Monday, April 28, 2025
Universal Audio Minimoog (no words - just sound)
video upload by KEYBOARDS
"In diesem kurzen Soundbeispiel zeigen wir dir, wie authentisch und druckvoll der UAD Minimoog klingt.
Fette Bässe, warme Leads und klassische Analogsounds – direkt aus deinem Rechner, ganz ohne DSP-Hardware. Tauche ein in den ikonischen Vintage-Sound in moderner Form!"
Googlish:
"In this short sound sample, we show you how authentic and powerful the UAD Minimoog sounds.
Fat basses, warm leads, and classic analog sounds – straight from your computer, without any DSP hardware. Immerse yourself in the iconic vintage sound in a modern form!"
The Seventh of Four
video upload by davidryle
"A new project idea to use the synthesizers.com Q170 MIDI GATES module to affect broad changes to the composition within the modular system.
The Q170 has eight output jacks for sending 5V gate or trigger voltages to the modular system. I used my DAW (Cubase) to construct timings for various parts of the modular.
The first four outs were used as pulse gates for the Delptronics and TipTop drum modules. The Kick, Snare and Open and Closed HiHats.
The fifth out is to the Q169 vco's AMP input. That vco is used for the bass line so controlling the on-board vca will mute or enable the voice.
The sixth out was to enable the Dove D900 sequencer to run/stop. The sequencer is feeding pitch voltage to the Synthetic Sound Labs Woven Spirits (MI Plaits). This is the chord pad sound. I used the DAW to pulse the gate info when I wanted the sequencer to reset at certain parts.
The seventh out was to send a continuous gate to the STG Soundlabs Time Buffer. The Time Buffer is receiving a sync-bus 24 ppq clock and run signal. I have a panel access to these with jack inputs so I sent the 5V gate to the RUN input. This allowed me to use this to start and stop all sequencer motion from the DAW.
The eighth out is to a Lower West Side Studios triple switch. This switch is used to add an offset voltage to the Woven Spirits Harmonic control.
The other fun part was playing the LWSS triple attenuator. I had three parts run through the module. The pair of STG VMS sequences were percussive background parts switched in and out as needed. The third part was a pulse version of the pad sound.
The Matrix duet in the mid section was clocked from the STG Time Divider module. Both Matrix were set with very closely aligned slider settings but the "Z" sliders were offset for variety. They sent pitch voltage to the TZ-VCO's from SSL. The duet were sent through the STG Post Lawsuit Filter and an Empress reverb/delay pedal.
Other outboard effects were the Meris Hedra for the bass line and the EMX Grand Canyon for the steady pad sound."
BMF Raffle For Geddy Lee Minimoog Model D
For those caught up on posts, you can find an update on the Bob Moog Foundation's raffle for the Geddy Lee Minimoog Model D here.
Sunday, April 27, 2025
DreamsOfWires Live with AJH SYNTH Coming to Superbooth25, Berlin 10th May #eurorack
video upload by AJH Synth Official
"@DreamsOfWires Will be performing a short 20-minute set at Superbooth25 using AJH SYNTH modules, Saturday 10th, 3:20pm in the Auditorium.
Past music releases can be found here: https://tomorrowthecure.bandcamp.com"
California Highway 163: San Diego's beautiful and scenic freeway
video upload by CatSynth TV
"We take a trip along California Highway 163 (Cabrillo Freeway), a particularly beautiful freeway in San Diego. It beings as a historic parkway running through Balboa Park and under Cabrillo Bridge. After its interchange with Interstate 8, it opens up to a wide modern freeway until its northern terminus at a junction with Interstate 5. Along the way we also pass Interstate 805 and California Highway 52.
The southern parkway section of CA 163 was once part of US 395, which extended all the way to downtown San Diego.
The music reflects the two sections of the highway, with a noticeable change when we move from the historic parkway to the modern freeway.
Original music features the following instruments:
iOptigan
Cherry Audio KR-55C, Yellowjacket, Mercury 6, Elka X, Filtomika, Stardust 201
Arturia CMI V, CP 70, Pigments, MiniBrute
EastWest Fab Four, Stormdrum 2, Gypsy
Buchla Red Panel 158 module
Serge/Random Source Dual Universal Slope Generator
Metasonix R-54 and RK5 modules
Circuit Abbey ADSRjr
MOK Filtryg
_________
Store: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"
Brand New Geddy Lee Minimoog Model D Synthesizer Unboxing
video upload by moogfoundation
"Unpacking of the gorgeous cherry red Geddy Lee Minimoog Model D, serial number GLMD-0233.
Raffle coming soon..."
Update: details are in:
It comes with several exclusive items, including a certificate of authenticity signed by Geddy Lee, a custom "Starman" badge on the front and back, a limited-edition 10-inch translucent red vinyl of two Rush songs, and an exclusive Geddy Lee Minimoog Model D poster. The synthesizer is valued at $5,500.
Raffle tickets are $25 each, 5 for $100, 12 for $200, and 35 for $500 The raffle runs from 7:00 am (ET) on April 28, 2025 to 11:59 pm on May 19, 2025 (ET) The raffle is open internationally
Read more and purchase tickets at: https://bit.ly/GeddyLeeMinimoog2025
UNBOXING // IK Multimedia UNO SYNTH PRO X // TWEAKING Presests // No Talking
video upload by LESINDES
"Just arrived here. I could not dive deep into the synth. So I am scatchning only the surfice in this video and my short FIRST IMPRESSIONS of the new kid.
Very versatile little machine with paraphonic mode to play triads and program triads in the step sequencer. 2 independet filter. 1 OTA HP/LP, 1 SSM style, parallel or in series.
Now a few shortcomings:
DISTORSION is welcome but has to be that harsh?
Also: A programmable DISTORSION is a good feature but without a programmable level BEHIND the DISTORSION makes the synth almost unsuitable for a live performance as for huge unsustainable loudness gaps between different patches. DELAY and REVERB are only average and far away industry standard.
Flexible MODULATION ROUTING but it is quite a mess to readjust levels as there are for instance no dedicated attenuaters for LFO mod levels for the VCF. I understand that there is not much space on the panel 1. But LFO WAVE knob could get a 2nd shift function. Main job: LFO amount, shift-job: wave....
So these were my fist impressins."
A very fat little generative synth: Wirehead Basilisk explained
video upload by mylarmelodies
"This is a demo/tutorial of an affordable hybrid analog & digital generative acid groovebox synth called the @wireheadinstruments Basilisk. It's available as DIY or off the shelf, and shown here clocked to a modular drum machine and various other desktop boxes!"
CHAPTERS
00:00 What's the Basilisk all about?
00:48 How the oscillator works
01:30 How the filter works
02:14 How modulation works
03:44 How the Envelope works
04:25 Recap & Pitch Envelope Jam
05:44 Generative Melody Sequencing
07:04 Sequencer Controls & Algorithms
08:20 Acid Jam
09:05 Changing Sequence Length
10:04 Call & Response Acid Jam
12:07 Parameter Locking Explained
15:04 Fifthsy Acid Jam with LFO'd filter
17:52 Acid Reverb Goosebumps Outro
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
