Octave & Semitone Shifting
02:57 Offsetting Sequences for Duophonic Fun
04:11 From Bipolar to Unipolar - offsetting LFOs from -5/+5V to 0/10V
05:17 Asymmetrical Waveshaping - Add Symmetry Control to Folders & Distortion
06:48 Switched LFO Rates - Performance Wibble Wobbles!
07:28 FM Ratios - Switchable, Musically Useful FM Intervals with Analog VCOs
08:33 Gates made from Switched Voltages

Tech Thursday | Enhance 2 Audio Rate Modulation

video upload by Joranalogue Audio Design

"Welcome back to Tech Thursday—headphones are recommended this week! Enhance 2 is a great module to expand your sonic palette. Our stereophonic enhancer provides unparalleled hands-on control over your stereo mix. But, as with all of our modules, there are a lot of modulation possibilities to explore as well.

Take it a step further with audio rate modulation and you can end up with expansive and unique stereo soundscapes!"

Drone Music | Maths + Morphagene + DPO = Motor Synth

video upload by Cinematic Laboratory

"I saw the Gamechanger Audio Motor Synth MK II on the Erica booth at Dutch Modular Fest and I was intrigued by the sound and the mechanics of eight precision drone engines. Unfortunately I can't justify a purchase due to price and my focus on Eurorack. But that sound... So I was inspired to try to make something similar with a clever envelope, a complex oscillator and a drone engine sample. I am using Maths, DPO and Morphagene, but any combo of an ADSR, growling VCO and sample player with pitch CV would work.

This video basically covers the fun of combining a VCO with a Sample and mult pitch to both of them. It will open up a weatlh of new sounds you've never heard before, but offer a new level of complexity and awe.

I guess you can see this as Shared System Tutorials episode 45 too. So the series goes on, but the thumbnails are no longer directly tied to the series."

Best of E-MU EMULATOR II Sampling Synthesizer ~ RetroSound Demo

video upload by RetroSound

"(c)2007-23 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Best of E-MU EMULATOR II Sampling Synthesizer
all sounds: E-MU EMULATOR II (1984)

Setlist
0:06 Intro
0:18 Heart Of Noise
1:12 de Lune
1:25 Retro Beat

CLICK FOR MORE »

Granular Guitar

video upload by Instruō

"làrachd is utilised as an input stage for the guitar.
The output from làrachd is patched to the Onset Input of arbhar.

When an onset signal is detected, arbhar begins recording the guitar. Once the buffer is full, we can use the Spray Knob and Scan Knob to explore which part of the recording we would like to hear.

The guitar signal normals to làrachd's envelope follower.

The Positive Envelope Output of the làrachd is used to modulate arbhars Intensity. As a result, when a loud input signal is present, fewer grains are triggered from the arbhars Continuous Granular Engine.

The Negative Envelope Output is offset using a vincâ and used to duck arbhar's internal reverb as well as adjust the Dry/Wet Mix when an input signal is present.

arbhar’s Pitch Deviation Knob is positioned fully clockwise meaning grains are transposed up and down octaves.

Finally, the left and right outputs of the arbhar are patched to the cuïr, which is used for gain staging and final signal output."

09- The Pittsburgh Modular Taiga- Echoes

video upload by AutomaticGainsay

"Here is a demonstration of the sound and functionality of the "echoes" function found on the Pittsburgh Modular Taiga.

To see how the theme was created, watch the theme video in this series. It is comprised of several patches created on the Taiga over drums created with a Korg Triton Studio.

This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon! http://www.patreon.com/automaticgainsay"

AutomaticGainsay Pittsburgh Modular Taiga posts

Atomosynth TK mini system techno jam

video upload by Atomosynth

"Hello world in this video a new track recorded live using the AtomoSynth TK mini system (1 TOTTEM and 1 KOE module) and some effects."

Heavily Modified Oberheim FVS Walkthrough + Demo

video upload by Rosen Sound

"Quick walkthrough of a cool Oberheim FVS we restored and modified (out of necessity) for composer Paul Haslinger. Demos by Benny Bock"

BENT TIME DRIVE

video upload by Michael Rucci

"Rucci Electronics - Bent Time Drive
More info at... handmadeelectronicinstruments.com

0:00 (No Input)
1:05 (w/ 8-Bit Power Synthesizer)
3:36 (w/ Human Resistance Synth)
5:13 (w/ Maximal Drone)
6:18 (w/ CV Sequenced Maximal Drone)
7:23 (w/ External Audio (Shaker Loop))
9:39 (w/ External Audio (Radio Broadcast))
11:58 (No Input)"

Expanding Your Eurorack Setup with the ES9 and VCV Rack Ft. Omri Cohen

video upload by Perfect Circuit

"Bridging between the worlds of software and hardware instruments is a long-standing ideal among electronic musicians. It's easy to imagine why: the precision of control and extensibility of the computer coupled with the tactility of hardware instruments has the potential to open completely new musical dimensions.

Luckily, this type of setup is simpler now than it ever has been. In this video, our pal and hybrid setup aficionado Omri Cohen walks through some ideas for integrating a hardware Eurorack system with the virtual modular synthesizer VCV Rack…focusing on the Expert Sleepers ES-9 Eurorack audio interface as a bridge between the two worlds. In this video, Omri touches on a ton of great patching ideas: using the computer to clock your modular system; using the computer as a processor for hardware audio; and much more.

Read more about what this all can mean for you on our blog, Signal: https://bit.ly/3RwUztA"