via this listing
Sunday, March 16, 2025
YAMAHA TQ5 FM TONE GENERATOR SN QN01016
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via this listing
"The Yamaha TQ5 tone generator is a 4op FM synthesizer with 8 voices, 8 notes polyphony and the usual 8 algorithms. It belongs to the same family of the Yamaha DX11 and TX81Z but it also adds ten built-in effects including reverb, delay and distortion, sharing a lot with the V50 and EOS B200. The unit also includes a 8-track sequencer, which makes it a great all-in-one machine in a rather small package.
The TQ5 has 100 presets, plus another 100 patches in RAM and an optional RAM card containing an additional 100 slots. The built-in sequencer is capable of storing 999 bars of music (about 10,000 notes) that can be recorded in real time or step time from a master keyboard. It also has a function of dubious utility which shows the current time, date and day of the week after a minute of inactivity. It does however expand on the "easy edit" functionality first introduced with the TX81Z and DX11, letting you modify FM parameters with an analog-like approach.
The TQ5 sits in the middle of Yamaha's departure from the DX era: on one side it still retains full compatibility with the classic 4op FM technology while adding bits and pieces to make it sound better and easier to program, but on the other side it's a hard break with the hardware design and interface paradigms that made Yamaha famous during the 1980s.
Supposedly, the slanted design of the control panel should make it easy to operate when placed on the left side of the controlling keyboard. Yamaha suggest having it on top of a PF1500 electronic piano, which is probably the only place it was designed for, considering that every synthesizer made by Yamaha till 1988 had sliders on the left side of the top panel. It won't even fit on a KX76 MIDI keyboard which should be a better companion than an electronic piano.
Although no further information could be found, the TQ5 has apparently been designed (together with the YS200) by the German design firm Frog, which was also responsible of Apple's successful design language of the late 1980s but probably never really understood how a synthesizer works."
via this listing
"The Yamaha TQ5 tone generator is a 4op FM synthesizer with 8 voices, 8 notes polyphony and the usual 8 algorithms. It belongs to the same family of the Yamaha DX11 and TX81Z but it also adds ten built-in effects including reverb, delay and distortion, sharing a lot with the V50 and EOS B200. The unit also includes a 8-track sequencer, which makes it a great all-in-one machine in a rather small package.
The TQ5 has 100 presets, plus another 100 patches in RAM and an optional RAM card containing an additional 100 slots. The built-in sequencer is capable of storing 999 bars of music (about 10,000 notes) that can be recorded in real time or step time from a master keyboard. It also has a function of dubious utility which shows the current time, date and day of the week after a minute of inactivity. It does however expand on the "easy edit" functionality first introduced with the TX81Z and DX11, letting you modify FM parameters with an analog-like approach.
The TQ5 sits in the middle of Yamaha's departure from the DX era: on one side it still retains full compatibility with the classic 4op FM technology while adding bits and pieces to make it sound better and easier to program, but on the other side it's a hard break with the hardware design and interface paradigms that made Yamaha famous during the 1980s.
Supposedly, the slanted design of the control panel should make it easy to operate when placed on the left side of the controlling keyboard. Yamaha suggest having it on top of a PF1500 electronic piano, which is probably the only place it was designed for, considering that every synthesizer made by Yamaha till 1988 had sliders on the left side of the top panel. It won't even fit on a KX76 MIDI keyboard which should be a better companion than an electronic piano.
Although no further information could be found, the TQ5 has apparently been designed (together with the YS200) by the German design firm Frog, which was also responsible of Apple's successful design language of the late 1980s but probably never really understood how a synthesizer works."
Roland TR-66 Rhythym Arranger SN 867058
HOW TO | Building a Techno MACHINE | Eurorack Modular Synthesizer
video upload by Nero Di Seppia
0:00 Intro
0:24 DFAM for Kick and Melodies
1:33 BIA
3:09 Drones
4:30 Drone + Envelope
5:30 Turing Machine as Pitch
6:15 909 Hats
7:15 Rample for 909 Ride/Clap/Hats
8:13 DJ Filter
9:28 Guillotine Distortion
10:10 JAM SESSION
Modules:
V-SHAPE and SAMPLE HOLD & SLEW Stepped Wave-Shaping / Timbre Modulation Session #eurorack
video upload by AJH Synth Official
"Short performance example using Sample & Hold to add random modulation to wave shape in a musically intuitive way. The V-Shape is a very capable wave shaper, also featuring optional distortion, and voltage control over both. Here the wave shape of a simple triangle wave is being twisted to produce a much more interesting variety of timbres, each being instigated by gate signals from a keyboard CV controller. Gate signals sent to the Clock input of the Sample Hold & Slew module bypass its internal clock, and trigger it to create a new random voltage when a gate signal is received. This way a keyboard or sequencer can be used to step through the random voltages as desired. See the following video for an example doing this with a sequencer, also using the V-Shape: • Patch of the Week: 'Schulze School' -..." [2nd video in the playist here]
Arcaico Dominus Dual complex oscillator #eurorack #synthesizer #modularsynth
video upload by Arcaico Instruments
"Dominus is a dual complex vco Saw Core with integrated wavefolder. Each VCO is independent and has 4 waveforms and all the classic basic VCO controls, with a very stable 1v/oct control up to 10 octaves.
The wavefolder section is independent and inside is connected to the vco, through the switches you can select one of the 3 waveforms, you can mix the two vcos or use only one.
By modifying the sound in a non-linear way the wavefolder will create wonderful sounds.
The Radius potentiometer adjusts the range over a certain frequency band.
In the CV control you can use envelopes, lfos, and sequencers to create very complex soundscapes.
The SHAPE knob adjusts, modifies and distorts the final result.
The VCO1 and VCO2 potentiometers adjust the level of each VCO, various level settings will create very different sounds.
Frequency range min.6hz max.24.000hz"
Best Ambient Synth Shootout #145: Modal Skulpt - Song 1
video upload by Christian's Sonic Spaces
"This is the first, quite relaxing recording with the Modal Skulpt. It is a unique sounding, little 4-voice polyphonic virtual analogue synthesizer. The size of the Modal Skulpt is somewhere between the Korg Volca and the Sonicware Liven.
I used for the recording the following FX pedals:
Pigtronix Echolution 2 Deluxe, GFI System Specular Reverb 2.
The signal went through a Presonus StudioLive 16.0.2 into the PC via USB for recording. To create the complete song I recorded consecutively several stereo tracks. On some tracks Compressor and EQ where added in Cubase. The final song was then mastered using iZotope Ozone."
Hypnotic Ambient Jam with Solar 42F | 59 Perlen
video upload by 59 Perlen
"Hi guys ,
at the moment my jams are focused on learning the Solar 42F, what else :D it's still a big challenge to make music spontaneously with the instrument. The preparations still take far too long for me - it can easily take half an hour to tune all the synths. Since my goal is to play a live show with the instrument, I've put the focus on that and I don't yet know how I'm supposed to manage 1 complete hour without a break for the night tuning. Maybe one of you has the Solar and can give me tips on how to configure it for a live performance longer than 15 minutes. Either way, have fun with the jam :D"
Making of the DIY analog Hybrid Tube-Synthesizer
video upload by Andreas Remshagen
"Here some Pictures made during the making of my analog Hybrid Tube-Synthesizer. All Sounds are made with this Device. I started in October 2024 and finished in February 2025. I had a lot of fun building it and learned a lot.
The Music was recorded with a Boss RC202 Looper"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
